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William D Howarth

Biographic Data

ID9319557
NAMEWilliam D Howarth
GIVEN NAMESWilliam D
FAMILY NAMEHowarth
SIGNATUREHOWARTH W D
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS0
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1993
LATEST PUBLICATION YEAR2008
H-INDEX0
  • Beaumarchais and the Theatre

    William D Howarth•BOOK•Beaumarchais and the Theatre•2008

    William D Howarth sets Le Mariage de Figaro and Beaumarchais's other dramatic works in the broad historical context of pre-revolutionary France, providing a unique and authoritative study of the dramatist and his plays. He presents detailed analyses of the plays themselves, discussing their critical receptions, their influence on drama of the period and their legacy. Included is a discussion of the operatic adaptations: Mozart's Mariage de Figaro…

  • French Theatre in the Neo-Classical Era, 1550-1789

    Derek Connon, Derek F Connon et al.•ARTICLE•The Modern Language Review•1999

  • Beaumarchais and the Theatre

    Malcolm Cook, William D Howarth•ARTICLE•The Modern Language Review•1997

  • From Neo-classical to Romantic Aesthetics

    Open Access•William D Howarth•CHAPTER•French Literature, Thought and…•1993

    In a passage which for me goes to the very heart of the neo-classical aesthetic, George Steiner writes: In a very real sense, the tragic hero lets his servants live for him. It is they who assume the corrupting burdens of hunger, sleep and ailment. This is one of the decisive differences between the world of the novel, which is that of prose, and the world of the tragic theatre, which is that of verse. In prose fiction, as D. H. Lawrence remarked…

No prominent works on this page.

  • From Neo-classical to Romantic Aesthetics

    Open Access•William D Howarth•CHAPTER•French Literature, Thought and…•1993

    In a passage which for me goes to the very heart of the neo-classical aesthetic, George Steiner writes: In a very real sense, the tragic hero lets his servants live for him. It is they who assume the corrupting burdens of hunger, sleep and ailment. This is one of the decisive differences between the world of the novel, which is that of prose, and the world of the tragic theatre, which is that of verse. In prose fiction, as D. H. Lawrence remarked…

  • Beaumarchais and the Theatre

    Malcolm Cook, William D Howarth•ARTICLE•The Modern Language Review•1997

  • French Theatre in the Neo-Classical Era, 1550-1789

    Derek Connon, Derek F Connon et al.•ARTICLE•The Modern Language Review•1999

  • Beaumarchais and the Theatre

    William D Howarth•BOOK•Beaumarchais and the Theatre•2008

    William D Howarth sets Le Mariage de Figaro and Beaumarchais's other dramatic works in the broad historical context of pre-revolutionary France, providing a unique and authoritative study of the dramatist and his plays. He presents detailed analyses of the plays themselves, discussing their critical receptions, their influence on drama of the period and their legacy. Included is a discussion of the operatic adaptations: Mozart's Mariage de Figaro…

Historical and Literary Studies (4 works) · History (4 works) · Art (3 works) · Historical and Literary Analyses (3 works) · Literature (2 works) · Art history (1 work) · Drama (1 work) · France (1 work) · French Literature and Criticism (1 work) · George (robot) (1 work)

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