Roni Y Granot
Biographic Data
| ID | 9297014 |
|---|---|
| NAME | Roni Y Granot |
| GIVEN NAMES | Roni Y |
| FAMILY NAME | Granot |
| SIGNATURE | GRANOT R Y |
| AFFILIATIONS | The Hebrew University, Israel |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2012 |
| H-INDEX | 0 |
Musically puzzling II
Previous studies have suggested that listeners are insensitive to the overall tonal structure of musical pieces. In Part I of this report ( Granot & Jacoby, 2011 ) we reexamined this question by means of a puzzle task using 10 segments of Mozart’s B flat major piano sonata K. 570/I. As expected, subjects had difficulty in recreating the original piece. However, their answers revealed some interesting patterns, including (1) Some sensitivity to th…
Musically puzzling I
Previous studies have suggested that listeners are not sensitive to the overall tonal structure of musical pieces. This assumption is reexamined in the current study in an active musical puzzle task, with no time constraints, focusing on the presumably most directional musical form – the sonata form. In our first study (reported here, and referred to as “the Mozart study”), participants with varying levels of musical training were presented with …
Primary versus secondary musical parameters and the classification of melodic motives
Music theorists often maintain that motivic categorization in music is determined by “primary” musical parameters — music-specific aspects of pitch and temporal structure, like pitch intervals or metric hierarchies, serving as bases for musical syntax. In contrast, “secondary” parameters, including important aspects of extra-musical auditory perception like loudness, pitch register and timbre, do not establish motivic categories. We examined syst…
Provisional evidence that the arginine vasopressin 1a receptor gene is associated with musical memory
Intensity changes and perceived similarity
Music theorists and psychologists have described diverse musical processes in terms of changes (increase or decrease) in “intensity”. This paper examines the hypothesis that analogous intensity changes in different musical parameters can be perceived as similar, and discusses implications of such perception for music analysis. In the experiment reported, participants rated the degree to which members of pairs of musical stimuli were similar in ch…
No prominent works on this page.
Provisional evidence that the arginine vasopressin 1a receptor gene is associated with musical memory
Intensity changes and perceived similarity
Music theorists and psychologists have described diverse musical processes in terms of changes (increase or decrease) in “intensity”. This paper examines the hypothesis that analogous intensity changes in different musical parameters can be perceived as similar, and discusses implications of such perception for music analysis. In the experiment reported, participants rated the degree to which members of pairs of musical stimuli were similar in ch…
Primary versus secondary musical parameters and the classification of melodic motives
Music theorists often maintain that motivic categorization in music is determined by “primary” musical parameters — music-specific aspects of pitch and temporal structure, like pitch intervals or metric hierarchies, serving as bases for musical syntax. In contrast, “secondary” parameters, including important aspects of extra-musical auditory perception like loudness, pitch register and timbre, do not establish motivic categories. We examined syst…
Musically puzzling I
Previous studies have suggested that listeners are not sensitive to the overall tonal structure of musical pieces. This assumption is reexamined in the current study in an active musical puzzle task, with no time constraints, focusing on the presumably most directional musical form – the sonata form. In our first study (reported here, and referred to as “the Mozart study”), participants with varying levels of musical training were presented with …
Musically puzzling II
Previous studies have suggested that listeners are insensitive to the overall tonal structure of musical pieces. In Part I of this report ( Granot & Jacoby, 2011 ) we reexamined this question by means of a puzzle task using 10 segments of Mozart’s B flat major piano sonata K. 570/I. As expected, subjects had difficulty in recreating the original piece. However, their answers revealed some interesting patterns, including (1) Some sensitivity to th…
Art (5 works) · Neuroscience and Music Perception (5 works) · Psychology (5 works) · Computer Science (4 works) · Musical (4 works) · Speech recognition (4 works) · Acoustics (3 works) · Artificial Intelligence (3 works) · Cognitive psychology (3 works) · Literature (3 works)