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David J Gouwens

Biographic Data

ID9313656
NAMEDavid J Gouwens
GIVEN NAMESDavid J
FAMILY NAMEGouwens
SIGNATUREGOUWENS D J
AFFILIATIONSTexas Christian University
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS0
AUTHOR COUNT5
EDITOR COUNT1
FIRST PUBLICATION YEAR1988
LATEST PUBLICATION YEAR2024
H-INDEX0
  • Kierkegaard’s Descriptive Philosophy of Religion

    Open Access•David J Gouwens•ARTICLE•Philosophies•2024

    Rethinking the powers of the imagination, Søren Kierkegaard both anticipates and challenges contemporary approaches to a descriptive philosophy of religion. In contrast to the reigning approaches to religion in his day, Kierkegaard reconceives philosophy as, first of all, descriptive of human, including specifically ethical and religious, existence. To this end, he develops conceptual tools, including a descriptive ontology of human existence, a …

  • Communicating the Faith Indirectly

    Paul L Holmer, David J Gouwens et al.•BOOK•Communicating the Faith Indirectly•2013

  • Resounding Truth

    Open Access•David J Gouwens•ARTICLE•Modern Theology•2010

  • Ethics, Love, and Faith in Kierkegaard

    Open Access•David J Gouwens•ARTICLE•Modern Theology•2010

  • Mozart Among the Theologians

    Open Access•David J Gouwens•ARTICLE•Modern Theology•2000

    The essay compares and contrasts the philosophical, theological, and aesthetic approaches to Mozart in the writings of Søren Kierkegaard's aesthete A ( Either/Or , I), Karl Barth (primarily Wolfgang Amadeus Mozart ), and Hans Küng ( Mozart: Traces of Transcendence ). Whereas Kierkegaard's A outlines a non‐religious ‘daemonic Mozart’, Barth and Küng depict two contrasting theological understandings of Mozart's music. Barth's Mozart reflects a Refo…

  • Kierkegaard's Understanding of Doctrine

    Open Access•David J Gouwens•ARTICLE•Modern Theology•1988

No prominent works on this page.

  • Kierkegaard's Understanding of Doctrine

    Open Access•David J Gouwens•ARTICLE•Modern Theology•1988

  • Mozart Among the Theologians

    Open Access•David J Gouwens•ARTICLE•Modern Theology•2000

    The essay compares and contrasts the philosophical, theological, and aesthetic approaches to Mozart in the writings of Søren Kierkegaard's aesthete A ( Either/Or , I), Karl Barth (primarily Wolfgang Amadeus Mozart ), and Hans Küng ( Mozart: Traces of Transcendence ). Whereas Kierkegaard's A outlines a non‐religious ‘daemonic Mozart’, Barth and Küng depict two contrasting theological understandings of Mozart's music. Barth's Mozart reflects a Refo…

  • Resounding Truth

    Open Access•David J Gouwens•ARTICLE•Modern Theology•2010

  • Ethics, Love, and Faith in Kierkegaard

    Open Access•David J Gouwens•ARTICLE•Modern Theology•2010

  • Communicating the Faith Indirectly

    Paul L Holmer, David J Gouwens et al.•BOOK•Communicating the Faith Indirectly•2013

  • Kierkegaard’s Descriptive Philosophy of Religion

    Open Access•David J Gouwens•ARTICLE•Philosophies•2024

    Rethinking the powers of the imagination, Søren Kierkegaard both anticipates and challenges contemporary approaches to a descriptive philosophy of religion. In contrast to the reigning approaches to religion in his day, Kierkegaard reconceives philosophy as, first of all, descriptive of human, including specifically ethical and religious, existence. To this end, he develops conceptual tools, including a descriptive ontology of human existence, a …

Philosophy (6 works) · Theology (5 works) · Citation (3 works) · Computer Science (3 works) · Divinity (3 works) · Faith (3 works) · Library science (3 works) · Sociology (3 works) · Art (2 works) · History (2 works)

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