Violeta Kovacsics
Biographic Data
| ID | 9435807 |
|---|---|
| NAME | Violeta Kovacsics |
| GIVEN NAMES | Violeta |
| FAMILY NAME | Kovacsics |
| SIGNATURE | KOVACSICS V |
| AFFILIATIONS | Universitat Pompeu Fabra |
| ORCID | 0000-0001-6782-5443 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
'Double act' de Bibí Andersen y Victoria Abril
El double act de Victoria Abril y Bibí Andersen en Tacones lejanos (Pedro Almodóvar, 1991) se constituye a partir de dos películas en las que las dos actrices habían aparecido juntas anteriormente: Cambio de sexo (Vicente Aranda, 1977) y La noche más hermosa (Manuel Gutiérrez Aragón, 1984). Estas colaboraciones previas permean el filme de Almodóvar, potenciando así el carácter intertextual de su cine. Partiendo de un discurso metodológico que se …
Decentering the Narrative
Violeta Kovacsics reports from the 2024 edition of the International Film Festival Rotterdam (IFFR), where festival director Vanja Kaludjercic—whose appointment coincided with the pandemic years—finally was able to showcase her vision for the festival’s future. Maintaining Rotterdam’s reputation for new discoveries (almost half its screenings were world premieres), along with its commitment to avant-garde and political cinema, Kaludjercic amplifi…
No prominent works on this page.
Decentering the Narrative
Violeta Kovacsics reports from the 2024 edition of the International Film Festival Rotterdam (IFFR), where festival director Vanja Kaludjercic—whose appointment coincided with the pandemic years—finally was able to showcase her vision for the festival’s future. Maintaining Rotterdam’s reputation for new discoveries (almost half its screenings were world premieres), along with its commitment to avant-garde and political cinema, Kaludjercic amplifi…
'Double act' de Bibí Andersen y Victoria Abril
El double act de Victoria Abril y Bibí Andersen en Tacones lejanos (Pedro Almodóvar, 1991) se constituye a partir de dos películas en las que las dos actrices habían aparecido juntas anteriormente: Cambio de sexo (Vicente Aranda, 1977) y La noche más hermosa (Manuel Gutiérrez Aragón, 1984). Estas colaboraciones previas permean el filme de Almodóvar, potenciando así el carácter intertextual de su cine. Partiendo de un discurso metodológico que se …
Art (2 works) · Cinema and Media Studies (1 work) · Digital Media and Philosophy (1 work) · Humanities (1 work) · Literature (1 work) · Media, Journalism, and Communication History (1 work) · Narrative (1 work) · Shakespeare, Adaptation, and Literary Criticism (1 work) · Spanish Culture and Identity (1 work) · Spanish History and Politics (1 work)