Matthew Carl Strecher
Biographic Data
| ID | 9324045 |
|---|---|
| NAME | Matthew Carl Strecher |
| GIVEN NAMES | Matthew Carl |
| FAMILY NAME | Strecher |
| SIGNATURE | STRECHER M C |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2010 |
| H-INDEX | 0 |
The Forbidden Worlds of Haruki Murakami
In general terms, this book explores the ontological status of the metaphysical world as a construct of language, culture, and experience. For the individual this is represented as the soul, the self, or as “narrative;” for the collective (culture, society) it becomes the collective unconscious, the World Soul, the mythological archetype. Specifically, this book examines how these considerations color Murakami’s depictions of the individual and c…
Dances with Sheep
Dances with Sheep
As a spokesman for disaffected youth of the post-1960s, Murakami Haruki has become one of the most important voices in contemporary Japanese literature, and he has gained a following in the United States through translations of his works. In Dances with Sheep, Matthew Strecher examines Murakami’s fiction—and, to a lesser extent, his nonfiction—for its most prevalent structures and themes. Strecher also delves into the paradoxes in Murakami’s writ…
No prominent works on this page.
Dances with Sheep
As a spokesman for disaffected youth of the post-1960s, Murakami Haruki has become one of the most important voices in contemporary Japanese literature, and he has gained a following in the United States through translations of his works. In Dances with Sheep, Matthew Strecher examines Murakami’s fiction—and, to a lesser extent, his nonfiction—for its most prevalent structures and themes. Strecher also delves into the paradoxes in Murakami’s writ…
Dances with Sheep
The Forbidden Worlds of Haruki Murakami
In general terms, this book explores the ontological status of the metaphysical world as a construct of language, culture, and experience. For the individual this is represented as the soul, the self, or as “narrative;” for the collective (culture, society) it becomes the collective unconscious, the World Soul, the mythological archetype. Specifically, this book examines how these considerations color Murakami’s depictions of the individual and c…
Art (3 works) · Japanese History and Culture (3 works) · Aesthetics (2 works) · Criticism and interpretation (2 works) · History and criticism (2 works) · Japanese (2 works) · Japanese literature (2 works) · Japanese literature, history and criticism (2 works) · Literary Criticism (2 works) · 1949 (1 works)