Mads Walther-Hansen
Biographic Data
| ID | 9375633 |
|---|---|
| NAME | Mads Walther-Hansen |
| GIVEN NAMES | Mads |
| FAMILY NAME | Walther-Hansen |
| SIGNATURE | WALTHER-HANSEN M |
| ORCID | 0000-0001-5746-5093 |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 3 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 0 |
The Oxford Handbook of Sound and Imagination, Volume 1
The Oxford Handbook of Sound and Imagination is a two-volume anthology that covers the topic of imagination in the context of sound and music. There are 70 chapters in 10 parts across two volumes that present thinking and research on the topic from a broad multi-disciplinary perspective, and the fields of study represented include (but are not limited to): music (composition, improvisation, philosophy, therapy, and so forth); sound studies; acous…
The Oxford Handbook of Sound and Imagination, Volume 2
The Oxford Handbook of Sound and Imagination is a two-volume anthology that covers the topic of imagination in the context of sound and music. There are seventy chapters in ten parts across two volumes that present thinking and research on the topic from a broad multidisciplinary perspective, and the fields of study represented include (but are not limited to): music (composition, improvisation, philosophy, therapy, and so forth); sound studies; …
Oxford Handbook of Sound and Imagination
Oxford Handbook of Sound and Imagination
Opera and the South African Political
Christopher Ballantine’s focus is on timbre, in particular the timbre of the singing voice, and how this combines with the imagination to create meaning. His investigation is largely philosophical; but the growth in popularity of opera in post-apartheid South Africa provides empirical means for Ballantine to indicate this powerful but analytically neglected way of creating meaning in the performance of music. His case study shows how timbre can p…
No prominent works on this page.
The Oxford Handbook of Sound and Imagination, Volume 1
The Oxford Handbook of Sound and Imagination is a two-volume anthology that covers the topic of imagination in the context of sound and music. There are 70 chapters in 10 parts across two volumes that present thinking and research on the topic from a broad multi-disciplinary perspective, and the fields of study represented include (but are not limited to): music (composition, improvisation, philosophy, therapy, and so forth); sound studies; acous…
The Oxford Handbook of Sound and Imagination, Volume 2
The Oxford Handbook of Sound and Imagination is a two-volume anthology that covers the topic of imagination in the context of sound and music. There are seventy chapters in ten parts across two volumes that present thinking and research on the topic from a broad multidisciplinary perspective, and the fields of study represented include (but are not limited to): music (composition, improvisation, philosophy, therapy, and so forth); sound studies; …
Oxford Handbook of Sound and Imagination
Oxford Handbook of Sound and Imagination
Opera and the South African Political
Christopher Ballantine’s focus is on timbre, in particular the timbre of the singing voice, and how this combines with the imagination to create meaning. His investigation is largely philosophical; but the growth in popularity of opera in post-apartheid South Africa provides empirical means for Ballantine to indicate this powerful but analytically neglected way of creating meaning in the performance of music. His case study shows how timbre can p…
Acoustics (3 works) · Aesthetics (3 works) · Art (3 works) · Literature (3 works) · Psychology (3 works) · Cognitive science (2 works) · Comics (2 works) · Context (archaeology) (2 works) · Diverse Musicological Studies (2 works) · Einbildungskraft (2 works)