Patricia Sasser
Biographic Data
| ID | 9339674 |
|---|---|
| NAME | Patricia Sasser |
| GIVEN NAMES | Patricia |
| FAMILY NAME | Sasser |
| SIGNATURE | SASSER P |
| AFFILIATIONS | Furman University |
| ORCID | 0000-0002-9681-0504 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Gina Oselio and Opera in Fin-de-Siècle Norway
In 1888, Norwegian newspapers eagerly announced the arrival of ‘Miss Gina Oselio’, who was returning to Norway ‘after seven years of staying abroad’. Oselio (Ingeborg Aas (1858–1937)) had achieved tremendous success as an opera singer in Europe and her performance on the Norwegian concert stage did not disappoint. Her new popularity positioned the singer as a member of the country's cultural elite and introduced a new complexity to her operatic i…
‘It was as if my ballet had never existed!’
Set in Norway, August Bournonville's 1853 ballet Brudefærden i Hardanger was highly successful with both Danish and Swedish audiences. In Norway, however, the ballet was ignored and ultimately blamed for perpetuating false images of the nation. This paper explores the ways in which Norway functioned as a source of idealism, exoticism, and romantic nationalism in nineteenth-century Scandinavia. The contrasting attitudes towards Bournonville's work…
A Recording Artist
Enrico Caruso (1873–1921) has often been understood as extraordinarily talented and yet ultimately insubstantial, a singer whose celebrity eclipsed his artistry. “It matters not what Caruso sings or how he sings it,” wrote one critic. “The public adores him anyhow.” Discussions of the tenor emphasize the suitability of his voice for mechanical recording, suggesting that his ability to capitalize on emerging technology provides the best explanatio…
No prominent works on this page.
A Recording Artist
Enrico Caruso (1873–1921) has often been understood as extraordinarily talented and yet ultimately insubstantial, a singer whose celebrity eclipsed his artistry. “It matters not what Caruso sings or how he sings it,” wrote one critic. “The public adores him anyhow.” Discussions of the tenor emphasize the suitability of his voice for mechanical recording, suggesting that his ability to capitalize on emerging technology provides the best explanatio…
‘It was as if my ballet had never existed!’
Set in Norway, August Bournonville's 1853 ballet Brudefærden i Hardanger was highly successful with both Danish and Swedish audiences. In Norway, however, the ballet was ignored and ultimately blamed for perpetuating false images of the nation. This paper explores the ways in which Norway functioned as a source of idealism, exoticism, and romantic nationalism in nineteenth-century Scandinavia. The contrasting attitudes towards Bournonville's work…
Gina Oselio and Opera in Fin-de-Siècle Norway
In 1888, Norwegian newspapers eagerly announced the arrival of ‘Miss Gina Oselio’, who was returning to Norway ‘after seven years of staying abroad’. Oselio (Ingeborg Aas (1858–1937)) had achieved tremendous success as an opera singer in Europe and her performance on the Norwegian concert stage did not disappoint. Her new popularity positioned the singer as a member of the country's cultural elite and introduced a new complexity to her operatic i…
Aesthetics (3 works) · Art (3 works) · Law (3 works) · Musicology and Musical Analysis (3 works) · Political science (3 works) · Art history (2 works) · Historical Influence and Diplomacy (2 works) · Immigration (2 works) · Nationality (2 works) · Sociology (2 works)