Sofia Grigoriadou
Biographic Data
| ID | 9407625 |
|---|---|
| NAME | Sofia Grigoriadou |
| GIVEN NAMES | Sofia |
| FAMILY NAME | Grigoriadou |
| SIGNATURE | GRIGORIADOU S |
| AFFILIATIONS | Panteion University |
| ORCID | 0009-0004-4786-9253 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
“Béchamel”
My installation-performance “Béchamel” brings forms of public memory, forgetting and discipline in Athens and Skopje into dialogue with a cookbook that was popular in Greece throughout the twentieth century. The author of the latter, chef Nikolaos Tselementes, aimed to “discipline” and “civilize” Greek cuisine using béchamel sauce. In this article, I follow the conception, production, and exhibition of the artwork in both cities, comparatively ap…
Art and Solidarity
The multifaceted concept of solidarity manifests through diverse practices in different contexts. One such manifestation lies in the aftermath of the 1963 earthquake in Skopje. Amidst the Cold War, Skopje became a symbol of Yugoslav and world solidarity. I got acquainted with this concept of solidarity in the summer of 2018 at the municipal events commemorating the earthquake. Coming from Athens, I was familiar with a somewhat different one: ther…
Heroes on Pedestals and “Heroines of Our Time” at the Woman Fighter Park
During the past decade, the urban regeneration project Skopje 2014 imposed significant changes on the city center and extensively reconstructed cultural heritage. Moreover, the project established–or reinforced–a gendered concept of national identity, according to which women were required to reproduce and mother the nation primarily. This text focuses on the negotiation between official and unofficial heritage, memory, and visibility in the past…
No prominent works on this page.
Heroes on Pedestals and “Heroines of Our Time” at the Woman Fighter Park
During the past decade, the urban regeneration project Skopje 2014 imposed significant changes on the city center and extensively reconstructed cultural heritage. Moreover, the project established–or reinforced–a gendered concept of national identity, according to which women were required to reproduce and mother the nation primarily. This text focuses on the negotiation between official and unofficial heritage, memory, and visibility in the past…
“Béchamel”
My installation-performance “Béchamel” brings forms of public memory, forgetting and discipline in Athens and Skopje into dialogue with a cookbook that was popular in Greece throughout the twentieth century. The author of the latter, chef Nikolaos Tselementes, aimed to “discipline” and “civilize” Greek cuisine using béchamel sauce. In this article, I follow the conception, production, and exhibition of the artwork in both cities, comparatively ap…
Art and Solidarity
The multifaceted concept of solidarity manifests through diverse practices in different contexts. One such manifestation lies in the aftermath of the 1963 earthquake in Skopje. Amidst the Cold War, Skopje became a symbol of Yugoslav and world solidarity. I got acquainted with this concept of solidarity in the summer of 2018 at the municipal events commemorating the earthquake. Coming from Athens, I was familiar with a somewhat different one: ther…
Balkans: History, Politics, Society (3 works) · Art (2 works) · History (2 works) · Memory, Trauma, and Commemoration (2 works) · Anthropology (1 work) · Balkan and Eastern European Studies (1 work) · Cognitive psychology (1 work) · Forgetting (1 work) · Geography (1 work) · Law (1 work)