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Brian F G Katz

Biographic Data

ID929789
NAMEBrian F G Katz
GIVEN NAMESBrian F G
FAMILY NAMEKatz
SIGNATUREKATZ B F G
AFFILIATIONSInstitut de Recherche et Coordination Acoustique Musique
ORCID0000-0001-5118-0943
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS3
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR1977
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Public Evaluation of Notre-Dame Whispers, a Geolocated Outdoor Audio-Guided Tour of Notre-Dame’s Sonic History

    Open Access•Julien De Muynke, Stéphanie Peichert et al.•ARTICLE•Heritage•2026•References: 1

    This study presents the on-site public evaluation of Notre-Dame Whispers, a geolocated audio-guided tour that explores the sonic history of the Cathédrale Notre-Dame de Paris. The experience combines binaural reproduction, embodied storytelling, and historically informed soundscapes to immerse visitors in the cathedral’s past auditory environments. Drawing on virtually recreated acoustics, it reconstructs key components of Notre-Dame’s sound heri…

  • The Past Has Ears at Notre-Dame

    Open Access•Brian F G Katz•ARTICLE•Journal of Anthropological and…•2025

    The acoustic heritage of historic spaces such as the Cathedrale Notre-Dame de Paris represents a vital but ephemeral dimension of cultural memory. Unlike architectural features or tangible artefacts, acoustics cannot be preserved in situ; they must instead be captured, simulated, or imaginatively reconstructed (Katz, 2024, Mullins and Katz, 2024) (1,2). Following the 2019 fire that severely damaged Notre-Dame, a wave of interdisciplinary research…

  • A study on interpretation of medieval vocal repertoire through auralisation

    Julien De Muynke, Julien Ferrando et al.•ARTICLE•Sound Studies•2025•Cited by: 1•References: 15

    International audience

  • History and Acoustics of Preaching in Notre-Dame de Paris

    Open Access•Elliot K Canfield-Dafilou, Brian F G Katz et al.•ARTICLE•Heritage•2024•References: 4

    This article investigates the audibility and intelligibility of preaching in a loud voice inside the Cathedral Notre-Dame de Paris during the Middle Ages, after the construction of the Gothic cathedral, until the late 19th century. Through this time period, the locations where oration took place changed along with religious practices inside the cathedral. Here, we combine a historical approach with room acoustic modelling to evaluate the location…

  • The Past Has Ears at Notre-Dame

    Open Access•Brian F G Katz, Cécile Cros et al.•ARTICLE•Digital Applications in…•2024•Cited by: 1•References: 5

  • Ears of the past, an inquiry into the sonic memory of the acoustics of Notre-Dame before the fire of 2019

    Open Access•Julien De Muynke, Marie Baltazar et al.•ARTICLE•Journal of Cultural Heritage•2024•Cited by: 1•References: 5

    This interdisciplinary study brings together acousticians and anthropologists to examine the memory of the acoustics of Notre-Dame de Paris before the fire of April 2019, using a qualitative approach to collect the testimonies of 18 people involved in the sound usages of the cathedral. Testimonies were analyzed in light of research conducted in the anthropology of the senses, sensory perception, memory, and cultural heritage. Analysis highlights …

  • Books on Canada

    Arthur L Johnson, H N Muller et al.•ARTICLE•The American Review of Canadian…•1977

  • A study on interpretation of medieval vocal repertoire through auralisation

    Julien De Muynke, Julien Ferrando et al.•ARTICLE•Sound Studies•2025•Cited by: 1•References: 15

    International audience

  • The Past Has Ears at Notre-Dame

    Open Access•Brian F G Katz, Cécile Cros et al.•ARTICLE•Digital Applications in…•2024•Cited by: 1•References: 5

  • Ears of the past, an inquiry into the sonic memory of the acoustics of Notre-Dame before the fire of 2019

    Open Access•Julien De Muynke, Marie Baltazar et al.•ARTICLE•Journal of Cultural Heritage•2024•Cited by: 1•References: 5

    This interdisciplinary study brings together acousticians and anthropologists to examine the memory of the acoustics of Notre-Dame de Paris before the fire of April 2019, using a qualitative approach to collect the testimonies of 18 people involved in the sound usages of the cathedral. Testimonies were analyzed in light of research conducted in the anthropology of the senses, sensory perception, memory, and cultural heritage. Analysis highlights …

  • Books on Canada

    Arthur L Johnson, H N Muller et al.•ARTICLE•The American Review of Canadian…•1977

  • History and Acoustics of Preaching in Notre-Dame de Paris

    Open Access•Elliot K Canfield-Dafilou, Brian F G Katz et al.•ARTICLE•Heritage•2024•References: 4

    This article investigates the audibility and intelligibility of preaching in a loud voice inside the Cathedral Notre-Dame de Paris during the Middle Ages, after the construction of the Gothic cathedral, until the late 19th century. Through this time period, the locations where oration took place changed along with religious practices inside the cathedral. Here, we combine a historical approach with room acoustic modelling to evaluate the location…

  • The Past Has Ears at Notre-Dame

    Open Access•Brian F G Katz, Cécile Cros et al.•ARTICLE•Digital Applications in…•2024•Cited by: 1•References: 5

  • Ears of the past, an inquiry into the sonic memory of the acoustics of Notre-Dame before the fire of 2019

    Open Access•Julien De Muynke, Marie Baltazar et al.•ARTICLE•Journal of Cultural Heritage•2024•Cited by: 1•References: 5

    This interdisciplinary study brings together acousticians and anthropologists to examine the memory of the acoustics of Notre-Dame de Paris before the fire of April 2019, using a qualitative approach to collect the testimonies of 18 people involved in the sound usages of the cathedral. Testimonies were analyzed in light of research conducted in the anthropology of the senses, sensory perception, memory, and cultural heritage. Analysis highlights …

  • The Past Has Ears at Notre-Dame

    Open Access•Brian F G Katz•ARTICLE•Journal of Anthropological and…•2025

    The acoustic heritage of historic spaces such as the Cathedrale Notre-Dame de Paris represents a vital but ephemeral dimension of cultural memory. Unlike architectural features or tangible artefacts, acoustics cannot be preserved in situ; they must instead be captured, simulated, or imaginatively reconstructed (Katz, 2024, Mullins and Katz, 2024) (1,2). Following the 2019 fire that severely damaged Notre-Dame, a wave of interdisciplinary research…

  • A study on interpretation of medieval vocal repertoire through auralisation

    Julien De Muynke, Julien Ferrando et al.•ARTICLE•Sound Studies•2025•Cited by: 1•References: 15

    International audience

  • Public Evaluation of Notre-Dame Whispers, a Geolocated Outdoor Audio-Guided Tour of Notre-Dame’s Sonic History

    Open Access•Julien De Muynke, Stéphanie Peichert et al.•ARTICLE•Heritage•2026•References: 1

    This study presents the on-site public evaluation of Notre-Dame Whispers, a geolocated audio-guided tour that explores the sonic history of the Cathédrale Notre-Dame de Paris. The experience combines binaural reproduction, embodied storytelling, and historically informed soundscapes to immerse visitors in the cathedral’s past auditory environments. Drawing on virtually recreated acoustics, it reconstructs key components of Notre-Dame’s sound heri…

Art (4 works) · History (4 works) · History (3 works) · Acoustic Wave Phenomena Research (2 works) · Acoustics (2 works) · Aesthetics (2 works) · Archaeology and Rock Art Studies (2 works) · Art history (2 works) · Interpretation (philosophy (2 works) · Literature (2 works)

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