Ursula Frohne
Biographic Data
| ID | 9314530 |
|---|---|
| NAME | Ursula Frohne |
| GIVEN NAMES | Ursula |
| FAMILY NAME | Frohne |
| SIGNATURE | FROHNE U |
| AFFILIATIONS | University of Münster |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1999 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Climate Disaster Preparedness: Reimagining Extreme Events through Art and Technology
As a result of global warming, extreme events, such as firestorms and flash floods, pose increasingly unpredictable and uncertain existential threats, taking lives, destroying communities, and wreaking havoc on habitats. Current aesthetic, technological and scientific frameworks struggle to imagine, visualise and rehearse human interactions with these events, hampering the development of proactive foresight, readiness and response. This open acce…
Art and Scholarship in Moments of Historical Danger
Consider the nature and function of art and art historical scholarship in the present: Is there still a line—even fine or porous—securing the fragile autonomy of the arts and humanities from commodification in late capitalism? Can art still serve as a negative and critical mirror for reality under the seemingly complete commodification and technological mediation of social life? Is there any real need for art and art historical scholarship even t…
Revenants: Gestures of Repetition in Contemporary Art
Art In-Formation: American Art under the Impact of New Media Culture
With the spread and increased accessibility of new communications channels in the mid-twentieth century, a variety of conceptual artists working in the United States began to explore the network structure of technological media. By the end of the 1960s, the notion of the information society had entered the social theoretical discourse, inspiring artists to experiment with public communications systems as avenues of creative expression and potenti…
Old Art and New Media
Essay| October 01 1999 Old Art and New Media: The Contemporary Museum Ursula Frohne Ursula Frohne Ursula Frohne is an art historian, senior curator at the ZKM/Museum for Contemporary Art Karlsruhe and assistant professor at the Academy of Design Karlsruhe. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1999) 27 (2): 9–11. https://doi.org/10.1525/aft.1999.27.2.9 Views Icon Views Article contents Figures & tab…
No prominent works on this page.
Old Art and New Media
Essay| October 01 1999 Old Art and New Media: The Contemporary Museum Ursula Frohne Ursula Frohne Ursula Frohne is an art historian, senior curator at the ZKM/Museum for Contemporary Art Karlsruhe and assistant professor at the Academy of Design Karlsruhe. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1999) 27 (2): 9–11. https://doi.org/10.1525/aft.1999.27.2.9 Views Icon Views Article contents Figures & tab…
Art In-Formation: American Art under the Impact of New Media Culture
With the spread and increased accessibility of new communications channels in the mid-twentieth century, a variety of conceptual artists working in the United States began to explore the network structure of technological media. By the end of the 1960s, the notion of the information society had entered the social theoretical discourse, inspiring artists to experiment with public communications systems as avenues of creative expression and potenti…
Revenants: Gestures of Repetition in Contemporary Art
Art and Scholarship in Moments of Historical Danger
Consider the nature and function of art and art historical scholarship in the present: Is there still a line—even fine or porous—securing the fragile autonomy of the arts and humanities from commodification in late capitalism? Can art still serve as a negative and critical mirror for reality under the seemingly complete commodification and technological mediation of social life? Is there any real need for art and art historical scholarship even t…
Climate Disaster Preparedness: Reimagining Extreme Events through Art and Technology
As a result of global warming, extreme events, such as firestorms and flash floods, pose increasingly unpredictable and uncertain existential threats, taking lives, destroying communities, and wreaking havoc on habitats. Current aesthetic, technological and scientific frameworks struggle to imagine, visualise and rehearse human interactions with these events, hampering the development of proactive foresight, readiness and response. This open acce…
Art (3 works) · Law (3 works) · Political science (3 works) · Visual arts (3 works) · Art history (2 works) · Art, Politics, and Modernism (2 works) · Computer Science (2 works) · Sociology (2 works) · World Wide Web (2 works) · Aesthetics (1 works)