Brandon Farnsworth
Biographic Data
| ID | 9322690 |
|---|---|
| NAME | Brandon Farnsworth |
| GIVEN NAMES | Brandon |
| FAMILY NAME | Farnsworth |
| SIGNATURE | FARNSWORTH B |
| VERIFIED | No |
| TOTAL WORKS | 34 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 33 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
New Music and Institutional Critique
The Munich Biennale in Numbers.
Berno Odo Polzer
The 2016 and 2018 Biennale Editions
Establishing the Field
The Anatomy of Festivals and Biennales
Maerzmusik 2002–2014
seemingly not allow for interaction with the hard facts of its organization and basic set of assumptions.Therefore, despite its similarity to other biennales established in disputed zones, it significantly attempts to consolidate two divergent histories under a new, singular, privileged gaze.The post-reunification Musik-Biennale can thus be said to have attempted to mend a divided cultural history, though without reflecting on how its fundamental…
Daniel Ott and Manos Tsangaris (DOMTS)
Opening Concert
Decolonizing Time
Hans Werner Henze
Introduction
Appendix
Curating Theatre / Theatre Curating
Curating Biennales
Music Theatre?
Introduction
The State of the Art
Conclusion/Coda/Konzertemacher
Introduction
Curating Dance / Dance Curating
Peter Ruzicka
Scope and Overview
Reading Shannon Jackson
Compositional and Curatorial Practices
No prominent works on this page.
The Munich Biennale in Numbers.
Berno Odo Polzer
The 2016 and 2018 Biennale Editions
Establishing the Field
The Anatomy of Festivals and Biennales
Maerzmusik 2002–2014
seemingly not allow for interaction with the hard facts of its organization and basic set of assumptions.Therefore, despite its similarity to other biennales established in disputed zones, it significantly attempts to consolidate two divergent histories under a new, singular, privileged gaze.The post-reunification Musik-Biennale can thus be said to have attempted to mend a divided cultural history, though without reflecting on how its fundamental…
Daniel Ott and Manos Tsangaris (DOMTS)
Opening Concert
Decolonizing Time
Hans Werner Henze
Introduction
Appendix
Curating Theatre / Theatre Curating
Curating Biennales
Music Theatre?
Introduction
The State of the Art
Conclusion/Coda/Konzertemacher
Introduction
Curating Dance / Dance Curating
Peter Ruzicka
Scope and Overview
Reading Shannon Jackson
Compositional and Curatorial Practices
Storytelling for Earthly Survival
Art (16 works) · Computer Science (15 works) · History (7 works) · Visual arts (7 works) · Artistic and Creative Research (4 works) · Diverse Musicological Studies (4 works) · Physics and Engineering Research Articles (4 works) · Arts, Culture, and Music Studies (3 works) · Cultural Industries and Urban Development (3 works) · Diversity and Impact of Dance (3 works)