Isadora Campregher Paiva
Biographic Data
| ID | 9452218 |
|---|---|
| NAME | Isadora Campregher Paiva |
| GIVEN NAMES | Isadora Campregher |
| FAMILY NAME | Paiva |
| SIGNATURE | PAIVA I C |
| AFFILIATIONS | University of Zurich |
| ORCID | 0009-0005-6824-8138 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Revisiting Weimar Film Reviewers’ Sentiments
Film reviews are an obvious area for the application of sentiment analysis, but while this is common in the field of computer science, it has been mostly absent in film studies. Film scholars have quite rightly been skeptical of such techniques due to their inability to grasp nuanced critical texts. Recent technological developments have, however, given us cause to re-evaluate the usefulness of automated sentiment analysis for historical film rev…
Male and Female Villains in Weimar Cinema
Weimar cinema is particularly known for its iconic villains: while the evil robot of Metropolis or the title character of Nosferatu are instantly recognizable to many who have never seen the films in question, its heroes are virtually forgotten. Combining a formal analysis of the films with reconstructions of the political, social and cultural universe in which such works were produced and perceived, I will analyse the patterns that emerge when w…
No prominent works on this page.
Male and Female Villains in Weimar Cinema
Weimar cinema is particularly known for its iconic villains: while the evil robot of Metropolis or the title character of Nosferatu are instantly recognizable to many who have never seen the films in question, its heroes are virtually forgotten. Combining a formal analysis of the films with reconstructions of the political, social and cultural universe in which such works were produced and perceived, I will analyse the patterns that emerge when w…
Revisiting Weimar Film Reviewers’ Sentiments
Film reviews are an obvious area for the application of sentiment analysis, but while this is common in the field of computer science, it has been mostly absent in film studies. Film scholars have quite rightly been skeptical of such techniques due to their inability to grasp nuanced critical texts. Recent technological developments have, however, given us cause to re-evaluate the usefulness of automated sentiment analysis for historical film rev…
Aesthetics (1 work) · Art (1 work) · Art history (1 work) · Artificial Intelligence (1 work) · Cinema and Media Studies (1 work) · Computational and Text Analysis Methods (1 work) · Computer Science (1 work) · European history and politics (1 work) · German (1 work) · History (1 work)