Dragan Vojvodic
Biographic Data
| ID | 9328302 |
|---|---|
| NAME | Dragan Vojvodic |
| GIVEN NAMES | Dragan |
| FAMILY NAME | Vojvodic |
| SIGNATURE | VOJVODIĆ D |
| AFFILIATIONS | Filozofski fakultet, Beograd |
| ORCID | 0000-0001-8046-9420 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Η σελασφοροσ - the Prizren representations of the Virgin the Light-bearer (Philological appendix by Darko Todorovic)
The paper discusses the distinctive and mutually almost identical apsidal representations in three churches in Prizren and its area. They comprise the Virgin enthroned, the Child Christ in her lap, and the archangels bowing to them, their wings raised along the edge of the conch. In two of those monuments, the accompanying inscription describes the Mother of God as the Light-bearer (? ??????????). This epithet has not been recorded so far in her …
The lost traces of the frescoes on the western frontage of the ascension Church in Zica
On the lower layer of the fa?ade mortar that once covered the western frontage of the Zica katholikon, traces were registered of the figure of an archangel (the western face of the tower) and parts of ornamental friezes (southern wing of the narthex fa?ade and the northern oculus). Consideration of the data provided in earlier documentation leads one to conclude that this referred to traces of painting done during the renewal of the Ascension Chu…
The selection of royal figures in the image of power during the Palaiologan epoch
The preserved presentations of the Byzantine basileis of the XIII, XIV and XV centuries show that the creators of the late Byzantine monarchical portraits adhered to certain traditional rules when selecting the personages from the ruling house, which they were to portray. Defining which figures were to be depicted in the portrayal of power depended to a large extent on the changing circumstances and events in the imperial house. However, at the s…
From the horizontal to the vertical genealogical image of the Nemanjic dynasty
Sometime in the XIV century, towards the end of the second or beginning of the third decade, the 'horizontal genealogical image' of the Serbian rulers gave way to a new depiction of their genealogy. We find the earliest surviving Nemanjic family tree, painted in a vertically arranged composition in the narthex of Gracanica, followed by those in Pec, Decani, Mateic and Studenica. The appearance of the new type of image presenting the Serbian dynas…
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From the horizontal to the vertical genealogical image of the Nemanjic dynasty
Sometime in the XIV century, towards the end of the second or beginning of the third decade, the 'horizontal genealogical image' of the Serbian rulers gave way to a new depiction of their genealogy. We find the earliest surviving Nemanjic family tree, painted in a vertically arranged composition in the narthex of Gracanica, followed by those in Pec, Decani, Mateic and Studenica. The appearance of the new type of image presenting the Serbian dynas…
The selection of royal figures in the image of power during the Palaiologan epoch
The preserved presentations of the Byzantine basileis of the XIII, XIV and XV centuries show that the creators of the late Byzantine monarchical portraits adhered to certain traditional rules when selecting the personages from the ruling house, which they were to portray. Defining which figures were to be depicted in the portrayal of power depended to a large extent on the changing circumstances and events in the imperial house. However, at the s…
The lost traces of the frescoes on the western frontage of the ascension Church in Zica
On the lower layer of the fa?ade mortar that once covered the western frontage of the Zica katholikon, traces were registered of the figure of an archangel (the western face of the tower) and parts of ornamental friezes (southern wing of the narthex fa?ade and the northern oculus). Consideration of the data provided in earlier documentation leads one to conclude that this referred to traces of painting done during the renewal of the Ascension Chu…
Η σελασφοροσ - the Prizren representations of the Virgin the Light-bearer (Philological appendix by Darko Todorovic)
The paper discusses the distinctive and mutually almost identical apsidal representations in three churches in Prizren and its area. They comprise the Virgin enthroned, the Child Christ in her lap, and the archangels bowing to them, their wings raised along the edge of the conch. In two of those monuments, the accompanying inscription describes the Mother of God as the Light-bearer (? ??????????). This epithet has not been recorded so far in her …
Art (4 works) · History (4 works) · Ancient history (3 works) · Art history (3 works) · Byzantine Studies and History (3 works) · Genealogy (3 works) · Literature (3 works) · Philosophy (3 works) · Aesthetics (2 works) · Balkan and Eastern European Studies (2 works)