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Elena N Antipkina

Biographic Data

ID9433323
NAMEElena N Antipkina
GIVEN NAMESElena N
FAMILY NAMEAntipkina
SIGNATUREANTIPKINA E N
AFFILIATIONSNational Research Mordovia State University
ORCID0000-0001-8706-0679
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS0
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2020
LATEST PUBLICATION YEAR2024
H-INDEX0
  • Formation of the Stage Traditions of Mordovian National Ballet through the Work of Composer N. Kosheleva

    Open Access•Elena N Antipkina, Yuri A Kondratenko et al.•ARTICLE•Finno-Ugric World•2024

    Introduction. This article explores the history of the formation of the stage traditions of the national ballet of Mordovia, which can resist contemporary processes of globalization and unification that lead to the erosion of ethnic culture. The stage history of the ballet reflects the priorities of Russia's national policy, which aims to strengthen the unity of the multinational people while preserving its ethnocultural diversity. The aim of the…

  • Study of ethnocultural values in the Finno-Ugric regions

    Open Access•Elena N Lomshina, Olga S Safonkina et al.•ARTICLE•Finno-Ugric World•2021

    Introduction. The use of the axiological field of the Finno-Ugric culture within the framework of the formation of the socio-humanitarian component of modern education presupposes the acquisition of new knowledge related to the study of the value dominants of the Finno-Ugric culture in diachrony and the ways of their actualization in modern society. The article considers the study of the ethnocultural values of the Finno-Ugric peoples on the exam…

  • Features of pre-scenography functioning in the ceremonial, ritual festive events of the Mordovians

    Open Access•Elena N Antipkina, Olga N Prokaeva•ARTICLE•Finno-Ugric World•2020

    Introduction. Ritual, ceremonial and festive events of the Mordovians represent a sphere of concentration and representation of spiritual-moral and value-oriented views of the people. They contain the origins of theatre and scenography as types of art. However, they cannot be considered as independent types of art in its modern meaning, as they used to exist in forms of theatricalization (pretheater) and pre-scenography. The subject of the articl…

  • Actualization of traditional art practices in contemporary art of Mordovia (in the context of creating choreographic suites)

    Open Access•Yurii A Kondratenko, Elena N Antipkina•ARTICLE•Finno-Ugric World•2020

    Introduction. Among the processes that are clearly traced in the modern artistic practices of Mordovia, there is one that draws particular attention – the desire to comprehend folk art in a new way, to actualize the traditional layers of culture within the framework of neo-traditional forms of contemporary art. A folk dance is an example of one of the directions of modern choreography. The purpose of the article is to review the experience of cre…

No prominent works on this page.

  • Features of pre-scenography functioning in the ceremonial, ritual festive events of the Mordovians

    Open Access•Elena N Antipkina, Olga N Prokaeva•ARTICLE•Finno-Ugric World•2020

    Introduction. Ritual, ceremonial and festive events of the Mordovians represent a sphere of concentration and representation of spiritual-moral and value-oriented views of the people. They contain the origins of theatre and scenography as types of art. However, they cannot be considered as independent types of art in its modern meaning, as they used to exist in forms of theatricalization (pretheater) and pre-scenography. The subject of the articl…

  • Actualization of traditional art practices in contemporary art of Mordovia (in the context of creating choreographic suites)

    Open Access•Yurii A Kondratenko, Elena N Antipkina•ARTICLE•Finno-Ugric World•2020

    Introduction. Among the processes that are clearly traced in the modern artistic practices of Mordovia, there is one that draws particular attention – the desire to comprehend folk art in a new way, to actualize the traditional layers of culture within the framework of neo-traditional forms of contemporary art. A folk dance is an example of one of the directions of modern choreography. The purpose of the article is to review the experience of cre…

  • Study of ethnocultural values in the Finno-Ugric regions

    Open Access•Elena N Lomshina, Olga S Safonkina et al.•ARTICLE•Finno-Ugric World•2021

    Introduction. The use of the axiological field of the Finno-Ugric culture within the framework of the formation of the socio-humanitarian component of modern education presupposes the acquisition of new knowledge related to the study of the value dominants of the Finno-Ugric culture in diachrony and the ways of their actualization in modern society. The article considers the study of the ethnocultural values of the Finno-Ugric peoples on the exam…

  • Formation of the Stage Traditions of Mordovian National Ballet through the Work of Composer N. Kosheleva

    Open Access•Elena N Antipkina, Yuri A Kondratenko et al.•ARTICLE•Finno-Ugric World•2024

    Introduction. This article explores the history of the formation of the stage traditions of the national ballet of Mordovia, which can resist contemporary processes of globalization and unification that lead to the erosion of ethnic culture. The stage history of the ballet reflects the priorities of Russia's national policy, which aims to strengthen the unity of the multinational people while preserving its ethnocultural diversity. The aim of the…

Art (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Computer Science (2 works) · Dance (2 works) · Philosophy (2 works) · Sociology (2 works) · Anthropology (1 work) · Archaeology (1 work) · Ballet (1 work)

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