Daniele Borgogni
Biographic Data
| ID | 9448551 |
|---|---|
| NAME | Daniele Borgogni |
| GIVEN NAMES | Daniele |
| FAMILY NAME | Borgogni |
| SIGNATURE | BORGOGNI D |
| AFFILIATIONS | University of Turin |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Emblematics and metaphor
The article focuses on Renaissance emblematics and its privileged relationship with metaphor, considered in the light of contemporary theories as an inherently tensional form, steeped in interchange and transition and heavily relying on a basically conflictual dynamic. Though often dismissed as an academic, antiquarian form of figurality or as a pleasing symbolical form steeped in monologic stability, emblematics was in fact conceived as a brand-…
“The thick and black clouds of Obloquie”
This article discusses the interaction between modality, point of view and ideology in Abiezer Coppe’s A Remonstrance (1651), a letter of protestation written in prison by one of the most infamous radical thinkers of England in the 1650’s. Point of view is one the most fruitful topics of stylistic enquiry, in particular in its interaction with modality as carrier of ideological effects, but, as recent studies amply demonstrate, it is advisable to…
No prominent works on this page.
“The thick and black clouds of Obloquie”
This article discusses the interaction between modality, point of view and ideology in Abiezer Coppe’s A Remonstrance (1651), a letter of protestation written in prison by one of the most infamous radical thinkers of England in the 1650’s. Point of view is one the most fruitful topics of stylistic enquiry, in particular in its interaction with modality as carrier of ideological effects, but, as recent studies amply demonstrate, it is advisable to…
Emblematics and metaphor
The article focuses on Renaissance emblematics and its privileged relationship with metaphor, considered in the light of contemporary theories as an inherently tensional form, steeped in interchange and transition and heavily relying on a basically conflictual dynamic. Though often dismissed as an academic, antiquarian form of figurality or as a pleasing symbolical form steeped in monologic stability, emblematics was in fact conceived as a brand-…
Aesthetics (2 works) · Epistemology (2 works) · Linguistics (2 works) · Philosophy (2 works) · Sociology (2 works) · Art (1 work) · Computer Science (1 work) · Conceptualization (1 work) · Dialogic (1 work) · Historical and Literary Studies (1 work)