Rosa M Medina-Doménech
Biographic Data
| ID | 9294912 |
|---|---|
| NAME | Rosa M Medina-Doménech |
| GIVEN NAMES | Rosa M |
| FAMILY NAME | Medina-Doménech |
| SIGNATURE | MEDINA-DOMÉNECH R M |
| AFFILIATIONS | Universidad de Granada |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 0 |
A “tale of two countries”
In this article we explore how the Spanish written press – ABC, La Vanguardia, and Blanco y Negro – and the official newsreel No-Do, created and disseminated a narrative about heart transplantations at the end of the 1960s. We consider how Franco’s regime used Christiaan Barnard’s heart transplants to legitimize the Spanish dictatorship and as a means of signifying scientific progress, modernization and national pride. The Spanish press created t…
Cinematic representations of medical technologies in the Spanish official newsreel, 1943–1970
NO-DO, the Spanish official newsreel produced by Franco's dictatorship (1939–1975), held a 30-year monopoly over audio-visual information in Spain from 1943 to 1975. This paper reports on an analysis of the coverage of medical technologies by the Spanish Cinematic Newsreel Service, NO-DO, from 1943 to 1970. The study focuses on the changing roles played by cultural representations of medical technologies deployed in NO-DO. Our analysis shows how …
No prominent works on this page.
Cinematic representations of medical technologies in the Spanish official newsreel, 1943–1970
NO-DO, the Spanish official newsreel produced by Franco's dictatorship (1939–1975), held a 30-year monopoly over audio-visual information in Spain from 1943 to 1975. This paper reports on an analysis of the coverage of medical technologies by the Spanish Cinematic Newsreel Service, NO-DO, from 1943 to 1970. The study focuses on the changing roles played by cultural representations of medical technologies deployed in NO-DO. Our analysis shows how …
A “tale of two countries”
In this article we explore how the Spanish written press – ABC, La Vanguardia, and Blanco y Negro – and the official newsreel No-Do, created and disseminated a narrative about heart transplantations at the end of the 1960s. We consider how Franco’s regime used Christiaan Barnard’s heart transplants to legitimize the Spanish dictatorship and as a means of signifying scientific progress, modernization and national pride. The Spanish press created t…
Dictatorship (2 works) · Law (2 works) · Media, Journalism, and Communication History (2 works) · Political science (2 works) · Sociology (2 works) · Aesthetics (1 work) · American History and Culture (1 work) · Art (1 work) · Autocracy (1 work) · Computer Science (1 work)