Anna Sejbæk Torp-Pedersen
Biographic Data
| ID | 9436656 |
|---|---|
| NAME | Anna Sejbæk Torp-Pedersen |
| GIVEN NAMES | Anna Sejbæk |
| FAMILY NAME | Torp-Pedersen |
| SIGNATURE | TORP-PEDERSEN A S |
| AFFILIATIONS | KU Leuven |
| ORCID | 0000-0003-2631-6460 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
The Right not to Drown: Data Visualisation in Contemporary Art
Counter-mapping and counter-data visualisation are employed by artists to reframe migration narratives, often focusing on retracing the journeys of migrants. However, the maps of those who never made it have not received the same attention. This article examines three artistic visualisations that address infographics of people who have died or disappeared in the Mediterranean. The Mediterranean has been described as a stage for necropolitics; it …
Charles-Joseph Minard’s Borders: Cartographic Anxiety and Maps of Migration
In 1862, the French civil engineer Charles-Joseph Minard published his Figurative and Approximate Map Representing the Emigrants of the Globe in the Year 1858, the Countries from Which They Leave and Those Where They Arrive. The world map showcases broad lines connecting the continents, dividing the categories of people travelling by nationality or city of departure and sorts them by colour, such as blue or green. However, the last three categori…
No prominent works on this page.
Charles-Joseph Minard’s Borders: Cartographic Anxiety and Maps of Migration
In 1862, the French civil engineer Charles-Joseph Minard published his Figurative and Approximate Map Representing the Emigrants of the Globe in the Year 1858, the Countries from Which They Leave and Those Where They Arrive. The world map showcases broad lines connecting the continents, dividing the categories of people travelling by nationality or city of departure and sorts them by colour, such as blue or green. However, the last three categori…
The Right not to Drown: Data Visualisation in Contemporary Art
Counter-mapping and counter-data visualisation are employed by artists to reframe migration narratives, often focusing on retracing the journeys of migrants. However, the maps of those who never made it have not received the same attention. This article examines three artistic visualisations that address infographics of people who have died or disappeared in the Mediterranean. The Mediterranean has been described as a stage for necropolitics; it …
Art history (1 works) · Cartography (1 works) · Cognitive reframing (1 works) · Data visualization (1 works) · Diaspora, migration, transnational identity (1 works) · Diverse academic research themes (1 works) · Documentation (1 works) · Geography (1 works) · Global Security and Public Health (1 works) · History (1 works)