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Paulo Lemos Horta

Biographic Data

ID933595
NAMEPaulo Lemos Horta
GIVEN NAMESPaulo Lemos
FAMILY NAMEHorta
SIGNATUREHORTA P L
AFFILIATIONSNew York University
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS0
AUTHOR COUNT4
EDITOR COUNT1
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2020
H-INDEX0
  • Cosmopolitan Prejudice

    Paulo Lemos Horta•CHAPTER•Cosmopolitanisms•2020

    Paulo Lemos Horta provides a novel perspective of cosmopolitanism in the service of empire through the works of the famous Richard Francis Burton, self-described “cosmopolite” and Kwame Anthony Appiah’s prime example of his cosmopolitan imperative to be open to cultural difference. The Victorian explorer, diplomat, and translator considered cosmopolitan experience—his conception of which was somewhat similar to Bender’s—essential to the success o…

  • Taste, Without Distinction

    Paulo Lemos Horta•ARTICLE•Interventions•2020

    The phenomenon of the unprecedented sales success of Latin American and South Asian authors from García Márquez and Allende to Rushdie and Roy has had a disproportionate impact on models of the circulation of the literatures from the periphery in core markets. Yet what if these models err in extrapolating from the Latin American and South Asian booms the assumption of a single world market, perhaps even a single international literary field? This…

  • Cosmopolitanisms

    Anthony Appiah, Kwame Anthony Appiah et al.•BOOK•Cosmopolitanisms•2020

    Cosmopolitanism is less an ideal than a description. It merely assumes that wherever and whenever history has set peoples in motion across national boundaries, sometimes by force, many of them and their descendants will show signs of divided loyalties and a hybrid identity. Cosmopolitanism should no longer be conceived as singular—an overrriding loyalty to humanity as a whole—but plural. Instead of an unhealthily skinny ethical abstraction, we no…

  • Beautiful Men and Deceitful Women

    Paulo Lemos Horta, Paulo Lemos Horta Paulo Lemos Horta•ARTICLE•Narrative Culture•2015

    Tales of Beautiful Men and Deceitful in Ariosto and European FolkloreIn Canto 28 of Ariosto's Orlando Furioso, Jocundo, having been summoned to meet the powerful king Astolpho, rides out of Rome but quickly returns to recover a precious item from home and encounters his wife in bed with a lowly servant in his household. He arrives at Astolpho's court evidently distraught, and though no one knows the cause of his melancholy, everyone can see its e…

  • Cosmopolitan Bias

    Open Access•Paulo Lemos Horta•ARTICLE•The Cambridge Journal of…•2014•References: 4

    Taking as its point of departure Rushdie’s use of Burton’s Nights and South Asian travelogues in Shame and The Satanic Verses , this paper reads Burton and Rushdie against their cultural moments and their variant understandings of cosmopolitanism. Contra Appiah’s deployment of Burton in his seminal study of cosmopolitanism, it suggests that Burton’s prejudices were not as Appiah ventures “counter-cosmopolitan” but (because they were often acquire…

No prominent works on this page.

  • Cosmopolitan Bias

    Open Access•Paulo Lemos Horta•ARTICLE•The Cambridge Journal of…•2014•References: 4

    Taking as its point of departure Rushdie’s use of Burton’s Nights and South Asian travelogues in Shame and The Satanic Verses , this paper reads Burton and Rushdie against their cultural moments and their variant understandings of cosmopolitanism. Contra Appiah’s deployment of Burton in his seminal study of cosmopolitanism, it suggests that Burton’s prejudices were not as Appiah ventures “counter-cosmopolitan” but (because they were often acquire…

  • Beautiful Men and Deceitful Women

    Paulo Lemos Horta, Paulo Lemos Horta Paulo Lemos Horta•ARTICLE•Narrative Culture•2015

    Tales of Beautiful Men and Deceitful in Ariosto and European FolkloreIn Canto 28 of Ariosto's Orlando Furioso, Jocundo, having been summoned to meet the powerful king Astolpho, rides out of Rome but quickly returns to recover a precious item from home and encounters his wife in bed with a lowly servant in his household. He arrives at Astolpho's court evidently distraught, and though no one knows the cause of his melancholy, everyone can see its e…

  • Cosmopolitan Prejudice

    Paulo Lemos Horta•CHAPTER•Cosmopolitanisms•2020

    Paulo Lemos Horta provides a novel perspective of cosmopolitanism in the service of empire through the works of the famous Richard Francis Burton, self-described “cosmopolite” and Kwame Anthony Appiah’s prime example of his cosmopolitan imperative to be open to cultural difference. The Victorian explorer, diplomat, and translator considered cosmopolitan experience—his conception of which was somewhat similar to Bender’s—essential to the success o…

  • Taste, Without Distinction

    Paulo Lemos Horta•ARTICLE•Interventions•2020

    The phenomenon of the unprecedented sales success of Latin American and South Asian authors from García Márquez and Allende to Rushdie and Roy has had a disproportionate impact on models of the circulation of the literatures from the periphery in core markets. Yet what if these models err in extrapolating from the Latin American and South Asian booms the assumption of a single world market, perhaps even a single international literary field? This…

  • Cosmopolitanisms

    Anthony Appiah, Kwame Anthony Appiah et al.•BOOK•Cosmopolitanisms•2020

    Cosmopolitanism is less an ideal than a description. It merely assumes that wherever and whenever history has set peoples in motion across national boundaries, sometimes by force, many of them and their descendants will show signs of divided loyalties and a hybrid identity. Cosmopolitanism should no longer be conceived as singular—an overrriding loyalty to humanity as a whole—but plural. Instead of an unhealthily skinny ethical abstraction, we no…

Art (3 works) · History (3 works) · Aesthetics (2 works) · Computer Science (2 works) · Cosmopolitanism (2 works) · Global Maritime and Colonial Histories (2 works) · Law (2 works) · Literature (2 works) · Philosophy (2 works) · Political science (2 works)

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