Anthony Luvera
Biographic Data
| ID | 935701 |
|---|---|
| NAME | Anthony Luvera |
| GIVEN NAMES | Anthony |
| FAMILY NAME | Luvera |
| SIGNATURE | LUVERA A |
| ORCID | 0000-0002-9824-2774 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
What We See When Invited To Look Differently
This in-conversation text is the result of multiple exchanges around different projects and contexts of practice undertaken by Anthony Luvera over the course of his career. Driven by a desire to explore Socially Engaged Photography (SEP) within an expanded critical framework, Gary Bratchford and Anthony Luvera discuss the logics of neoliberalism; representational responsibility; the use of data as a mode of address in the context of SEP; the poli…
The experience of visuality and socially engaged practice
‘The experience of visuality and socially engaged practice’ by Anthony Luvera is an invited contribution to the special issue of Visual Studies, 'The Visual Studies Questionnaire: What is Visual Studies Today?' Framed around a set of eight questions, the Visual Studies Questionnaire is an exercise in reflexivity and future signalling for the field of Visual Studies and its affiliated disciplines. Luvera’s response takes the form of a critical ref…
What We Don’t Talk About When We Talk About Photography and Participation
This conversation takes the work of artist Anthony Luvera as the basis for a broader analysis of participatory photography in the context of contemporary art. Where existing literature typically focuses on the ethics of participatory production – considering the amount of “agency” afforded to participants in any particular project – the discussion focuses instead on relationships between funders, facilitators, artists, audiences and participants …
Residency
For almost ten years I have been compiling photographs made by people who have experienced being homeless. In 2006, after collecting around 10,000 photographs, negatives and ephemera created by over 250 people, I was keen to examine an established photography archive to reflect on some of the practical, theoretical and ethical issues potentially involved in constituting an archive. Over the following two years I took my inquiry to Belfast Exposed…
What We Don’t Talk About When We Talk About Photography and Participation
This conversation takes the work of artist Anthony Luvera as the basis for a broader analysis of participatory photography in the context of contemporary art. Where existing literature typically focuses on the ethics of participatory production – considering the amount of “agency” afforded to participants in any particular project – the discussion focuses instead on relationships between funders, facilitators, artists, audiences and participants …
Residency
For almost ten years I have been compiling photographs made by people who have experienced being homeless. In 2006, after collecting around 10,000 photographs, negatives and ephemera created by over 250 people, I was keen to examine an established photography archive to reflect on some of the practical, theoretical and ethical issues potentially involved in constituting an archive. Over the following two years I took my inquiry to Belfast Exposed…
What We Don’t Talk About When We Talk About Photography and Participation
This conversation takes the work of artist Anthony Luvera as the basis for a broader analysis of participatory photography in the context of contemporary art. Where existing literature typically focuses on the ethics of participatory production – considering the amount of “agency” afforded to participants in any particular project – the discussion focuses instead on relationships between funders, facilitators, artists, audiences and participants …
The experience of visuality and socially engaged practice
‘The experience of visuality and socially engaged practice’ by Anthony Luvera is an invited contribution to the special issue of Visual Studies, 'The Visual Studies Questionnaire: What is Visual Studies Today?' Framed around a set of eight questions, the Visual Studies Questionnaire is an exercise in reflexivity and future signalling for the field of Visual Studies and its affiliated disciplines. Luvera’s response takes the form of a critical ref…
What We See When Invited To Look Differently
This in-conversation text is the result of multiple exchanges around different projects and contexts of practice undertaken by Anthony Luvera over the course of his career. Driven by a desire to explore Socially Engaged Photography (SEP) within an expanded critical framework, Gary Bratchford and Anthony Luvera discuss the logics of neoliberalism; representational responsibility; the use of data as a mode of address in the context of SEP; the poli…
Art (4 works) · Visual arts (4 works) · Aesthetics (3 works) · Participatory Visual Research Methods (3 works) · Photography (3 works) · Sociology (3 works) · History (2 works) · History (2 works) · Law (2 works) · Law (2 works)