Bojan Miljkovic
Biographic Data
| ID | 9328266 |
|---|---|
| NAME | Bojan Miljkovic |
| GIVEN NAMES | Bojan |
| FAMILY NAME | Miljkovic |
| SIGNATURE | MILJKOVIĆ B |
| AFFILIATIONS | nema |
| ORCID | 0000-0003-1859-9907 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 10 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Christ Chalkites in the Chora monastery
The well-known cult of Christ Chalkites - mosaic image of Christ above Chalke-gate, main entrance to the Great palace of Byzantine emperors in Constantinople - had received a new impulse from the beginning of the 12th century and miraculous healing of autokrator Alexios I Komnenos by the veil which covered the mentioned mosaic above Bronze Door. The reflections of this cult are still visible on the mosaic representation of Christ on the east wall…
Semantra and bells in Byzantium
According to written sources, semantra were used to summon the faithful to prayer throughout the history of Byzantium, during more than one millennium. Semantra were first made exclusively of wood, while as of the mid-11th century some monasteries used three types of semantra - a small and big semantron made of wood, and the third, bronze semantron. Up until the Fourth Crusade, lay churches in Constantinople, including Hagia Sophia, as well as ca…
Sava, Stefan Radoslav and Demetrios Chomatenos
The paper analyses once again, based on written sources, the relationship between the uncle - the first Serbian archbishop, and his nephew - the second Serbian king of the Nemanjic dynasty. It also explores their relations with the Ohrid Archbishopric, i.e. its then archpastor Demetrios Chomatenos. Chronologically, the paper spans two decades between the foiled attempt at marrying Nemanja?s heirs with the Angeloi of Epiros by the middle of the se…
Tonsure circulaire dans l’église Orthodoxe
There were two ways of the clerical tonsure in the Orthodox Church during the middle Ages. The cutting of four locks of hair in the shape of cross and circular tonsure. The wreath of hair around the shaved top of the head symbolized Christ?s crown of thorns. The archpriests of the Serbian Orthodox Church were practicing circular tonsure, from its founder Sava until the middle of the 17th century
The Serbian panagiarion from Vatopedi
The panagiarion made out of rhinoceros horn from Vatopedi is one of the few vessels of that kind which originate from the Middle Ages. Its creation can be dated to the end of the 14th, or first half of the 15th century, at the time of very lively relations between this Athonite monastery and the Serbian despotate
Once again on the fragment of a fresco in Vatopedi
As an iconographic theme, the representation of the embraced apostles Peter and Paul appears even in Early Byzantine art and symbolizes the universal Christian ideas of communion, concord and love. Based on its stylistic features, the fragment from Vatopedi can be dated to the very end of the 12th century and most probably belonged to the earliest preserved fresco paintings in the main church
Bibliografija radova akademika Gojka Subotica
nema
Nemanjici i Sveti Nikola u Bariju
(francuski) La proximit? de la seconde tombe de saint Nicolas, saint du Christ le plus v?n?r? et ?v?que de Myre, dont les reliques ont ?t? translat?es a Bari en 1087, a fortement influe sur l?ampleur des donations adress?es a ce saint a partir de la fin du XIIe si?cle, tout d?abord par le fondateur de la dynastie serbe, grand joupan Etienne Nemanja, puis par ses successeurs sur le tr?ne de Serbie. Ainsi, vers 1290, la reine Helene et ses fils Eti…
The Serbian emperor Stefan's icon from the Hilandar monastery
The Story of the miracle-working icons of the Hilandar monastery, written down in 1558/9 in Moscow, contains an interesting legend about the processional icon of the Mother of God Abramiotis(s)a with Christ and the representation of the Prophet Elijah on the background, still kept in the treasury of the Serbian monastery on the Holy Mountain. According to the legend, this icon, which was taken from Bitolj by the Serbian ruler Stefan Dusan, played…
Ilustracija Druge uskrsnje homilije Grigorija Bogoslova
(francuski) L'illustration de la Deuxi?me hom?lie pascale de Gr?goire de Nazianze a trouv? place dans plusieurs manuscrits byzantins dat?s du IXe au XIVe si?cle et sur une fresque dat?e de 1294/95 ornant la calotte du narthex de l'?glise de la Vierge P?ribleptos ? Ochrid. Le contenu iconographique complexe de cette vision trouve son explication dans le texte m?me de l'hom?lie de Gr?goire le Th?ologien, ainsi que dans les commentaires dus ? la plu…
No prominent works on this page.
Ilustracija Druge uskrsnje homilije Grigorija Bogoslova
(francuski) L'illustration de la Deuxi?me hom?lie pascale de Gr?goire de Nazianze a trouv? place dans plusieurs manuscrits byzantins dat?s du IXe au XIVe si?cle et sur une fresque dat?e de 1294/95 ornant la calotte du narthex de l'?glise de la Vierge P?ribleptos ? Ochrid. Le contenu iconographique complexe de cette vision trouve son explication dans le texte m?me de l'hom?lie de Gr?goire le Th?ologien, ainsi que dans les commentaires dus ? la plu…
The Serbian emperor Stefan's icon from the Hilandar monastery
The Story of the miracle-working icons of the Hilandar monastery, written down in 1558/9 in Moscow, contains an interesting legend about the processional icon of the Mother of God Abramiotis(s)a with Christ and the representation of the Prophet Elijah on the background, still kept in the treasury of the Serbian monastery on the Holy Mountain. According to the legend, this icon, which was taken from Bitolj by the Serbian ruler Stefan Dusan, played…
Bibliografija radova akademika Gojka Subotica
nema
Nemanjici i Sveti Nikola u Bariju
(francuski) La proximit? de la seconde tombe de saint Nicolas, saint du Christ le plus v?n?r? et ?v?que de Myre, dont les reliques ont ?t? translat?es a Bari en 1087, a fortement influe sur l?ampleur des donations adress?es a ce saint a partir de la fin du XIIe si?cle, tout d?abord par le fondateur de la dynastie serbe, grand joupan Etienne Nemanja, puis par ses successeurs sur le tr?ne de Serbie. Ainsi, vers 1290, la reine Helene et ses fils Eti…
Once again on the fragment of a fresco in Vatopedi
As an iconographic theme, the representation of the embraced apostles Peter and Paul appears even in Early Byzantine art and symbolizes the universal Christian ideas of communion, concord and love. Based on its stylistic features, the fragment from Vatopedi can be dated to the very end of the 12th century and most probably belonged to the earliest preserved fresco paintings in the main church
The Serbian panagiarion from Vatopedi
The panagiarion made out of rhinoceros horn from Vatopedi is one of the few vessels of that kind which originate from the Middle Ages. Its creation can be dated to the end of the 14th, or first half of the 15th century, at the time of very lively relations between this Athonite monastery and the Serbian despotate
Tonsure circulaire dans l’église Orthodoxe
There were two ways of the clerical tonsure in the Orthodox Church during the middle Ages. The cutting of four locks of hair in the shape of cross and circular tonsure. The wreath of hair around the shaved top of the head symbolized Christ?s crown of thorns. The archpriests of the Serbian Orthodox Church were practicing circular tonsure, from its founder Sava until the middle of the 17th century
Sava, Stefan Radoslav and Demetrios Chomatenos
The paper analyses once again, based on written sources, the relationship between the uncle - the first Serbian archbishop, and his nephew - the second Serbian king of the Nemanjic dynasty. It also explores their relations with the Ohrid Archbishopric, i.e. its then archpastor Demetrios Chomatenos. Chronologically, the paper spans two decades between the foiled attempt at marrying Nemanja?s heirs with the Angeloi of Epiros by the middle of the se…
Semantra and bells in Byzantium
According to written sources, semantra were used to summon the faithful to prayer throughout the history of Byzantium, during more than one millennium. Semantra were first made exclusively of wood, while as of the mid-11th century some monasteries used three types of semantra - a small and big semantron made of wood, and the third, bronze semantron. Up until the Fourth Crusade, lay churches in Constantinople, including Hagia Sophia, as well as ca…
Christ Chalkites in the Chora monastery
The well-known cult of Christ Chalkites - mosaic image of Christ above Chalke-gate, main entrance to the Great palace of Byzantine emperors in Constantinople - had received a new impulse from the beginning of the 12th century and miraculous healing of autokrator Alexios I Komnenos by the veil which covered the mentioned mosaic above Bronze Door. The reflections of this cult are still visible on the mosaic representation of Christ on the east wall…
Art (9 works) · Byzantine Studies and History (9 works) · History (7 works) · Ancient history (6 works) · Philosophy (5 works) · Balkan and Eastern European Studies (4 works) · Serbian (4 works) · Ancient Mediterranean Archaeology and History (3 works) · Art history (3 works) · Classics (3 works)