Guillermo Severiche
Biographic Data
| ID | 9415350 |
|---|---|
| NAME | Guillermo Severiche |
| GIVEN NAMES | Guillermo |
| FAMILY NAME | Severiche |
| SIGNATURE | SEVERICHE G |
| AFFILIATIONS | Fordham University |
| ORCID | 0000-0003-2968-9596 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Cuerpos que caen, cuerpos que sienten. Archivo familiar, memoria queer y lenguaje háptico en tres documentales recientes de América Latina
Este ensayo compara los elementos formales que comparten tres documentales latinoame-ricanos recientes: 108 Cuchillo de palo (dir. Renate Costa, Paraguay, 2010), Memories of a Penitent Heart (dir. Cecilia Aldarondo, Puerto Rico, 2016) y El silencio es un cuerpo que cae (dir. Agustina Comedi, Argentina, 2017). Tomando los aportes de Laura Marks y Vivian Sobchack, es posible afirmar que estos filmes apuestan por la capacidad audiovisual de recrear …
Embodied nations
This article proposes a comparison between Francis Lee’s God’s Own Country (UK, 2017) and Peter Sheridan’s Borstal Boy (Ireland, 2000) to examine the role that masculinities and sexual desire play in the construction, (re)configuration and (re)affirmation of nation-ness. These films depict bodies and their sensations as being able to break down and re-shape a strict and embodied notion of nationhood strongly tied by patriarchal norms. However, th…
The Political Embodiment of Aids
After the recognition gained with his previous novels (The South and The Heather Blazing ), the writer Colm Tóibín explored what then (in the mid-1990s) was a growing trend in Irish narrative: a re-configuration of the Irish traditional family and its religious values in confrontation with (homo)sexuality. In fact, Tóibín came out as a
No prominent works on this page.
The Political Embodiment of Aids
After the recognition gained with his previous novels (The South and The Heather Blazing ), the writer Colm Tóibín explored what then (in the mid-1990s) was a growing trend in Irish narrative: a re-configuration of the Irish traditional family and its religious values in confrontation with (homo)sexuality. In fact, Tóibín came out as a
Embodied nations
This article proposes a comparison between Francis Lee’s God’s Own Country (UK, 2017) and Peter Sheridan’s Borstal Boy (Ireland, 2000) to examine the role that masculinities and sexual desire play in the construction, (re)configuration and (re)affirmation of nation-ness. These films depict bodies and their sensations as being able to break down and re-shape a strict and embodied notion of nationhood strongly tied by patriarchal norms. However, th…
Cuerpos que caen, cuerpos que sienten. Archivo familiar, memoria queer y lenguaje háptico en tres documentales recientes de América Latina
Este ensayo compara los elementos formales que comparten tres documentales latinoame-ricanos recientes: 108 Cuchillo de palo (dir. Renate Costa, Paraguay, 2010), Memories of a Penitent Heart (dir. Cecilia Aldarondo, Puerto Rico, 2016) y El silencio es un cuerpo que cae (dir. Agustina Comedi, Argentina, 2017). Tomando los aportes de Laura Marks y Vivian Sobchack, es posible afirmar que estos filmes apuestan por la capacidad audiovisual de recrear …
Aesthetics (3 works) · Art (3 works) · Philosophy (3 works) · Sociology (3 works) · Gender Studies (2 works) · History (2 works) · Irish (2 works) · Irish and British Studies (2 works) · Law (2 works) · Linguistics (2 works)