Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

George List

Biographic Data

ID93682
NAMEGeorge List
GIVEN NAMESGeorge
FAMILY NAMEList
SIGNATURELIST G
AFFILIATIONSNorth Carolina State University
ORCID0000-0002-7044-1042
VERIFIEDYes
TOTAL WORKS52
TOTAL CITATIONS46
AUTHOR COUNT52
EDITOR COUNT0
FIRST PUBLICATION YEAR1960
LATEST PUBLICATION YEAR2025
H-INDEX3
  • Media representation of ethical and social issues inherent in autonomous vehicle technology

    Open Access•Macy Ferrell, Macy L Ferrell et al.•ARTICLE•AI & Society•2025

    Successful implementation of autonomous vehicle (AV) technology is not only an engineering challenge but also a social, political, and ethical one. As AVs become commonplace and begin affecting people’s daily lives in a more profound way, media coverage of the social and ethical considerations of these technologies will follow suit. We seek to analyze and categorize the media’s portrayal of the social and ethical issues surrounding AVs to better …

  • Moral and social ramifications of autonomous vehicles: A qualitative study of the perceptions of professional drivers

    Veljko Dubljevic, Sean Douglas et al.•ARTICLE•Behaviour and Information…•2023

    Artificial intelligence raises important social and ethical concerns, especially about accountability, autonomy, dignity, and justice. We focus on the specific concerns arising from how the emerging autonomous vehicle (AV) technology will affect professional drivers. We posit that we must engage with stakeholders to understand the implications of a technology that will affect the stakeholders’ lives, livelihoods, or wellbeing. We conducted nine i…

  • Embedding AI in society: Ethics, policy, governance, and impacts

    Open Access•Michael Pflanzer, Veljko Dubljevic et al.•ARTICLE•AI & Society•2023

  • Colombia, Republic of

    Gerard Behague, George List et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Xylophone

    Lois Ann Anderson, James Blades et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Hopi Kachina Dance Songs: Concepts and Context

    George List•ARTICLE•Ethnomusicology•1997•Cited by: 1

    De nombreux rites des amerindiens Hopi s'accompagnent de danses : certaines sont celebrees en secret dans des kivas ou chambres sousterraines, et d'autres comme la danse kachina sont celebrees en public. La danse kachina est pratiquee par les membres des societes secretes lors de ceremonies collectives, telle celle de Powamu en fevrier. L'A. decrit tres minutieusement les modalites de cette danse qui demande la participation de l'ensemble de la c…

  • Singing about It: Folk Song in Southern Indiana

    George List•ARTICLE•Yearbook for Traditional Music•1992

  • Music and Poetry in a Colombian Village: A Tri-Cultural Heritage

    Thomas Turino, George List•ARTICLE•Ethnomusicology•1988

  • Stability and Variation in a Hopi Lullaby

    George List•ARTICLE•Ethnomusicology•1987

    T he changing interests of scholars are reflected in the terms they employ. The word change, itself, is now a term in frequent use. In a recent issue of Ethnomusicology, the editor noted that all four articles in the issue were concerned with change (Rice 1983: v). Total and abrupt change in any aspect of culture is, of course, uncommon. Thus, change or variation must be discussed simultaneously with its obverse, continuity or stability. In this …

  • Hopi: Songs of the Fourth World

    George List, Pat Ferrero•ARTICLE•Ethnomusicology•1986

  • Music and Poetry in a Colombian Village: A Tri-Cultural Heritage

    Dale A Olsen, George List•ARTICLE•Western Folklore•1985

  • Music and Poetry in a Colombian Village: A Tri-Cultural Heritage

    Pablo Poveda, George List•ARTICLE•Journal of American Folklore•1985

  • Music and Poetry in a Colombian Village. A Tri-Cultural Heritage

    Max H Brandt, George List•ARTICLE•Latin American Music Review•1984

  • A Secular Sermon for Those of the Ethnomusicological Faith

    George List•ARTICLE•Ethnomusicology•1983

    The papers I have read at meetings of this Society in the past have dealt with very specific and highly technical problems. It seemed to me that this approach was inappropriate to such an august occasion,1 that something more philosophical in nature was indicated. When I began to think in this vein I realized that I was straying into the field of moral philosophy. In fact, my thoughts began to shape themselves into a form which one might describe…

  • African Influences in the Rhythmic and Metric Organization of Colombian Costeño Folksong and Folk Music

    George List•ARTICLE•Latin American Music Review•1980

    George List, African Influences in the Rhythmic and Metric Organization of Colombian Costeño Folksong and Folk Music, Latin American Music Review / Revista de Música Latinoamericana, Vol. 1, No. 1 (Spring - Summer, 1980), pp. 6-17

  • Ethnomusicology: A Discipline Defined

    George List•ARTICLE•Ethnomusicology•1979•Cited by: 6

    comparative musicology, invented the new term ethno-musicology. In so doing he placed the prefix or combining term ethno in front of the word musicology to indicate that the study was of the music of the races of man (1950:7). However, his definition was restrictive in that the study of Western art and popular music was excluded. In a later redefinition of the term, he indicated that the study also included the sociological aspects of music (1959…

  • The Distribution of a Melodic Formula: Diffusion or Polygenesis

    Open Access•George List•ARTICLE•Yearbook of the International…•1978

    In various studies scholars have asserted that two or more melodies are similar. In many cases the scholar does not offer a method by which the reader can determine that the melodies offered are indeed alike; He merely places the melodies in juxtaposition and assumes that the reader will perceive, as the author apparently does, that they are similar. This is the procedure followed by George Pullen Jackson in his attempt to prove that Black spirit…

  • Cantos Costenos; Folksongs of the Atlantic Coastal Region of Colombia

    Isabel Aretz, George List•ARTICLE•Ethnomusicology•1976

  • The Reliability of Transcription

    George List•ARTICLE•Ethnomusicology•1974•Cited by: 2

  • A Comparison of Certain Aspects of Colombian and Spanish Folksong

    Open Access•George List•ARTICLE•Yearbook of the International…•1973

    As an aspect of my research in Colombian folksong I examined a number of published Spanish sources in an attempt to find analogues for the texts and melodies of songs I had recorded in Colombia. By this means I hoped to determine that a particular text or melody had been diffused from Spain to Latin America. This proved feasible in the case of a small number of song texts but very difficult in the case of the melodies associated with these song t…

  • Music in the Americas

    Adelaida Reyes-Schramm, George List et al.•ARTICLE•Ethnomusicology•1972

  • On the Non-Universality of Musical Perspectives

    George List•ARTICLE•Ethnomusicology•1971•Cited by: 2

    I was asked (probably because I was the first non-panel member to put in my oar) to provide a rebuttal to the ideas presented at the panel discussion Universal Perspectives of Music. Although I am firmly opposed to the position taken by McAllester I find myself equally firmly planted in the position taken by Wachsmann. Thus this is not really a rebuttal but merely a reinforcement of Wachsmann's position based on some of my experiences and observa…

  • Music of Guatemala

    George List, Jacques Jangoux•ARTICLE•Ethnomusicology•1971

  • A Statement on Archiving

    George List•ARTICLE•Journal of the Folklore Institute•1969•Cited by: 1

  • La mbira en Cartagena

    Open Access•George List•ARTICLE•Revista Colombiana de Antropología•1969

Next
  • The Boundaries of Speech and Song

    George List•ARTICLE•Ethnomusicology•1963•Cited by: 20

    A primary element in scientific investigation is the categorization or classification of the phenomena studied. We are concerned here with the development of a method of classification by which distinctions can be made between two forms of human sound communication, speech and song. This method should also make feasible the proper classification of any existing intermediate forms and should indicate their relations to each other and to speech and…

  • Ethnomusicology: A Discipline Defined

    George List•ARTICLE•Ethnomusicology•1979•Cited by: 6

    comparative musicology, invented the new term ethno-musicology. In so doing he placed the prefix or combining term ethno in front of the word musicology to indicate that the study was of the music of the races of man (1950:7). However, his definition was restrictive in that the study of Western art and popular music was excluded. In a later redefinition of the term, he indicated that the study also included the sociological aspects of music (1959…

  • Speech Melody and Song Melody in Central Thailand

    George List•ARTICLE•Ethnomusicology•1961•Cited by: 6

    Thai or Siamese is a tone language. In a tone language the relative pitch at which a syllable is uttered or the inflection given to it may be phonemic, that is, may affect the meaning of the syllable. For example, the syllable kai may have one meaning if uttered at a relatively high pitch, another meaning if uttered at a relatively low pitch, and a third meaning if uttered with an obvious downward inflection

  • The Reliability of Transcription

    George List•ARTICLE•Ethnomusicology•1974•Cited by: 2

  • On the Non-Universality of Musical Perspectives

    George List•ARTICLE•Ethnomusicology•1971•Cited by: 2

    I was asked (probably because I was the first non-panel member to put in my oar) to provide a rebuttal to the ideas presented at the panel discussion Universal Perspectives of Music. Although I am firmly opposed to the position taken by McAllester I find myself equally firmly planted in the position taken by Wachsmann. Thus this is not really a rebuttal but merely a reinforcement of Wachsmann's position based on some of my experiences and observa…

  • Ethnomusicology in Colombia

    George List•ARTICLE•Ethnomusicology•1966•Cited by: 2

    t has been traditional in Colombia that studies of ethnomusicology and folklore should be closely linked. This is exemplified in the titles of two Colombian institutions, the Centro de Estudios Folcl6ricos y Musicales (Universidad Nacional) and the Instituto Colombiano de Etnomusicologia y Folclore (Universidad de America), and in publications such as Emirto de Lima's Folklore Colombiano (Lima 1942) which is in large part devoted to discussions o…

  • Acculturation and Musical Tradition

    Open Access•George List•ARTICLE•Journal of the International Folk…•1964•Cited by: 2

    The recent rapid development of the means of communication and the concomitant pervading influence of Western technology upon non-Western cultures has produced musical as well as economic and social change. The world's societies are now in flux and their musical traditions cannot but be affected. In this paper no attempt will be made to discuss in any depth the acculturative process as exhibited by any one culture. It is rather my purpose to surv…

  • Preservation and Storage of Sound Recordings

    George List, A G Pickett et al.•ARTICLE•Journal of American Folklore•1960•Cited by: 2

  • Hopi Kachina Dance Songs: Concepts and Context

    George List•ARTICLE•Ethnomusicology•1997•Cited by: 1

    De nombreux rites des amerindiens Hopi s'accompagnent de danses : certaines sont celebrees en secret dans des kivas ou chambres sousterraines, et d'autres comme la danse kachina sont celebrees en public. La danse kachina est pratiquee par les membres des societes secretes lors de ceremonies collectives, telle celle de Powamu en fevrier. L'A. decrit tres minutieusement les modalites de cette danse qui demande la participation de l'ensemble de la c…

  • A Statement on Archiving

    George List•ARTICLE•Journal of the Folklore Institute•1969•Cited by: 1

  • Songs of Aboriginal Australia and Torres Strait

    Paul Collaer, George List•ARTICLE•Journal of the International Folk…•1966•Cited by: 1

  • Ethnomusicology in Ecuador

    George List•ARTICLE•Ethnomusicology•1966•Cited by: 1

  • Preservation and Storage of Sound Recordings

    George List, A G Pickett et al.•ARTICLE•Journal of American Folklore•1960•Cited by: 2

  • Jewish Life: The Old Country

    George List, Ruth Rubin•ARTICLE•Journal of American Folklore•1960

  • More Traditional Ballads of Virginia: Collected with the Cooperation of Members of the Virginia Folklore Society

    George List, Arthur Kyle Davis•ARTICLE•The Journal of Southern History•1961

  • Folksingers and Folksongs in America: A Handbook of Biography, Bibliography, and Discography

    George List, Ray M Lawless•ARTICLE•The Journal of Southern History•1961

  • Speech Melody and Song Melody in Central Thailand

    George List•ARTICLE•Ethnomusicology•1961•Cited by: 6

    Thai or Siamese is a tone language. In a tone language the relative pitch at which a syllable is uttered or the inflection given to it may be phonemic, that is, may affect the meaning of the syllable. For example, the syllable kai may have one meaning if uttered at a relatively high pitch, another meaning if uttered at a relatively low pitch, and a third meaning if uttered with an obvious downward inflection

  • Song in Hopi Culture, Past and Present 1

    Open Access•George List•ARTICLE•Journal of the International Folk…•1962•References: 1

    The Hopis are the westernmost of the Pueblo Indian tribes. Their reservation is located in an arid and rather isolated section of north-eastern Arizona. Here their villages are distributed among the southern spurs of the great Black Mesa, a tableland stretching many miles to the north. The eleven villages on the reservation form three clusters. Moving from east to west, these groups of villages are known as First Mesa, Second Mesa, and Third Mesa…

  • Cheremis Musical Styles

    George List, Bruno Nettl•ARTICLE•Western Folklore•1962

  • The Music of Afghanistan

    George List, Alain Danielou•ARTICLE•Ethnomusicology•1962

  • The Musical Significance of Transcription (Comments on Hood, "Musical Significance")

    George List•ARTICLE•Ethnomusicology•1963

  • Murut Music of North Borneo

    George List, Ivan Polunin•ARTICLE•Journal of American Folklore•1963

  • Dance Ethnology, Dance Education, and the Public

    Gertrude P Kurath, Rose Brandel et al.•ARTICLE•Ethnomusicology•1963

    Gertrude P. Kurath, Rose Brandel, Nadia Chilkovsky, George List, Reginald Laubin, Gladys Laubin, Donald Nelson Brown, Frances B. Wright, Dance Ethnology, Dance Education, and the Public, Ethnomusicology, Vol. 7, No. 3, Tenth Anniversary Issue (Sep., 1963), pp. 234-247

  • The Boundaries of Speech and Song

    George List•ARTICLE•Ethnomusicology•1963•Cited by: 20

    A primary element in scientific investigation is the categorization or classification of the phenomena studied. We are concerned here with the development of a method of classification by which distinctions can be made between two forms of human sound communication, speech and song. This method should also make feasible the proper classification of any existing intermediate forms and should indicate their relations to each other and to speech and…

  • Acculturation and Musical Tradition

    Open Access•George List•ARTICLE•Journal of the International Folk…•1964•Cited by: 2

    The recent rapid development of the means of communication and the concomitant pervading influence of Western technology upon non-Western cultures has produced musical as well as economic and social change. The world's societies are now in flux and their musical traditions cannot but be affected. In this paper no attempt will be made to discuss in any depth the acculturative process as exhibited by any one culture. It is rather my purpose to surv…

  • Transcription III

    George List•ARTICLE•Ethnomusicology•1964

  • Rites of the Pagan

    George List, Elisabeth Waldo•ARTICLE•Ethnomusicology•1964

  • Songs of Aboriginal Australia and Torres Strait

    Catherine J Ellis, Geoffrey N O''Grady et al.•ARTICLE•Ethnomusicology•1965

  • Songs of Aboriginal Australia and Torres Strait

    Paul Collaer, George List•ARTICLE•Journal of the International Folk…•1966•Cited by: 1

  • Hopi Katcina Songs and Six Other Songs by Hopi Chanters

    George List, Charles Hofmann•ARTICLE•Ethnomusicology•1966

  • Instruments and Music of Bolivia

    George List, Bernard Keiler•ARTICLE•Ethnomusicology•1966

  • Diccionario del folklore ecuatoriano

    George List, Paulo De Carvalho Neto•ARTICLE•Ethnomusicology•1966

  • Ethnomusicology in Ecuador

    George List•ARTICLE•Ethnomusicology•1966•Cited by: 1

  • Ethnomusicology in Colombia

    George List•ARTICLE•Ethnomusicology•1966•Cited by: 2

    t has been traditional in Colombia that studies of ethnomusicology and folklore should be closely linked. This is exemplified in the titles of two Colombian institutions, the Centro de Estudios Folcl6ricos y Musicales (Universidad Nacional) and the Instituto Colombiano de Etnomusicologia y Folclore (Universidad de America), and in publications such as Emirto de Lima's Folklore Colombiano (Lima 1942) which is in large part devoted to discussions o…

  • Toward the Indexing of Ballad Texts

    George List•ARTICLE•Journal of American Folklore•1968

  • A Statement on Archiving

    George List•ARTICLE•Journal of the Folklore Institute•1969•Cited by: 1

  • La mbira en Cartagena

    Open Access•George List•ARTICLE•Revista Colombiana de Antropología•1969

History (27 works) · Art (26 works) · Diverse Musicological Studies (20 works) · Geography (20 works) · Archaeology (14 works) · Visual arts (12 works) · Literature (11 works) · Philosophy (11 works) · Computer Science (10 works) · Musical (10 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae