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Olha Vorobei

Biographic Data

ID9412494
NAMEOlha Vorobei
GIVEN NAMESOlha
FAMILY NAMEVorobei
SIGNATUREVOROBEI O
AFFILIATIONSTaras Shevchenko National University of Kyiv
ORCID0000-0003-4956-8943
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS0
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2021
LATEST PUBLICATION YEAR2023
H-INDEX0
  • Psycholinguistic Motivations for Bilingual Code-Switching in Amy Tan’s Chinese American Writings

    Open Access•T Vechorynska, Olha Vorobei•ARTICLE•The World of the Orient•2023

    The article is the attempt at the psycholinguistic investigation of code-switching (alternation between English and Chinese) specificity in Amy Tan’s Chinese American writings. The study of code-switching is a serious concern today because more and more people on the planet are becoming bilingual/multilingual. Besides, the approaches to the scientific understanding of the phenomenon have recently changed: if previously the alternation between two…

  • Principles of Cinematic Montage in Chinese Dramatic Performances

    Open Access•Olha Vorobei, T Vechorynska•ARTICLE•The World of the Orient•2022

    This article investigates the usage of cinematic montage methods of selected filmmakers (e.g., Vs. Pudovkin, S. Eisenstein, P. Pavis) in the dramatic performances of Xia Yan (夏衍, 1900–1995), Chinese prominent playwright, and film director of the first half of the twentieth century. On the striking examples of Chinese playwright Xia Yan’s plays (Under Shanghai Eaves (“上海屋檐下”), The Fascist Bacillus (“法西斯细菌”), Fragrant Flowers on the Horizon (“芳草天涯”…

  • The Imagological Approach to the Overseas Chinese Literature

    Open Access•T Vechorynska, Olha Vorobei et al.•ARTICLE•The World of the Orient•2021

    Overseas Chinese literature refers to literary works written in Chinese by the Chinese living outside of China. Rooted in the soil of Chinese culture, Overseas Chinese literature appears as a unique literary phenomenon widespread throughout the world and created amidst foreign cultures. Overseas Chinese writers find themselves under a double cultural background. In their writings, there are many literary representations of different cultures' mee…

  • Jungian Approach to Individuation of Personality in the Short Story Empty Rooms by Can Xue

    Open Access•М Voina, Marina VOINA et al.•ARTICLE•The World of the Orient•2021

    Creative work is the highest and most complex form of mental activity, so the elaboration of the role of the unconscious in the structure of artistic creativity and perception is important for the analysis of the psychology of art and fiction works.According to C. G. Jung, the birth of each work is always associated with the action of powerful forces that rest in the collective unconscious and are manifested through the work of an individual arti…

No prominent works on this page.

  • The Imagological Approach to the Overseas Chinese Literature

    Open Access•T Vechorynska, Olha Vorobei et al.•ARTICLE•The World of the Orient•2021

    Overseas Chinese literature refers to literary works written in Chinese by the Chinese living outside of China. Rooted in the soil of Chinese culture, Overseas Chinese literature appears as a unique literary phenomenon widespread throughout the world and created amidst foreign cultures. Overseas Chinese writers find themselves under a double cultural background. In their writings, there are many literary representations of different cultures' mee…

  • Jungian Approach to Individuation of Personality in the Short Story Empty Rooms by Can Xue

    Open Access•М Voina, Marina VOINA et al.•ARTICLE•The World of the Orient•2021

    Creative work is the highest and most complex form of mental activity, so the elaboration of the role of the unconscious in the structure of artistic creativity and perception is important for the analysis of the psychology of art and fiction works.According to C. G. Jung, the birth of each work is always associated with the action of powerful forces that rest in the collective unconscious and are manifested through the work of an individual arti…

  • Principles of Cinematic Montage in Chinese Dramatic Performances

    Open Access•Olha Vorobei, T Vechorynska•ARTICLE•The World of the Orient•2022

    This article investigates the usage of cinematic montage methods of selected filmmakers (e.g., Vs. Pudovkin, S. Eisenstein, P. Pavis) in the dramatic performances of Xia Yan (夏衍, 1900–1995), Chinese prominent playwright, and film director of the first half of the twentieth century. On the striking examples of Chinese playwright Xia Yan’s plays (Under Shanghai Eaves (“上海屋檐下”), The Fascist Bacillus (“法西斯细菌”), Fragrant Flowers on the Horizon (“芳草天涯”…

  • Psycholinguistic Motivations for Bilingual Code-Switching in Amy Tan’s Chinese American Writings

    Open Access•T Vechorynska, Olha Vorobei•ARTICLE•The World of the Orient•2023

    The article is the attempt at the psycholinguistic investigation of code-switching (alternation between English and Chinese) specificity in Amy Tan’s Chinese American writings. The study of code-switching is a serious concern today because more and more people on the planet are becoming bilingual/multilingual. Besides, the approaches to the scientific understanding of the phenomenon have recently changed: if previously the alternation between two…

History (3 works) · Psychology (2 works) · Aesthetics (1 work) · Art (1 work) · Code-switching (1 work) · Cognition (1 work) · Computer Science (1 work) · Digital Communication and Language (1 work) · Discourse Analysis in Language Studies (1 work) · Drama (1 work)

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