Aydın Çam
Biographic Data
| ID | 9359178 |
|---|---|
| NAME | Aydın Çam |
| GIVEN NAMES | Aydın |
| FAMILY NAME | Çam |
| SIGNATURE | CAM A |
| AFFILIATIONS | Cukurova University |
| ORCID | 0000-0002-4168-3093 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Reproducing Implicit Elitism
This article investigates how implicit elitism was reproduced during the first era (1969–1973) of the Adana Golden Boll Film Festival. Drawing on Bourdieu’s theory of cultural capital, implicit elitism is conceptualised as the tacit privileging of high-status actors, tastes and decision arenas under a rhetoric of civic inclusivity. Methodologically, the study combines a qualitative content analysis of Yeni Adana (1968–1974) newspaper, along with …
Yalanci Dünya
Bu çalışmayla, Yeşilçam’ın işleyişine yakından tanıklık eden ve toplumsal gerçekçi bir yazar olan Orhan Kemal’in Yalancı Dünya (1970) adlı romanından ve edebiyat eserlerinin sinema tarihyazımında kaynak olarak değerlendirilebileceği varsayımından hareketle, Yeşilçam’ın 1960–1970 dönemindeki ekonomik pratiklerini araştırmak amaçlanmıştır. Yalancı Dünya, Yeşilçam’a dair bugüne değin yazılanların ötesinde, puslu ve hatta yer yer karanlıkta kalan ala…
Conclusions
In his seminal work, Berger (1972) introduces ‘ways of seeing’ as the ways in which meaning is given to the things which are depicted that stand for something. Image-based ethnography has long been interested in these meaning construction processes, namely representations. The ethnographer, or the researcher – as part of the meaning-making process – produces and/or reproduces ways of representation, along with the research design and the outcome.…
Exhibitor’s Cut
Based on the New Cinema History approach, this article focuses on the cinemagoing experiences in the Taurus highland villages from 1960 to 1980 in Turkey. No previous study has investigated cinemagoing experience in rural Turkey. We explore who participated in the screenings and what the experiences of audience members were, in which places (fixed or ambulant) and under what circumstance s the film screenings took place, who the exhibitors were, …
No prominent works on this page.
Exhibitor’s Cut
Based on the New Cinema History approach, this article focuses on the cinemagoing experiences in the Taurus highland villages from 1960 to 1980 in Turkey. No previous study has investigated cinemagoing experience in rural Turkey. We explore who participated in the screenings and what the experiences of audience members were, in which places (fixed or ambulant) and under what circumstance s the film screenings took place, who the exhibitors were, …
Conclusions
In his seminal work, Berger (1972) introduces ‘ways of seeing’ as the ways in which meaning is given to the things which are depicted that stand for something. Image-based ethnography has long been interested in these meaning construction processes, namely representations. The ethnographer, or the researcher – as part of the meaning-making process – produces and/or reproduces ways of representation, along with the research design and the outcome.…
Reproducing Implicit Elitism
This article investigates how implicit elitism was reproduced during the first era (1969–1973) of the Adana Golden Boll Film Festival. Drawing on Bourdieu’s theory of cultural capital, implicit elitism is conceptualised as the tacit privileging of high-status actors, tastes and decision arenas under a rhetoric of civic inclusivity. Methodologically, the study combines a qualitative content analysis of Yeni Adana (1968–1974) newspaper, along with …
Yalanci Dünya
Bu çalışmayla, Yeşilçam’ın işleyişine yakından tanıklık eden ve toplumsal gerçekçi bir yazar olan Orhan Kemal’in Yalancı Dünya (1970) adlı romanından ve edebiyat eserlerinin sinema tarihyazımında kaynak olarak değerlendirilebileceği varsayımından hareketle, Yeşilçam’ın 1960–1970 dönemindeki ekonomik pratiklerini araştırmak amaçlanmıştır. Yalancı Dünya, Yeşilçam’a dair bugüne değin yazılanların ötesinde, puslu ve hatta yer yer karanlıkta kalan ala…
Turkey's Politics and Society (3 works) · Historical Turkish Studies (2 works) · Political science (2 works) · Sociology (2 works) · Aesthetics (1 work) · Anthropological Studies and Insights (1 work) · Anthropology (1 work) · Art (1 work) · Cinema and Media Studies (1 work) · Computer Science (1 work)