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Monika L Spivak

Biographic Data

ID9455071
NAMEMonika L Spivak
GIVEN NAMESMonika L
FAMILY NAMESpivak
SIGNATURESPIVAK M L
AFFILIATIONSRussian Academy of Sciences
ORCID0000-0001-5308-9780
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS0
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2019
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Antinomies of Modern Science and Technology in the Texts of Andrei Bely (Soviet Period)

    Open Access•Mikhail Odesskiy, Mikhail P Odesskiy et al.•ARTICLE•Arts•2026

    For the spiritual situation at the turn of the 19th and 20th centuries, it is appropriate to speak of the project of the new man, which was caused by a grandiose revolution that had various dimensions, including scientific, technological, and artistic aspects. From this perspective, it is useful to distinguish between two models of the relationship between experimental art and science and technology. According to the first model, art assists scie…

  • Andrey Bely’s Last Public Appearance (1933). Tactics of Self-Description

    Monika L Spivak•ARTICLE•RSUH/RGGU Bulletin Literary…•2025

    The article deals with the last public performance of Andrey Belу – an evening with the poet organized on February 11, 1933 in the Polytechnic Museum in Moscow. Memories of those who were there and a review of the evening published in the newspaper “Vechernyaya Moskva” allow reconstructing the atmosphere of that event. The Program of the evening, drawn up by Bely for the approval of the theses of his speech by the organs of political control, sho…

  • Andrey Bely’s Novel Moscow (1926)

    Open Access•Monika L Spivak•ARTICLE•Studia Litterarum•2025

    The first volume of Andrei Bely’s novel Moscow was completed in 1925 and published by the publishing house “Krug” in 1926 in two parts or two books: Moscow Oddball and Moscow Under Attack. Comparison of the autograph, typescript and proofs of the novel with the edition shows fundamental differences between the author’s conception of the novel and the editions of “Krug.” The article examines the differences related to the titles (volumes, parts, a…

  • “Only in The History of the Formation of the Self-Conscious Soul Did Bugaev Reveal His Ideas about Music”

    Open Access•Mikhail Odesskiy, Mikhail P Odesskiy et al.•ARTICLE•Arts•2024

    Symbolism distinguished itself in world culture in that its representatives were inclined to a dialogue and intersection of different types of art. In Russian literature, one of the brightest examples of such a synthesis is the work of Andrei Bely (Boris Bugaev; 1880–1934). The aim of the present article is to consider the writer’s ideas about music itself. As the main source we use Bely’s treatise The History of the Formation of the Self-Conscio…

  • Andrey Bely as an Artist vis-à-vis Aleksandr Golovin

    Open Access•Monika L Spivak•ARTICLE•Arts•2022

    Samuil Alyanski, the owner and founder of the Alkonost publishing house (1918–1923), as early as 1918 had decided to issue a journal called Dreamers’ Notes, meant to bring together the Symbolist writers remaining in Russia after the October Revolution, primarily Aleksandr Blok, Vyacheslav Ivanov, and Andrei Bely. Despite the generally accepted view based on the memoirs of Alyanski, Andrei Bely played a leading role in the creation of the journal …

  • The "Christology" of Bely the Anthroposophist

    Open Access•Monika Spivak, Monika L Spivak•ARTICLE•Religions•2021•References: 1

    The article focuses on R. Steiner's perception of the Gospels and the impact of that view on Bely's works. The latter had always valued Steiner's lectures on Christ and the Fifth Gospel, the "Anthroposophic" (relating to the philosophy of human genesis, existence, and outcome) Gospel, the knowledge of which had been received in a visionary way. In addition, Bely was an esoteric follower of Steiner and often quoted from Apostle Paul's 2 Corinthian…

  • Andrey Bely’s Diary Heritage (1896–1933)

    Open Access•Monika L Spivak•ARTICLE•Studia Litterarum•2019

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No prominent works on this page.

  • Andrey Bely’s Diary Heritage (1896–1933)

    Open Access•Monika L Spivak•ARTICLE•Studia Litterarum•2019

    ( )

  • The "Christology" of Bely the Anthroposophist

    Open Access•Monika Spivak, Monika L Spivak•ARTICLE•Religions•2021•References: 1

    The article focuses on R. Steiner's perception of the Gospels and the impact of that view on Bely's works. The latter had always valued Steiner's lectures on Christ and the Fifth Gospel, the "Anthroposophic" (relating to the philosophy of human genesis, existence, and outcome) Gospel, the knowledge of which had been received in a visionary way. In addition, Bely was an esoteric follower of Steiner and often quoted from Apostle Paul's 2 Corinthian…

  • Andrey Bely as an Artist vis-à-vis Aleksandr Golovin

    Open Access•Monika L Spivak•ARTICLE•Arts•2022

    Samuil Alyanski, the owner and founder of the Alkonost publishing house (1918–1923), as early as 1918 had decided to issue a journal called Dreamers’ Notes, meant to bring together the Symbolist writers remaining in Russia after the October Revolution, primarily Aleksandr Blok, Vyacheslav Ivanov, and Andrei Bely. Despite the generally accepted view based on the memoirs of Alyanski, Andrei Bely played a leading role in the creation of the journal …

  • “Only in The History of the Formation of the Self-Conscious Soul Did Bugaev Reveal His Ideas about Music”

    Open Access•Mikhail Odesskiy, Mikhail P Odesskiy et al.•ARTICLE•Arts•2024

    Symbolism distinguished itself in world culture in that its representatives were inclined to a dialogue and intersection of different types of art. In Russian literature, one of the brightest examples of such a synthesis is the work of Andrei Bely (Boris Bugaev; 1880–1934). The aim of the present article is to consider the writer’s ideas about music itself. As the main source we use Bely’s treatise The History of the Formation of the Self-Conscio…

  • Andrey Bely’s Last Public Appearance (1933). Tactics of Self-Description

    Monika L Spivak•ARTICLE•RSUH/RGGU Bulletin Literary…•2025

    The article deals with the last public performance of Andrey Belу – an evening with the poet organized on February 11, 1933 in the Polytechnic Museum in Moscow. Memories of those who were there and a review of the evening published in the newspaper “Vechernyaya Moskva” allow reconstructing the atmosphere of that event. The Program of the evening, drawn up by Bely for the approval of the theses of his speech by the organs of political control, sho…

  • Andrey Bely’s Novel Moscow (1926)

    Open Access•Monika L Spivak•ARTICLE•Studia Litterarum•2025

    The first volume of Andrei Bely’s novel Moscow was completed in 1925 and published by the publishing house “Krug” in 1926 in two parts or two books: Moscow Oddball and Moscow Under Attack. Comparison of the autograph, typescript and proofs of the novel with the edition shows fundamental differences between the author’s conception of the novel and the editions of “Krug.” The article examines the differences related to the titles (volumes, parts, a…

  • Antinomies of Modern Science and Technology in the Texts of Andrei Bely (Soviet Period)

    Open Access•Mikhail Odesskiy, Mikhail P Odesskiy et al.•ARTICLE•Arts•2026

    For the spiritual situation at the turn of the 19th and 20th centuries, it is appropriate to speak of the project of the new man, which was caused by a grandiose revolution that had various dimensions, including scientific, technological, and artistic aspects. From this perspective, it is useful to distinguish between two models of the relationship between experimental art and science and technology. According to the first model, art assists scie…

Art (5 works) · Literature (5 works) · Discourse Analysis and Cultural Communication (4 works) · Soul (3 works) · Aesthetics (2 works) · Epistemology (2 works) · Philosophy (2 works) · Poetry (2 works) · Publishing (2 works) · Vladimir Nabokov Literary Studies (2 works)

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