Christian Spencer-Espinosa
Biographic Data
| ID | 939262 |
|---|---|
| NAME | Christian Spencer-Espinosa |
| GIVEN NAMES | Christian |
| FAMILY NAME | Spencer-Espinosa |
| SIGNATURE | SPENCER-ESPINOSA C |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Cultura, folclore y tradición
Back to the Neighborhood
This article is an attempt to build an initial methodological framework for the study of the relationship between space and popular or traditional music in Latin American cities. The main argument posits that locality in Latin America can be constructed by music through the development of rootedness and sense of place—via elective belonging—to create place in a given time and space (place making). The article explains the concepts of place, roote…
La Chingana Como Canon Cultural. Hacia Una Crítica De Los Espacios Festivos Tradicionales en La Musicología E Historiografía Chilenas Del Siglo Xix
El objeto de este texto es demostrar el carcter cannico adquirido por la chingana como objeto de estudio acadmico en la historiografa de la msica y la musicologa chilena de las ltimas dcadas. Mi inters es, por un lado, destacar el trabajo realizado por un conjunto de historiadores/as de la cultura y las mentalidades acerca de la cultura popular santiaguina del siglo XIX, y, por otro, reparar en la poca atencin que estos han prestado a otros espac…
Looking for the Past
This article presents a historical overview of traditional music studies in Chile, pointing out some of the main achievements and problems. It describes the origins of traditional music studies through the establishment of the Chilean Folk Society in 1909 and then offers a periodisation of studies during the twentieth century, followed by a critical review of the preference for facts over processes. Finally, it explores the renaissance of traditi…
No prominent works on this page.
La Chingana Como Canon Cultural. Hacia Una Crítica De Los Espacios Festivos Tradicionales en La Musicología E Historiografía Chilenas Del Siglo Xix
El objeto de este texto es demostrar el carcter cannico adquirido por la chingana como objeto de estudio acadmico en la historiografa de la msica y la musicologa chilena de las ltimas dcadas. Mi inters es, por un lado, destacar el trabajo realizado por un conjunto de historiadores/as de la cultura y las mentalidades acerca de la cultura popular santiaguina del siglo XIX, y, por otro, reparar en la poca atencin que estos han prestado a otros espac…
Looking for the Past
This article presents a historical overview of traditional music studies in Chile, pointing out some of the main achievements and problems. It describes the origins of traditional music studies through the establishment of the Chilean Folk Society in 1909 and then offers a periodisation of studies during the twentieth century, followed by a critical review of the preference for facts over processes. Finally, it explores the renaissance of traditi…
Cultura, folclore y tradición
Back to the Neighborhood
This article is an attempt to build an initial methodological framework for the study of the relationship between space and popular or traditional music in Latin American cities. The main argument posits that locality in Latin America can be constructed by music through the development of rootedness and sense of place—via elective belonging—to create place in a given time and space (place making). The article explains the concepts of place, roote…
Art (4 works) · Cultural and Social Studies in Latin America (3 works) · History (2 works) · Humanities (2 works) · Music History and Culture (2 works) · Musical (2 works) · Sociology (2 works) · Aesthetics (1 work) · Anthropology (1 work) · Appropriation (1 work)