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Charis Gullickson

Biographic Data

ID941916
NAMECharis Gullickson
GIVEN NAMESCharis
FAMILY NAMEGullickson
SIGNATUREGULLICKSON C
AFFILIATIONSDepartment of Art History, Arctic University of Norway, Norway
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS0
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR1970
LATEST PUBLICATION YEAR2024
H-INDEX0
  • The art museum as activist

    Open Access•Charis Gullickson•ARTICLE•Curator The Museum Journal•2024

    How do art museums illuminate patriarchal ideologies for the general public? In this article I share my experiences with critical pedagogies developed for the exhibition Like Betzy (2019–2020) by Nordnorsk Kunstmuseum (Northern Norway Art Museum). The art museum intervened in its exhibition and monuments in public spaces to attract engagement with local communities, critically question, and instigate dialogue and debate on the persistence of gend…

  • Decolonizing the Museum

    Open Access•Charis Gullickson•ARTICLE•Interventions•2023

    This essay presents a decolonial analysis of the French painter François-Auguste Biard’s Le Pasteur Laestadius instruisant des Lapons (1840). A highlight at Nordnorsk Kunstmuseum (Northern Norway Art Museum) in Romsa/Tromsø, Biard’s work represents the pastor Lars Levi Laestadius (1800–1861) preaching to a group of Sámi people outside their goahtis in winter. Exhibited in 1841 at the Salon (1667–present) in Paris, the painting originates in sketc…

  • L’art sami

    Open Access•Katya García-Antón, Katya García‐Antón et al.•ARTICLE•Perspective•2019

    Depuis quelques annes, les artistes samis font l'objet d'une attention croissante, que ce soit en Scandinavie ou l'chelle internationale, et ils ont port l'art sami sur le devant de la scne artistique contemporaine. Nous pourrions ainsi citer la rcente participation de certains d'entre eux la documenta 14 (Cassel ; Athnes, 2017), ou des expositions comme Smi Stories 1 (New York ; Anchorage, 2014-2015), Let the River Flow (Oslo ; Stockholm, 2018-2…

  • Exchanging stories. Art and identity of an Arctic people

    Open Access•Charis Gullickson, Hermina Wei-Hsin Din•ARTICLE•Nordisk Museologi•1970

    Sámi Stories. Art and Identity of an Arctic People is an exhibition created and curated by the Northern Norway Art Museum and Tromsø University Museum to commemorate the bicentennial celebrations of the Norwegian Constitution. The exhibition debuted at the Northern Norway Art Museum in Tromsø, Norway, before traveling to New York City and Anchorage, Alaska. This paper shares stories to demonstrate the roles that museums can play in the interpreta…

No prominent works on this page.

  • Exchanging stories. Art and identity of an Arctic people

    Open Access•Charis Gullickson, Hermina Wei-Hsin Din•ARTICLE•Nordisk Museologi•1970

    Sámi Stories. Art and Identity of an Arctic People is an exhibition created and curated by the Northern Norway Art Museum and Tromsø University Museum to commemorate the bicentennial celebrations of the Norwegian Constitution. The exhibition debuted at the Northern Norway Art Museum in Tromsø, Norway, before traveling to New York City and Anchorage, Alaska. This paper shares stories to demonstrate the roles that museums can play in the interpreta…

  • L’art sami

    Open Access•Katya García-Antón, Katya García‐Antón et al.•ARTICLE•Perspective•2019

    Depuis quelques annes, les artistes samis font l'objet d'une attention croissante, que ce soit en Scandinavie ou l'chelle internationale, et ils ont port l'art sami sur le devant de la scne artistique contemporaine. Nous pourrions ainsi citer la rcente participation de certains d'entre eux la documenta 14 (Cassel ; Athnes, 2017), ou des expositions comme Smi Stories 1 (New York ; Anchorage, 2014-2015), Let the River Flow (Oslo ; Stockholm, 2018-2…

  • Decolonizing the Museum

    Open Access•Charis Gullickson•ARTICLE•Interventions•2023

    This essay presents a decolonial analysis of the French painter François-Auguste Biard’s Le Pasteur Laestadius instruisant des Lapons (1840). A highlight at Nordnorsk Kunstmuseum (Northern Norway Art Museum) in Romsa/Tromsø, Biard’s work represents the pastor Lars Levi Laestadius (1800–1861) preaching to a group of Sámi people outside their goahtis in winter. Exhibited in 1841 at the Salon (1667–present) in Paris, the painting originates in sketc…

  • The art museum as activist

    Open Access•Charis Gullickson•ARTICLE•Curator The Museum Journal•2024

    How do art museums illuminate patriarchal ideologies for the general public? In this article I share my experiences with critical pedagogies developed for the exhibition Like Betzy (2019–2020) by Nordnorsk Kunstmuseum (Northern Norway Art Museum). The art museum intervened in its exhibition and monuments in public spaces to attract engagement with local communities, critically question, and instigate dialogue and debate on the persistence of gend…

Archaeology (3 works) · Art (3 works) · Art history (3 works) · Law (3 works) · Museums and Cultural Heritage (3 works) · Political science (3 works) · Sociology (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Exhibition (2 works)

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