Gala Naseva
Biographic Data
| ID | 9407637 |
|---|---|
| NAME | Gala Naseva |
| GIVEN NAMES | Gala |
| FAMILY NAME | Naseva |
| SIGNATURE | NASEVA G |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
A Study of Remembrance in Post-Yugoslav Cinema Through Aida Begic's Snow
After the upheaval of Yugoslavia, women's cinema steadily emerged as a potent mode of artistic expression, capable of transcending the Balkan region’s borders by evoking a strong sense of remembrance of past traumas, and nostalgia for a bygone era. This review examines cinematographic distinctions in Aida Begić’s Snow (Snijeg). Begić is one of the few directors who portray post-war gendered narratives of trauma in the Balkans. By exploring Begić’…
The Chasm of Structural Discrimination
The swift and unceasing spread of COVID-19 has created a new wave of complications that have revealed dozens of issues dishevelled in the gendered and obsolete state management and in the low levels of social development, primarily focusing on the Balkans. With the onset of the pandemic, women with specific diseases belong to the most critical group, given the fact that infection with COVID-19 itself increases the risk of subsequent development o…
No prominent works on this page.
The Chasm of Structural Discrimination
The swift and unceasing spread of COVID-19 has created a new wave of complications that have revealed dozens of issues dishevelled in the gendered and obsolete state management and in the low levels of social development, primarily focusing on the Balkans. With the onset of the pandemic, women with specific diseases belong to the most critical group, given the fact that infection with COVID-19 itself increases the risk of subsequent development o…
A Study of Remembrance in Post-Yugoslav Cinema Through Aida Begic's Snow
After the upheaval of Yugoslavia, women's cinema steadily emerged as a potent mode of artistic expression, capable of transcending the Balkan region’s borders by evoking a strong sense of remembrance of past traumas, and nostalgia for a bygone era. This review examines cinematographic distinctions in Aida Begić’s Snow (Snijeg). Begić is one of the few directors who portray post-war gendered narratives of trauma in the Balkans. By exploring Begić’…
Art (1 work) · Art history (1 work) · Cinema and Media Studies (1 work) · Citation (1 work) · Discrimination and Equality Law (1 work) · Gender Studies (1 work) · Geography (1 work) · International Human Rights and Reproductive Law (1 work) · Law (1 work) · Library science (1 work)