Cornelis Vanistendael
Biographic Data
| ID | 9313486 |
|---|---|
| NAME | Cornelis Vanistendael |
| GIVEN NAMES | Cornelis |
| FAMILY NAME | Vanistendael |
| SIGNATURE | VANISTENDAEL C |
| AFFILIATIONS | Ghent University |
| ORCID | 0000-0002-9523-4816 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
La Ville et la Cour se Mélèrent – Napoleon's Propaganda Quadrilles (1793–1813)
Many eyewitnesses mention the emergence of a new style of ceremonial dances performed at the Napoleonic court between 1802 and 1814. The deliberate mixing of the social classes during these occasions was considered a novelty. A significant proportion of the original musical scores for these semi-public dances has survived although they are sometimes hard to decipher. However, the importance of the choreographers involved (Pierre Gardel and Jean-E…
Shaping Europe's First Dance Craze – The Role of Napoleon's Grande Armée in the Dissemination of the Quadrille (1795–1815)
The first decade-and-a-half of the nineteenth century witnessed the unusually-speedy dissemination of a new dance, the quadrille, over a vast territory. The traditional channels of dissemination cannot account for this astonishing process. The circumstances of the Napoleonic wars disrupted the functioning of institutions, publishing and networks of patronage. This article proposes an alternative explanation for the rapid rise of the quadrille. It…
No prominent works on this page.
Shaping Europe's First Dance Craze – The Role of Napoleon's Grande Armée in the Dissemination of the Quadrille (1795–1815)
The first decade-and-a-half of the nineteenth century witnessed the unusually-speedy dissemination of a new dance, the quadrille, over a vast territory. The traditional channels of dissemination cannot account for this astonishing process. The circumstances of the Napoleonic wars disrupted the functioning of institutions, publishing and networks of patronage. This article proposes an alternative explanation for the rapid rise of the quadrille. It…
La Ville et la Cour se Mélèrent – Napoleon's Propaganda Quadrilles (1793–1813)
Many eyewitnesses mention the emergence of a new style of ceremonial dances performed at the Napoleonic court between 1802 and 1814. The deliberate mixing of the social classes during these occasions was considered a novelty. A significant proportion of the original musical scores for these semi-public dances has survived although they are sometimes hard to decipher. However, the importance of the choreographers involved (Pierre Gardel and Jean-E…
Art (2 works) · Art history (2 works) · Dance (2 works) · History (2 works) · Visual arts (2 works) · Appropriation (1 work) · Ballet (1 work) · Diversity and Impact of Dance (1 work) · Historical and Literary Studies (1 work) · Historical Art and Culture Studies (1 work)