Maria PANAYOTIDI
Biographic Data
| ID | 9331954 |
|---|---|
| NAME | Maria PANAYOTIDI |
| GIVEN NAMES | Maria |
| FAMILY NAME | PANAYOTIDI |
| SIGNATURE | PANAYOTIDI M |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1994 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 0 |
The Ottoman Historical Monumental Inscriptions in Rythemno in Crete Island (Part. 1)
The epigraphic material published in the present paper drives from the town of Rythemno in Crete Island. And currently belongs to 28 Ephorate of Byzantine Antiquities. The corpus comprises nine inscriptions in total; all of them are monumental inscriptions. The inscription covers mainly from year 1645 to 1892 AD. The material on which they are inscribed is white and grayish fine- and coarse grained marble of high quality, and bronze, meticulously…
The Floral and Geometrical Elements on the Ottoman Architecture in Rhodes Island
The Ottomans had inherited the decorative elements preceding them, and did not contendwith such extent, but had developed and created at each of the Floral, geometric and writingadornments. The key features distinguishing Ottoman architecture in Rhodes (1523-1912AD)are the ornamental richness and the attention paid to the decorative side had beenincreasingly growing. Through what had reached us of the Ottoman period constructions, itwould be appa…
Naxos
The Question of the Role of the Donor and of the Painter. A Rudimentary Approach
1 he question of the artist's dependence on the patron in producing his work, the manner, that is, in which the latter intervenes in the process of artistic creation and the degree of the painter's independence from the donor; also, the degree of recognition enjoyed by the artist, are always issues of particular interest in the study and understanding of the society of each period and of the cultural role of the various social groups. However, we…
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The Question of the Role of the Donor and of the Painter. A Rudimentary Approach
1 he question of the artist's dependence on the patron in producing his work, the manner, that is, in which the latter intervenes in the process of artistic creation and the degree of the painter's independence from the donor; also, the degree of recognition enjoyed by the artist, are always issues of particular interest in the study and understanding of the society of each period and of the cultural role of the various social groups. However, we…
Naxos
The Floral and Geometrical Elements on the Ottoman Architecture in Rhodes Island
The Ottomans had inherited the decorative elements preceding them, and did not contendwith such extent, but had developed and created at each of the Floral, geometric and writingadornments. The key features distinguishing Ottoman architecture in Rhodes (1523-1912AD)are the ornamental richness and the attention paid to the decorative side had beenincreasingly growing. Through what had reached us of the Ottoman period constructions, itwould be appa…
The Ottoman Historical Monumental Inscriptions in Rythemno in Crete Island (Part. 1)
The epigraphic material published in the present paper drives from the town of Rythemno in Crete Island. And currently belongs to 28 Ephorate of Byzantine Antiquities. The corpus comprises nine inscriptions in total; all of them are monumental inscriptions. The inscription covers mainly from year 1645 to 1892 AD. The material on which they are inscribed is white and grayish fine- and coarse grained marble of high quality, and bronze, meticulously…
Art (3 works) · Aesthetics (2 works) · African history and culture analysis (2 works) · Ancient history (2 works) · Archaeology (2 works) · History (2 works) · Visual arts (2 works) · Ancient Mediterranean Archaeology and History (1 work) · Archaeology and Historical Studies (1 work) · Architecture (1 work)