Anna Vyazemtseva
Biographic Data
| ID | 9449587 |
|---|---|
| NAME | Anna Vyazemtseva |
| GIVEN NAMES | Anna |
| FAMILY NAME | Vyazemtseva |
| SIGNATURE | VYAZEMTSEVA A |
| ORCID | 0000-0003-2782-3245 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
“Artisti in Russia” by Ettore Lo Gatto
The article examines a book called “Artists in Russia” published in Italy in 1934–1943 by the Italian slavist Ettore Lo Gatto as an attempt to do a comparative transnational research. This approach though relevant for the history of art and architecture today was new in the first half of the 20th century, when the science rather considered national schools, than the question of mutual influence. Lo Gatto’s work made part of the series “Italian Ge…
The Architect and the Revolution
When describing the history of twentieth-century Russian architecture, it is common to separate (and even oppose) the pre-revolutionary decades and the early Soviet period of the 1920s. Thus, the revolutionary months of 1917 proper have been completely overlooked by researchers as unworthy and capable of shaking the existing historiographical model. Such an approach, dictated by ideological considerations, is no longer justified today and require…
No prominent works on this page.
The Architect and the Revolution
When describing the history of twentieth-century Russian architecture, it is common to separate (and even oppose) the pre-revolutionary decades and the early Soviet period of the 1920s. Thus, the revolutionary months of 1917 proper have been completely overlooked by researchers as unworthy and capable of shaking the existing historiographical model. Such an approach, dictated by ideological considerations, is no longer justified today and require…
“Artisti in Russia” by Ettore Lo Gatto
The article examines a book called “Artists in Russia” published in Italy in 1934–1943 by the Italian slavist Ettore Lo Gatto as an attempt to do a comparative transnational research. This approach though relevant for the history of art and architecture today was new in the first half of the 20th century, when the science rather considered national schools, than the question of mutual influence. Lo Gatto’s work made part of the series “Italian Ge…
History (2 works) · Ideology (2 works) · Law (2 works) · Political science (2 works) · Politics (2 works) · Sociology (2 works) · Aesthetics (1 work) · Archaeology (1 work) · Architecture (1 work) · Architecture and Art History Studies (1 work)