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Mathilde Pavis

Biographic Data

ID9313410
NAMEMathilde Pavis
GIVEN NAMESMathilde
FAMILY NAMEPavis
SIGNATUREPAVIS M
AFFILIATIONSUniversity of Exeter
ORCID0000-0002-1251-8398
VERIFIEDYes
TOTAL WORKS2
TOTAL CITATIONS0
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2021
H-INDEX0
  • Rebalancing our regulatory response to Deepfakes with performers’ rights

    Open Access•Mathilde Pavis•ARTICLE•Convergence The International…•2021

    Law experts have been actively looking for solutions within the law to control Deepfakes since their emergence in 2017. This article puts forward performers’ rights as a suitable regulatory tool for Deepfakes, defined as synthetic performances produced using artificial intelligence systems. In many respects, performers’ rights represent a more sophisticated response to the challenges posed by Deepfake technology compared to existing legal remedie…

  • Who can Profit from Dance? An Exploration of Copyright Ownership

    Open Access•Mathilde Pavis, Charlotte Waelde et al.•ARTICLE•Dance Research•2017

    Focusing on UK copyright law, this article explores ownership of the dance by reference to the work of disabled dance artists. Our attention is on this group because their position within the dance workforce has always been precarious and so perhaps have most to gain through greater recognition of authorship in their work. Through an examination of the law as it applies to two different projects featuring Caroline Bowditch, we suggest that, contr…

No prominent works on this page.

  • Who can Profit from Dance? An Exploration of Copyright Ownership

    Open Access•Mathilde Pavis, Charlotte Waelde et al.•ARTICLE•Dance Research•2017

    Focusing on UK copyright law, this article explores ownership of the dance by reference to the work of disabled dance artists. Our attention is on this group because their position within the dance workforce has always been precarious and so perhaps have most to gain through greater recognition of authorship in their work. Through an examination of the law as it applies to two different projects featuring Caroline Bowditch, we suggest that, contr…

  • Rebalancing our regulatory response to Deepfakes with performers’ rights

    Open Access•Mathilde Pavis•ARTICLE•Convergence The International…•2021

    Law experts have been actively looking for solutions within the law to control Deepfakes since their emergence in 2017. This article puts forward performers’ rights as a suitable regulatory tool for Deepfakes, defined as synthetic performances produced using artificial intelligence systems. In many respects, performers’ rights represent a more sophisticated response to the challenges posed by Deepfake technology compared to existing legal remedie…

Law (2 works) · Political science (2 works) · Sociology (2 works) · Aesthetics (1 work) · Art (1 work) · Blockchain Technology Applications and Security (1 work) · Business (1 work) · Computer Science (1 work) · Contemporary dance (1 work) · Dance (1 work)

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