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Tanya Dzhanfezova

Biographic Data

ID939057
NAMETanya Dzhanfezova
GIVEN NAMESTanya
FAMILY NAMEDzhanfezova
SIGNATUREDZHANFEZOVA T
AFFILIATIONSSt. Cyril and St. Methodius University of Veliko Tarnovo
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS5
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2020
LATEST PUBLICATION YEAR2026
H-INDEX1
  • A compound-specific radiocarbon dating protocol for archaeological pottery at the Orau

    Open Access•Q Ma, Qin Mao et al.•ARTICLE•Radiocarbon•2026

    Radiocarbon dating is essential for establishing robust chronologies in archaeological and paleoenvironmental contexts spanning the last 55,000 years. Pottery, pervasive in the archaeological record, offers a crucial framework for dating human activity during the Holocene. Traditionally, radiocarbon dating of pottery has relied on targeting carbonaceous inclusions such as organic temper or measuring stratigraphically associated materials like bon…

  • Pottery beyond typology. Deciphering prehistoric communities through the reconstruction of ceramic vessel biographies

    Open Access•Joanna Pyzel, Louise Gomart et al.•ARTICLE•Journal of Archaeological Science…•2026

  • Prehistoric colour palettes decoded by painted pottery analysis

    Open Access•Tanya Dzhanfezova, Yana Tzvetanova et al.•ARTICLE•Journal of Archaeological Science…•2025

  • Exploring the Broad Spectrum

    Open Access•Tanya Dzhanfezova•ARTICLE•Open Archaeology•2021•Cited by: 4•References: 13

    Why was “chaff temper” used in pottery production? The possible reasoning behind the practice of intentionally adding organic matter (various plant parts and plant-containing materials) to the clay paste when making pottery is explored by studying four Early Neolithic open settlements. Located in contrasting regions, northwest and southwest Bulgaria, they have contrasting geological settings, altitude, climate, and “pottery styles.” Ceramic fragm…

  • Understanding Diversity in Early Neolithic Pottery Production

    Open Access•Tanya Dzhanfezova, Chris Doherty et al.•ARTICLE•Documenta Praehistorica•2020

    By recovering and interpreting the hidden technological variability in the first pottery at Ilindentsi-Massovets, this paper reveals the innovative adaptations to local conditions that the adoption of pottery production, as a new technology, must have involved. Seventy-one samples were analysed using low-resolution binocular microscopy and high-resolution petrographic and scanning electron microscopy. The variety established within each of the ma…

  • Organic Temper’ and the Early Neolithic Pottery Production

    Open Access•Tanya Dzhanfezova•ARTICLE•Acta Archaeologica•2020•Cited by: 1•References: 47

    Well-preserved plant remains found in clay bodies of Early Neolithic pottery of Southeastern Europe have been largely understudied. The characteristics and provenance of this ‘organic temper’ remain mostly unknown, making interpretations obscure. Based on a range of research methods, this article explores the macro and micro plant remains within the pottery clays, considering such aspects as the use of domesticated versus wild plants and actual f…

  • Exploring the Broad Spectrum

    Open Access•Tanya Dzhanfezova•ARTICLE•Open Archaeology•2021•Cited by: 4•References: 13

    Why was “chaff temper” used in pottery production? The possible reasoning behind the practice of intentionally adding organic matter (various plant parts and plant-containing materials) to the clay paste when making pottery is explored by studying four Early Neolithic open settlements. Located in contrasting regions, northwest and southwest Bulgaria, they have contrasting geological settings, altitude, climate, and “pottery styles.” Ceramic fragm…

  • Organic Temper’ and the Early Neolithic Pottery Production

    Open Access•Tanya Dzhanfezova•ARTICLE•Acta Archaeologica•2020•Cited by: 1•References: 47

    Well-preserved plant remains found in clay bodies of Early Neolithic pottery of Southeastern Europe have been largely understudied. The characteristics and provenance of this ‘organic temper’ remain mostly unknown, making interpretations obscure. Based on a range of research methods, this article explores the macro and micro plant remains within the pottery clays, considering such aspects as the use of domesticated versus wild plants and actual f…

  • Understanding Diversity in Early Neolithic Pottery Production

    Open Access•Tanya Dzhanfezova, Chris Doherty et al.•ARTICLE•Documenta Praehistorica•2020

    By recovering and interpreting the hidden technological variability in the first pottery at Ilindentsi-Massovets, this paper reveals the innovative adaptations to local conditions that the adoption of pottery production, as a new technology, must have involved. Seventy-one samples were analysed using low-resolution binocular microscopy and high-resolution petrographic and scanning electron microscopy. The variety established within each of the ma…

  • Organic Temper’ and the Early Neolithic Pottery Production

    Open Access•Tanya Dzhanfezova•ARTICLE•Acta Archaeologica•2020•Cited by: 1•References: 47

    Well-preserved plant remains found in clay bodies of Early Neolithic pottery of Southeastern Europe have been largely understudied. The characteristics and provenance of this ‘organic temper’ remain mostly unknown, making interpretations obscure. Based on a range of research methods, this article explores the macro and micro plant remains within the pottery clays, considering such aspects as the use of domesticated versus wild plants and actual f…

  • Exploring the Broad Spectrum

    Open Access•Tanya Dzhanfezova•ARTICLE•Open Archaeology•2021•Cited by: 4•References: 13

    Why was “chaff temper” used in pottery production? The possible reasoning behind the practice of intentionally adding organic matter (various plant parts and plant-containing materials) to the clay paste when making pottery is explored by studying four Early Neolithic open settlements. Located in contrasting regions, northwest and southwest Bulgaria, they have contrasting geological settings, altitude, climate, and “pottery styles.” Ceramic fragm…

  • Prehistoric colour palettes decoded by painted pottery analysis

    Open Access•Tanya Dzhanfezova, Yana Tzvetanova et al.•ARTICLE•Journal of Archaeological Science…•2025

  • A compound-specific radiocarbon dating protocol for archaeological pottery at the Orau

    Open Access•Q Ma, Qin Mao et al.•ARTICLE•Radiocarbon•2026

    Radiocarbon dating is essential for establishing robust chronologies in archaeological and paleoenvironmental contexts spanning the last 55,000 years. Pottery, pervasive in the archaeological record, offers a crucial framework for dating human activity during the Holocene. Traditionally, radiocarbon dating of pottery has relied on targeting carbonaceous inclusions such as organic temper or measuring stratigraphically associated materials like bon…

  • Pottery beyond typology. Deciphering prehistoric communities through the reconstruction of ceramic vessel biographies

    Open Access•Joanna Pyzel, Louise Gomart et al.•ARTICLE•Journal of Archaeological Science…•2026

Archaeology and ancient environmental studies (6 works) · Pottery (6 works) · Archaeological science (4 works) · Archaeology (4 works) · Geography (4 works) · Cultural Heritage Materials Analysis (3 works) · Pleistocene-Era Hominins and Archaeology (3 works) · Image Processing and 3D Reconstruction (2 works) · Prehistory (2 works) · Absolute dating (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae