Aleksandra A Pesetskaya
Biographic Data
| ID | 9433313 |
|---|---|
| NAME | Aleksandra A Pesetskaya |
| GIVEN NAMES | Aleksandra A |
| FAMILY NAME | Pesetskaya |
| SIGNATURE | PESETSKAYA A A |
| AFFILIATIONS | Russian Museum of Ethnography |
| ORCID | 0000-0003-1490-2032 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
The Art Collection of T. E. Evseev in the Russian Museum of Ethnography
The article is devoted to the collection of ethnographic samples gathered by T. E. Evseev, a famous ethnographer and local historian who stood at the origins of the Russian Mari studies, and was a founder of the National Mari Museum. T. E. Evseev was a native of Azyal village in the Tsarevokokshaysky Uyezd of Kazan province. Following his acquaintance with the Wichmans in 1906, he began his collecting activities working for the Finno-Ugrian Socie…
Mari сlothing in the funeral and memorial rituals (late XIX – early XX century)
Introduction. The paper considers the Mari clothing for funeral and memorial rituals, its specific features, and functions. The purpose of the research is to define a role and application that clothes have in ceremonies. Materials and Methods. As the research materials for the article, the author used ethnographic sources published in the XIX and early XX centuries, field journals by Tatyana Kryukova belonged to the Archive of the Russian Museum …
The Mari wedding robes as a group’s identity marker (based on the materials of the Russian Museum of Ethnography)
Introduction. In traditional culture, wedding clothing is distinguished by its multifunctionality and attractiveness, as it is meant to reflect significant social changes. In a Mari wedding clothing, robes have always played a particular role of an indicator of belonging to the community. The robe’s design and decorative features played a role of a marker. Materials and Methods. The research is based on the collections of the Russian Museum of Et…
No prominent works on this page.
The Mari wedding robes as a group’s identity marker (based on the materials of the Russian Museum of Ethnography)
Introduction. In traditional culture, wedding clothing is distinguished by its multifunctionality and attractiveness, as it is meant to reflect significant social changes. In a Mari wedding clothing, robes have always played a particular role of an indicator of belonging to the community. The robe’s design and decorative features played a role of a marker. Materials and Methods. The research is based on the collections of the Russian Museum of Et…
Mari сlothing in the funeral and memorial rituals (late XIX – early XX century)
Introduction. The paper considers the Mari clothing for funeral and memorial rituals, its specific features, and functions. The purpose of the research is to define a role and application that clothes have in ceremonies. Materials and Methods. As the research materials for the article, the author used ethnographic sources published in the XIX and early XX centuries, field journals by Tatyana Kryukova belonged to the Archive of the Russian Museum …
The Art Collection of T. E. Evseev in the Russian Museum of Ethnography
The article is devoted to the collection of ethnographic samples gathered by T. E. Evseev, a famous ethnographer and local historian who stood at the origins of the Russian Mari studies, and was a founder of the National Mari Museum. T. E. Evseev was a native of Azyal village in the Tsarevokokshaysky Uyezd of Kazan province. Following his acquaintance with the Wichmans in 1906, he began his collecting activities working for the Finno-Ugrian Socie…
Ethnography (3 works) · Anthropology (2 works) · Archaeology (2 works) · Art (2 works) · Clothing (2 works) · History (2 works) · Sociology (2 works) · Aesthetics (1 work) · Attractiveness (1 work) · Ceremony (1 work)