Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Craig Richardson

Biographic Data

ID9409328
NAMECraig Richardson
GIVEN NAMESCraig
FAMILY NAMERichardson
SIGNATURERICHARDSON C
AFFILIATIONSOxford Brookes University
ORCID0000-0003-2748-9769
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS0
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2005
LATEST PUBLICATION YEAR2024
H-INDEX0
  • Wet Paint 2 – Visual Culture in a changing Britain A Roundtable Debate

    Open Access•Craig Richardson, Ysanne Holt•ARTICLE•Visual Culture in Britain•2024

    Towards the end of 2014 the previous editor of Visual Culture in Britain invited a variety of authors to contribute a page or two to a roundtable discussion on a variety of political and cultural e

  • Wet Paint

    Craig Richardson•ARTICLE•Visual Culture in Britain•2015

    Political decisions and debates regarding the interregional and interna- tional partnerships that constitute Great Britain, including those over Scottish Independence, EVEL (English Votes for English Laws) and proposed legislation on an ‘in/out’ referendum on British membership of the European Union, have contributed to, and intensified, the examination of Britain’s institutions, as well as its national emblems and arche- types. In light of such …

  • Contemporary Scottish Art and the Landscape of Abandonment

    Craig Richardson•ARTICLE•Visual Culture in Britain•2010

    Scottish art is defined by viewpoints formed from within and outwith the regional boundary. Within the Scottish national boundaries southern migration defines Scotland's modern history. One of its legacies is a type of Scottish melancholia that indicates a grievance sometimes bound up with myth and nostalgia easily associated with ‘old’ landscapes. In the annals of Scottish art southbound Scottish travellers, in particular towards London, general…

  • Baffles, Binds and Blind Alleys

    Open Access•Craig Richardson•ARTICLE•Journal of Visual Culture•2007

    Scottish-born artist and writer, and occasional curator, Thomas Lawson, is the Dean of the School of Art at California Institute of the Arts (CalArts) in Valencia, California, and co-editor of Afterall, an art journal co-published by CalArts and Central Saint Martins in London. Since his move to New York in 1975 he has chronicled the development of the `Pictures' (1977) generation (Pictures exhibition curated by Douglas Crimp), providing an embed…

  • Books

    Open Access•Craig Richardson•ARTICLE•Journal of Visual Culture•2005

No prominent works on this page.

  • Books

    Open Access•Craig Richardson•ARTICLE•Journal of Visual Culture•2005

  • Baffles, Binds and Blind Alleys

    Open Access•Craig Richardson•ARTICLE•Journal of Visual Culture•2007

    Scottish-born artist and writer, and occasional curator, Thomas Lawson, is the Dean of the School of Art at California Institute of the Arts (CalArts) in Valencia, California, and co-editor of Afterall, an art journal co-published by CalArts and Central Saint Martins in London. Since his move to New York in 1975 he has chronicled the development of the `Pictures' (1977) generation (Pictures exhibition curated by Douglas Crimp), providing an embed…

  • Contemporary Scottish Art and the Landscape of Abandonment

    Craig Richardson•ARTICLE•Visual Culture in Britain•2010

    Scottish art is defined by viewpoints formed from within and outwith the regional boundary. Within the Scottish national boundaries southern migration defines Scotland's modern history. One of its legacies is a type of Scottish melancholia that indicates a grievance sometimes bound up with myth and nostalgia easily associated with ‘old’ landscapes. In the annals of Scottish art southbound Scottish travellers, in particular towards London, general…

  • Wet Paint

    Craig Richardson•ARTICLE•Visual Culture in Britain•2015

    Political decisions and debates regarding the interregional and interna- tional partnerships that constitute Great Britain, including those over Scottish Independence, EVEL (English Votes for English Laws) and proposed legislation on an ‘in/out’ referendum on British membership of the European Union, have contributed to, and intensified, the examination of Britain’s institutions, as well as its national emblems and arche- types. In light of such …

  • Wet Paint 2 – Visual Culture in a changing Britain A Roundtable Debate

    Open Access•Craig Richardson, Ysanne Holt•ARTICLE•Visual Culture in Britain•2024

    Towards the end of 2014 the previous editor of Visual Culture in Britain invited a variety of authors to contribute a page or two to a roundtable discussion on a variety of political and cultural e

Art (5 works) · Sociology (3 works) · Visual arts (3 works) · Art history (2 works) · Cultural Industries and Urban Development (2 works) · History (2 works) · Law (2 works) · Political science (2 works) · Politics (2 works) · Scottish History and National Identity (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae