Rasha Saeed Abdullah Badurais
Biographic Data
| ID | 9413852 |
|---|---|
| NAME | Rasha Saeed Abdullah Badurais |
| GIVEN NAMES | Rasha Saeed Abdullah |
| FAMILY NAME | Badurais |
| SIGNATURE | BADURAIS R S A |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Tracing Issues of the Deferred/Differed Contemporary Australian Jewish Identity: Bavati’s Dancing in the Dark and Brous’ I Am Max Lamm under the Deconstructive Lens
This study attempts to deconstruct Bavati’s Dancing in the Dark (2010) and Brous’ I Am Max Lamm (2011) to discuss the contemporary social-psychological identity features portrayed within the overall ethno-religious Australian Jewish identity perspective in these texts. Highlighting the bidirectional relationship between the social-psychological identity perspective (Breakwell, 1986), at the narrower level, and the overall ethno-religious Australi…
Deconstructing the Tropes of Communication in Jonathan Foer's Extremely Loud and Incredibly Close
This study is an attempt to examine Jonathan Foer's Extremely Loud and Incredibly Close (2005) that is supposed to represent contemporary moments of Jewish identity in the American context. Scrutinizing identity features of the young generations of Anglophone Jewish fiction from a social and psychological perspectives is a recommended trend This social psychological scrutiny, conducted throughout Breakwell's Identity Process Theory (IPT) (1986), …
No prominent works on this page.
Deconstructing the Tropes of Communication in Jonathan Foer's Extremely Loud and Incredibly Close
This study is an attempt to examine Jonathan Foer's Extremely Loud and Incredibly Close (2005) that is supposed to represent contemporary moments of Jewish identity in the American context. Scrutinizing identity features of the young generations of Anglophone Jewish fiction from a social and psychological perspectives is a recommended trend This social psychological scrutiny, conducted throughout Breakwell's Identity Process Theory (IPT) (1986), …
Tracing Issues of the Deferred/Differed Contemporary Australian Jewish Identity: Bavati’s Dancing in the Dark and Brous’ I Am Max Lamm under the Deconstructive Lens
This study attempts to deconstruct Bavati’s Dancing in the Dark (2010) and Brous’ I Am Max Lamm (2011) to discuss the contemporary social-psychological identity features portrayed within the overall ethno-religious Australian Jewish identity perspective in these texts. Highlighting the bidirectional relationship between the social-psychological identity perspective (Breakwell, 1986), at the narrower level, and the overall ethno-religious Australi…
Aesthetics (2 works) · Art (2 works) · Jewish and Middle Eastern Studies (2 works) · Judaism (2 works) · Philosophy (2 works) · Theology (2 works) · American Jewish Fiction Analysis (1 works) · Astrophysics (1 works) · Australian History and Society (1 works) · Computer Science (1 works)