Tatjana Starodubcev
Biographic Data
| ID | 9328270 |
|---|---|
| NAME | Tatjana Starodubcev |
| GIVEN NAMES | Tatjana |
| FAMILY NAME | Starodubcev |
| SIGNATURE | STARODUBCEV T |
| AFFILIATIONS | nema |
| ORCID | 0000-0002-3961-5585 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Saint Paisios the Great (Pshōi or Bishoi) cult and representation in the middle ages
The paper presents extant texts narrating about St. Paisios the Great, that is, Psh?i or Bishoi (ca. 320-ca. 417), a monk who lived in a lavra in Scetis in the Nitrian Desert in Egypt. It brings the basic information about the monastery of St. Paisios in Scetis and his relics, which were transferred there between 830 and 849 from Antinoe, where he had found refuge. His preserved medieval depictions are listed. Conclusions about his cult and repre…
Saint Luke of Steiris in the exonarthex of the church of the Treskavac monastery and his cult and representation in the middle ages
The study investigates the portrayal of St. Luke of Steiris in the exonarthex of the church of the Treskavac Monastery (between 1334 and 1343), identified as St. Loukas the Stylite in earlier literature. Based on the extant representations, it is noticed that St. Luke of Steiris had a clearly defined appearance of face and clothing, but also that he was not often portrayed. A review of the development and expansion of his cult is provided by comp…
On the saints represented in the Byzantine icon of the Triumph of Orthodoxy in the British Museum in London
The article is dedicated to the study of the saints depicted in the representation of the Triumph of Orthodoxy in the icon probably made in Constantinople around 1400 which is now kept at the British Museum in London. New identifications of certain figures are proposed. Questions are posed as to how the scene was shaped and which writings were the basis for its creation
On portraits in Ravanica
This research examines a badly washed-out portrait composition of Prince Lazar, Princess Milica and their sons, Stefan and Vuk, in the Ravanica church. The opinion is that it was not painted later, over the original layer of the frescoes, but that it was made simultaneously with the other wall paintings of the lowest zones of the church. Considering the age of Stefan represented in the portrait composition, it is assumed that the decoration of th…
Painters of the endowments of the Lazarevic dynasty
nema
Predstava starozavetnog Veseleila u oltaru Ravanice
(francuski) Dans l'?glise de Ravanica les faces frontales des deux pilastres flanquant l'abside centrale et marquant la limite de la proth?se, respectivement du diaconicon, accueillent deux personnages v?t?rotestamentaires, chacun s?par? de la sc?ne de la Communion des ap?tres par la figure d'un archipr?tre. Sur le pilastre nord se tient Melchis?dek, et sur celui situ? au sud, un homme aux cheveux courts et ? la barbe arrondie, v?tu d'un chiton e…
No prominent works on this page.
Predstava starozavetnog Veseleila u oltaru Ravanice
(francuski) Dans l'?glise de Ravanica les faces frontales des deux pilastres flanquant l'abside centrale et marquant la limite de la proth?se, respectivement du diaconicon, accueillent deux personnages v?t?rotestamentaires, chacun s?par? de la sc?ne de la Communion des ap?tres par la figure d'un archipr?tre. Sur le pilastre nord se tient Melchis?dek, et sur celui situ? au sud, un homme aux cheveux courts et ? la barbe arrondie, v?tu d'un chiton e…
Painters of the endowments of the Lazarevic dynasty
nema
On portraits in Ravanica
This research examines a badly washed-out portrait composition of Prince Lazar, Princess Milica and their sons, Stefan and Vuk, in the Ravanica church. The opinion is that it was not painted later, over the original layer of the frescoes, but that it was made simultaneously with the other wall paintings of the lowest zones of the church. Considering the age of Stefan represented in the portrait composition, it is assumed that the decoration of th…
On the saints represented in the Byzantine icon of the Triumph of Orthodoxy in the British Museum in London
The article is dedicated to the study of the saints depicted in the representation of the Triumph of Orthodoxy in the icon probably made in Constantinople around 1400 which is now kept at the British Museum in London. New identifications of certain figures are proposed. Questions are posed as to how the scene was shaped and which writings were the basis for its creation
Saint Luke of Steiris in the exonarthex of the church of the Treskavac monastery and his cult and representation in the middle ages
The study investigates the portrayal of St. Luke of Steiris in the exonarthex of the church of the Treskavac Monastery (between 1334 and 1343), identified as St. Loukas the Stylite in earlier literature. Based on the extant representations, it is noticed that St. Luke of Steiris had a clearly defined appearance of face and clothing, but also that he was not often portrayed. A review of the development and expansion of his cult is provided by comp…
Saint Paisios the Great (Pshōi or Bishoi) cult and representation in the middle ages
The paper presents extant texts narrating about St. Paisios the Great, that is, Psh?i or Bishoi (ca. 320-ca. 417), a monk who lived in a lavra in Scetis in the Nitrian Desert in Egypt. It brings the basic information about the monastery of St. Paisios in Scetis and his relics, which were transferred there between 830 and 849 from Antinoe, where he had found refuge. His preserved medieval depictions are listed. Conclusions about his cult and repre…
Art (6 works) · Byzantine Studies and History (6 works) · Art history (5 works) · History (4 works) · Ancient history (3 works) · Archaeology (3 works) · Law (3 works) · Philosophy (3 works) · Balkan and Eastern European Studies (2 works) · Byzantine architecture (2 works)