Teri J Silvio
Biographic Data
| ID | 9324624 |
|---|---|
| NAME | Teri J Silvio |
| GIVEN NAMES | Teri J |
| FAMILY NAME | Silvio |
| SIGNATURE | SILVIO T J |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 13 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
Puppets, Gods, and Brands
The early twenty-first century has seen an explosion of animation. Cartoon characters are everywhere—in cinema, television, and video games and as brand logos. There are new technological objects that seem to have lives of their own—from Facebook algorithms that suggest products for us to buy to robots that respond to human facial expressions. The ubiquity of animation is not a trivial side-effect of the development of digital technologies and th…
Tai/kuso/camp
The valorization of ‘bad taste’ has emerged as a central element in Taiwanese subcultural and avant‐garde style since 2000. This paper looks at the politics of this emerging sensibility by analyzing the performances of two theater troupes that rework opeila, a formerly abject form of Taiwanese local opera. The Golden Bough Theater's opeila‐inspired comedy series is characterized by both sincere nostalgia for working‐class culture and an ironic an…
Puppets, Gods, and Brands
The early twenty-first century has seen an explosion of animation. Cartoon characters are everywhere—in cinema, television, and video games and as brand logos. There are new technological objects that seem to have lives of their own—from Facebook algorithms that suggest products for us to buy to robots that respond to human facial expressions. The ubiquity of animation is not a trivial side-effect of the development of digital technologies and th…
Tai/kuso/camp
The valorization of ‘bad taste’ has emerged as a central element in Taiwanese subcultural and avant‐garde style since 2000. This paper looks at the politics of this emerging sensibility by analyzing the performances of two theater troupes that rework opeila, a formerly abject form of Taiwanese local opera. The Golden Bough Theater's opeila‐inspired comedy series is characterized by both sincere nostalgia for working‐class culture and an ironic an…
Puppets, Gods, and Brands
The early twenty-first century has seen an explosion of animation. Cartoon characters are everywhere—in cinema, television, and video games and as brand logos. There are new technological objects that seem to have lives of their own—from Facebook algorithms that suggest products for us to buy to robots that respond to human facial expressions. The ubiquity of animation is not a trivial side-effect of the development of digital technologies and th…
Art (2 works) · Literature (2 works) · Aesthetics (1 work) · Animation (1 work) · Artificial Intelligence (1 work) · Asian Culture and Media Studies (1 work) · Cinema and Media Studies (1 work) · Computer animation (1 work) · Computer Science (1 work) · Construct (python library (1 work)