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Iliana Cepero

Biographic Data

ID940054
NAMEIliana Cepero
GIVEN NAMESIliana
FAMILY NAMECepero
SIGNATURECEPERO I
AFFILIATIONSSchlumberger (Ireland)
ORCID0009-0009-5998-647X
VERIFIEDYes
TOTAL WORKS21
TOTAL CITATIONS0
WORKS AS AUTHOR13
WORKS AS EDITOR8
FIRST PUBLICATION YEAR1999
LATEST PUBLICATION YEAR2025
H-INDEX0
  • Art and Propaganda during Peronist Argentina

    Iliana Cepero•BOOK•Art and Propaganda during…•2025

  • Indoctrinating the Masses

    Iliana Cepero•CHAPTER•Art and Propaganda during…•2025

  • Modern Art, National Culture, and Hispanophilia in Revista de Avance

    Open Access•Iliana Cepero•ARTICLE•Latin American Research Review•2025•References: 8

    This article explores how the editors and contributors of Revista de Avance formulated an idiosyncratic version of visual modern art and how that discernment shaped their idea of a nationalist and regional culture. Their artistic disquisitions were influenced by complicated political agendas and funding. After the collapse of the Cuban economy in the early 1920s, the magazine's editors, who held socialist and anti-American imperialist beliefs, lo…

  • Ortega, Damián

    Iliana Cepero•CHAPTER•2019

  • Tomasello, Luis

    Iliana Cepero•CHAPTER•2019

  • Art biennials in Latin America

    Iliana Cepero•CHAPTER•2019

  • Mavignier, Almir

    Iliana Cepero•CHAPTER•2019

  • Lima, Laura

    Iliana Cepero•CHAPTER•2019

  • Milhazes, Beatriz

    Iliana Cepero•CHAPTER•2019

  • Grupo Mondongo

    Iliana Cepero•CHAPTER•2019

  • Ferrari, León

    Iliana Cepero•CHAPTER•2019

  • Luc Chessex, Robert Frank, and the Representation of Labour in the Magazine Cuba Internacional , 1968–71

    Open Access•Iliana Cepero•ARTICLE•Art History•2018

  • Photographic Propaganda under Peronism, 1946–55

    Iliana Cepero•ARTICLE•History of Photography•2016

    This article analyses a representative selection of photographs from the Archivo General de la Nación Argentina produced by an army of photographers who assiduously chronicled Eva and Juan Domingo Perón’s public engagements. These images were shrewdly informed by an array of popular forms (tango lyrics, the storylines of photo–romances, movies, and radio serials), and by a set of visual models borrowed from the nineteenth-century photography trad…

  • Neto, Ernesto

    Denise Carvalho, Iliana Cepero•EDITOR•CHAPTER•2010

  • Barboza, Diego

    Cruz Barceló Cedeño, Iliana Cepero•EDITOR•CHAPTER•2003

  • Cruz-Diez, Carlos

    Belgica Rodriguez, Iliana Cepero•EDITOR•CHAPTER•2003

  • Gego

    Gustavo Navarro-Castro, Iliana Cepero•EDITOR•CHAPTER•2003

  • Cravo Neto, Mário

    Erika Billeter, Iliana Cepero•EDITOR•CHAPTER•2003

  • Burle Marx, Roberto

    Paulo J V Bruna, Iliana Cepero•EDITOR•CHAPTER•2003

  • Soto, Jesús

    Belgica Rodriguez, Iliana Cepero•EDITOR•CHAPTER•2003

  • Tunga

    Adrian Locke, Iliana Cepero•EDITOR•CHAPTER•1999

No prominent works on this page.

  • Tunga

    Adrian Locke, Iliana Cepero•EDITOR•CHAPTER•1999

  • Barboza, Diego

    Cruz Barceló Cedeño, Iliana Cepero•EDITOR•CHAPTER•2003

  • Cruz-Diez, Carlos

    Belgica Rodriguez, Iliana Cepero•EDITOR•CHAPTER•2003

  • Gego

    Gustavo Navarro-Castro, Iliana Cepero•EDITOR•CHAPTER•2003

  • Cravo Neto, Mário

    Erika Billeter, Iliana Cepero•EDITOR•CHAPTER•2003

  • Burle Marx, Roberto

    Paulo J V Bruna, Iliana Cepero•EDITOR•CHAPTER•2003

  • Soto, Jesús

    Belgica Rodriguez, Iliana Cepero•EDITOR•CHAPTER•2003

  • Neto, Ernesto

    Denise Carvalho, Iliana Cepero•EDITOR•CHAPTER•2010

  • Photographic Propaganda under Peronism, 1946–55

    Iliana Cepero•ARTICLE•History of Photography•2016

    This article analyses a representative selection of photographs from the Archivo General de la Nación Argentina produced by an army of photographers who assiduously chronicled Eva and Juan Domingo Perón’s public engagements. These images were shrewdly informed by an array of popular forms (tango lyrics, the storylines of photo–romances, movies, and radio serials), and by a set of visual models borrowed from the nineteenth-century photography trad…

  • Luc Chessex, Robert Frank, and the Representation of Labour in the Magazine Cuba Internacional , 1968–71

    Open Access•Iliana Cepero•ARTICLE•Art History•2018

  • Ortega, Damián

    Iliana Cepero•CHAPTER•2019

  • Tomasello, Luis

    Iliana Cepero•CHAPTER•2019

  • Art biennials in Latin America

    Iliana Cepero•CHAPTER•2019

  • Mavignier, Almir

    Iliana Cepero•CHAPTER•2019

  • Lima, Laura

    Iliana Cepero•CHAPTER•2019

  • Milhazes, Beatriz

    Iliana Cepero•CHAPTER•2019

  • Grupo Mondongo

    Iliana Cepero•CHAPTER•2019

  • Ferrari, León

    Iliana Cepero•CHAPTER•2019

  • Art and Propaganda during Peronist Argentina

    Iliana Cepero•BOOK•Art and Propaganda during…•2025

  • Indoctrinating the Masses

    Iliana Cepero•CHAPTER•Art and Propaganda during…•2025

  • Modern Art, National Culture, and Hispanophilia in Revista de Avance

    Open Access•Iliana Cepero•ARTICLE•Latin American Research Review•2025•References: 8

    This article explores how the editors and contributors of Revista de Avance formulated an idiosyncratic version of visual modern art and how that discernment shaped their idea of a nationalist and regional culture. Their artistic disquisitions were influenced by complicated political agendas and funding. After the collapse of the Cuban economy in the early 1920s, the magazine's editors, who held socialist and anti-American imperialist beliefs, lo…

Computer Science (7 works) · Geography (7 works) · Art (6 works) · Political science (5 works) · Spanish Literature and Culture Studies (4 works) · Law (3 works) · Art history (2 works) · Cuban History and Society (2 works) · History (2 works) · Humanities (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae