Carles Sánchez Márquez
Biographic Data
| ID | 9311330 |
|---|---|
| NAME | Carles Sánchez Márquez |
| GIVEN NAMES | Carles Sánchez |
| FAMILY NAME | Márquez |
| SIGNATURE | MÁRQUEZ C S |
| AFFILIATIONS | Universitat Autonòma de Barcelona |
| ORCID | 0000-0002-0955-2536 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Framing the Calendar of the Sacramentary of Messina (BNE, Ms. 52)
For the Norman kings of Sicily and the ecclesiastical authorities who ruled their dioceses, Byzantine art served as both a symbol of luxury and a model of prestige. Similarly to the mosaics of Palermo, Monreale, and Cefalú, as well as textiles and goldsmithing, the manuscripts preserved in the National Library of Madrid stand as prime examples of the fascination that the dignitaries of the Kingdom of Sicily had for Byzantine esthetics. Among thes…
The Anglo-Catalan Connection
The wall paintings adorning the south transept apse of Santa Maria at Terrassa are among the most notable surviving items pertaining to the iconography of St. Thomas Becket. Recently found documents in which diplomatic archives reveal English connections are essential for understanding the quick reception of the Becket cult in the Crown of Aragon. The presence of an Anglo-Norman canon—Arveus or Harveus (Harvey)—and his position of scribe during t…
El perfil del operarius y la administración de la obra en las catedrales hispanas (siglos XII-XIII)
Las fuentes medievales hispanas coinciden en otorgar un especial protagonismo al operarius un término que la historiografía ha traducido indistintamente como canónigo obrero, obrero mayor o fabriquero, cuya función principal era percibir y administrar las rentas destinadas a la construcción. El operarius era un eslabón entre el maestro de obras (magister operis) y el obispo, ya que actuaba en representación del capítulo en asuntos relacionados co…
No prominent works on this page.
El perfil del operarius y la administración de la obra en las catedrales hispanas (siglos XII-XIII)
Las fuentes medievales hispanas coinciden en otorgar un especial protagonismo al operarius un término que la historiografía ha traducido indistintamente como canónigo obrero, obrero mayor o fabriquero, cuya función principal era percibir y administrar las rentas destinadas a la construcción. El operarius era un eslabón entre el maestro de obras (magister operis) y el obispo, ya que actuaba en representación del capítulo en asuntos relacionados co…
The Anglo-Catalan Connection
The wall paintings adorning the south transept apse of Santa Maria at Terrassa are among the most notable surviving items pertaining to the iconography of St. Thomas Becket. Recently found documents in which diplomatic archives reveal English connections are essential for understanding the quick reception of the Becket cult in the Crown of Aragon. The presence of an Anglo-Norman canon—Arveus or Harveus (Harvey)—and his position of scribe during t…
Framing the Calendar of the Sacramentary of Messina (BNE, Ms. 52)
For the Norman kings of Sicily and the ecclesiastical authorities who ruled their dioceses, Byzantine art served as both a symbol of luxury and a model of prestige. Similarly to the mosaics of Palermo, Monreale, and Cefalú, as well as textiles and goldsmithing, the manuscripts preserved in the National Library of Madrid stand as prime examples of the fascination that the dignitaries of the Kingdom of Sicily had for Byzantine esthetics. Among thes…
Ancient history (2 works) · Art (2 works) · Byzantine Studies and History (2 works) · Historical and Religious Studies of Rome (2 works) · History (2 works) · Humanities (2 works) · Archaeology (1 work) · Art history (1 work) · Byzantine architecture (1 work) · Catalan (1 work)