Sarah Lawson Welsh
Biographic Data
| ID | 93780 |
|---|---|
| NAME | Sarah Lawson Welsh |
| GIVEN NAMES | Sarah Lawson |
| FAMILY NAME | Welsh |
| SIGNATURE | WELSH S L |
| AFFILIATIONS | York St John University Department of English Literature York U.K. |
| ORCID | 0000-0003-2270-057X |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
The Pen and the Pan: Food, Fiction and Homegrown Caribbean Feminism(s), by Robyn Cope
On the “not translated”: Rethinking translation and food in cross-cultural contexts: a response to “Translation and food: The case of mestizo writers” by Ma Carmen Africa Vidal Claramonte and Pamela F…
‘Food passes any boundary you care to mention’ notes the narrator in Salman Rushdie’s (1988) novel, The Satanic Verses. In the passage in question, Hind, the fierce and voluble figure at the helm t
Rerouting the Postcolonial
This special issue traces several new directions in postcolonial studies in which the earlier paradigm of roots/rootedness can be seen to emerge into a new model of routes/“(re)routing”, thus refle
The Routledge Reader in Caribbean Literature
Pauline Melville’s Shape-Shifting Fictions
The ‘shape-shifter’ of the title of Melville’s first collection of short stories is glossed in two epigraphs to the collection: one describes the shape-shifter as someone who is able to ‘conjure up as many different figures and manifestations as the sea has waves’: the other, more specifically, refers to the belief that the ‘shaman or medicine-man of the Indians of Guiana, to whom nothing is impossible, can effect transformation of himself or oth…
The West Indies
Rerouting the Postcolonial
This special issue traces several new directions in postcolonial studies in which the earlier paradigm of roots/rootedness can be seen to emerge into a new model of routes/“(re)routing”, thus refle
The West Indies
Pauline Melville’s Shape-Shifting Fictions
The ‘shape-shifter’ of the title of Melville’s first collection of short stories is glossed in two epigraphs to the collection: one describes the shape-shifter as someone who is able to ‘conjure up as many different figures and manifestations as the sea has waves’: the other, more specifically, refers to the belief that the ‘shaman or medicine-man of the Indians of Guiana, to whom nothing is impossible, can effect transformation of himself or oth…
The Routledge Reader in Caribbean Literature
Rerouting the Postcolonial
This special issue traces several new directions in postcolonial studies in which the earlier paradigm of roots/rootedness can be seen to emerge into a new model of routes/“(re)routing”, thus refle
On the “not translated”: Rethinking translation and food in cross-cultural contexts: a response to “Translation and food: The case of mestizo writers” by Ma Carmen Africa Vidal Claramonte and Pamela F…
‘Food passes any boundary you care to mention’ notes the narrator in Salman Rushdie’s (1988) novel, The Satanic Verses. In the passage in question, Hind, the fierce and voluble figure at the helm t
The Pen and the Pan: Food, Fiction and Homegrown Caribbean Feminism(s), by Robyn Cope
Art (4 works) · History (4 works) · Art history (3 works) · Sociology (3 works) · Archaeology (2 works) · Caribbean history, culture, and politics (2 works) · Culinary Culture and Tourism (2 works) · Epistemology (2 works) · Ethnology (2 works) · Global Maritime and Colonial Histories (2 works)