Sonia Herrera Sánchez
Biographic Data
| ID | 9435849 |
|---|---|
| NAME | Sonia Herrera Sánchez |
| GIVEN NAMES | Sonia Herrera |
| FAMILY NAME | Sánchez |
| SIGNATURE | SÁNCHEZ S H |
| AFFILIATIONS | Universitat Autonòma de Barcelona |
| ORCID | 0000-0002-7941-7727 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
Pornomisery, Sexist Violence and Colonial Gaze in the films Backyard
Images can activate or deactivate violence and have important political value, so analyzing their implications is essential.In this article we will investigate the representative forms of violence against women and racialized, impoverished bodies located in the Global South, specifically in Colombia and Mexico, through two recent films: La mujer del Animal (2016), directed by Víctor Gaviria, and Backyard: El traspatio (2009), directed by Carlos C…
Los puentes de Madison
Más allá del uso estereotipado y los lugares comunes del amor romántico y el drama, en la película Los puentes de Madison de Clint Eastwood se dibujan y se cuestionan las estrategias familiares y los roles de género de las mujeres rurales estadounidenses en los años 60 a través de su curso vital y de las relaciones sociales establecidas. Abordando cuestiones esenciales para el movimiento feminista como la maternidad, la sexualidad de la mujer, la…
No prominent works on this page.
Los puentes de Madison
Más allá del uso estereotipado y los lugares comunes del amor romántico y el drama, en la película Los puentes de Madison de Clint Eastwood se dibujan y se cuestionan las estrategias familiares y los roles de género de las mujeres rurales estadounidenses en los años 60 a través de su curso vital y de las relaciones sociales establecidas. Abordando cuestiones esenciales para el movimiento feminista como la maternidad, la sexualidad de la mujer, la…
Pornomisery, Sexist Violence and Colonial Gaze in the films Backyard
Images can activate or deactivate violence and have important political value, so analyzing their implications is essential.In this article we will investigate the representative forms of violence against women and racialized, impoverished bodies located in the Global South, specifically in Colombia and Mexico, through two recent films: La mujer del Animal (2016), directed by Víctor Gaviria, and Backyard: El traspatio (2009), directed by Carlos C…
Art (2 works) · Gender and Feminist Studies (2 works) · Colonialism (1 work) · Combinatorics (1 work) · Criticism (1 work) · Cultural and Social Dynamics (1 work) · Font (1 work) · Gaze (1 work) · Gender Studies (1 work) · Gender violence (1 work)