Elena Yu Kulikova
Biographic Data
| ID | 9455083 |
|---|---|
| NAME | Elena Yu Kulikova |
| GIVEN NAMES | Elena Yu |
| FAMILY NAME | Kulikova |
| SIGNATURE | KULIKOVA E Y |
| AFFILIATIONS | Siberian Branch of the Russian Academy of Sciences |
| ORCID | 0000-0003-0695-7447 |
| VERIFIED | Yes |
| TOTAL WORKS | 14 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 14 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Children’s Folklore (Scary Stories) in Lena Obukhova’s Urban Fantasy
The relevance of the study is that children’s folklore (“horror stories”) is actively being introduced into literature – both in children’s, and in the more “adult” fantasy genre, and in other texts by modern writers. Lena Obukhova’s works include a variety of legends, partly borrowed from children’s folklore, partly created within the framework of a genre thematically oriented towards the atmosphere of mysticism and horror. The purpose of the st…
Oriental bestiary of Mikhail Shcherbakov
The paper presents and comments on the main corpus of oriental bestiary compiled based on the works of Mikhail Shcherbakov. These works incorporate elements of ethnography, mythology, history, legends, beliefs, and literary traditions from both Eastern and Western back-grounds. Shcherbakov’s animal world includes the tiger, the “master of the taiga,” gods and mythological creatures such as Ganesha, a man-god with the head of an elephant, the “fox…
Konstantin Lipskerov’s “Eastern” Triolet (“Asia”)
Konstantin Lipskerov’s sonnetized triolet “Asia” from the book of the poems about Turkestan “Sand and Roses” (1916) is considered in the article. The composition of the extended triolet “Asia” is a descriptive picture of the East. The genre supports the meditativeness and emphasized nominative nature of the poems, which don’t have even a single verb (there is only a single gerund “murmuring”). The non-linearity of the lyrical plot of the poem, “r…
“Another Speech Will Be a Shell for Me…”
Osip Mandelstam’s lyrics are inconceivable without connection with Goethe’s motives and plots. The article considers I. W. Goethe’s ballad “Erl-king”, the images and motives of which were reflected in Mandelstam’s poem “On the high pass...” (“Phaeton driver”) and in some others (“That evening the ogival forest of the organ did not hum”, “To German speech”). The poem “Phaeton driver” can be called a ballad or a text endowed with ballad features. F…
Vitaly Ryabinin’s “Japanese watercolors”
“Exotic” themes, extremely popular in art at the turn of the 19th-20th centuries, craving for “foreign,” for extraordinary travels to Africa, India, the East, determined not only the properties of plot-motive complexes in literature, painting, and music but also the features of genre structure of the Silver Age works. In his microcycle “Japanese watercolors” from the poetic book “Melody-trill chords,” the poet V. Ryabinin operates with lyric genr…
The surrealist space of Nikolay Gumilev’s ballad “At the Gypsies”
Gumilev’s Trace in the Shanghai Marine Author B. Ya. Ilvov’s Story “The Flying Dutchman”
The Shanghai writer’s story “The Flying Dutchman” by Boris Ilvov who became the successor of Nikolay Gumilev’s traditions is considered in this article. Gumilev turned out to be a favourite poet of Russian emigrants in the East, his fate and lyrics were a model for the creative intelligentsia of China. Ilvov reflected the “sea” line of Gumilev’s work, using motives and subjects close to him. The article analyzes the legend of the Flying Dutchman …
“And Again, the Skald Will Add Someone Else’s Song”
The thematic justification involves demand for detecting and identifying patterns of transformation and modification of ballads by poets of the Silver Age. The twentieth century loved poetry experiments, a game with form, and there are a variety of genres: sonnets, rondos, gazella, pantoons, ballads in the works of symbolists and especially those of the Acmeists. Acmeist ballads reveal a part of the early twentieth century poetic world and contai…
Yuri Sopov in the Siberian Newspaper Zarya (1919)
18-412-540003 "" XX 1 . : - , . . , (1897-1919) .. . , , . , . 1918-1919 . , . . , . , (-)
“The Open Sea” by Sergei Kolbasiev
Poetic collection «The sun of heart» by Vivian Itin
Стихотворный сборник Вивиана Итина
Fates and Biographies of the Avant-Garde Era
The article was prepared with the support of the Russian Foundation for The article was prepared with the support of the Russian Foundation for Humanities; project no No 16-04-00268: “Siberian avant-garde of the 1920s — 1930s: a newspaper, an almanac, a collection.”
«I have lost forever…»
. . . , , . . . - . , . - . , . , . , , .
The motives of voyages and ships in the essay "Belfast" by V. Khodasevich
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The motives of voyages and ships in the essay "Belfast" by V. Khodasevich
«I have lost forever…»
. . . , , . . . - . , . - . , . , . , , .
Poetic collection «The sun of heart» by Vivian Itin
Стихотворный сборник Вивиана Итина
Fates and Biographies of the Avant-Garde Era
The article was prepared with the support of the Russian Foundation for The article was prepared with the support of the Russian Foundation for Humanities; project no No 16-04-00268: “Siberian avant-garde of the 1920s — 1930s: a newspaper, an almanac, a collection.”
“The Open Sea” by Sergei Kolbasiev
Yuri Sopov in the Siberian Newspaper Zarya (1919)
18-412-540003 "" XX 1 . : - , . . , (1897-1919) .. . , , . , . 1918-1919 . , . . , . , (-)
The surrealist space of Nikolay Gumilev’s ballad “At the Gypsies”
Gumilev’s Trace in the Shanghai Marine Author B. Ya. Ilvov’s Story “The Flying Dutchman”
The Shanghai writer’s story “The Flying Dutchman” by Boris Ilvov who became the successor of Nikolay Gumilev’s traditions is considered in this article. Gumilev turned out to be a favourite poet of Russian emigrants in the East, his fate and lyrics were a model for the creative intelligentsia of China. Ilvov reflected the “sea” line of Gumilev’s work, using motives and subjects close to him. The article analyzes the legend of the Flying Dutchman …
“And Again, the Skald Will Add Someone Else’s Song”
The thematic justification involves demand for detecting and identifying patterns of transformation and modification of ballads by poets of the Silver Age. The twentieth century loved poetry experiments, a game with form, and there are a variety of genres: sonnets, rondos, gazella, pantoons, ballads in the works of symbolists and especially those of the Acmeists. Acmeist ballads reveal a part of the early twentieth century poetic world and contai…
Vitaly Ryabinin’s “Japanese watercolors”
“Exotic” themes, extremely popular in art at the turn of the 19th-20th centuries, craving for “foreign,” for extraordinary travels to Africa, India, the East, determined not only the properties of plot-motive complexes in literature, painting, and music but also the features of genre structure of the Silver Age works. In his microcycle “Japanese watercolors” from the poetic book “Melody-trill chords,” the poet V. Ryabinin operates with lyric genr…
Konstantin Lipskerov’s “Eastern” Triolet (“Asia”)
Konstantin Lipskerov’s sonnetized triolet “Asia” from the book of the poems about Turkestan “Sand and Roses” (1916) is considered in the article. The composition of the extended triolet “Asia” is a descriptive picture of the East. The genre supports the meditativeness and emphasized nominative nature of the poems, which don’t have even a single verb (there is only a single gerund “murmuring”). The non-linearity of the lyrical plot of the poem, “r…
“Another Speech Will Be a Shell for Me…”
Osip Mandelstam’s lyrics are inconceivable without connection with Goethe’s motives and plots. The article considers I. W. Goethe’s ballad “Erl-king”, the images and motives of which were reflected in Mandelstam’s poem “On the high pass...” (“Phaeton driver”) and in some others (“That evening the ogival forest of the organ did not hum”, “To German speech”). The poem “Phaeton driver” can be called a ballad or a text endowed with ballad features. F…
Oriental bestiary of Mikhail Shcherbakov
The paper presents and comments on the main corpus of oriental bestiary compiled based on the works of Mikhail Shcherbakov. These works incorporate elements of ethnography, mythology, history, legends, beliefs, and literary traditions from both Eastern and Western back-grounds. Shcherbakov’s animal world includes the tiger, the “master of the taiga,” gods and mythological creatures such as Ganesha, a man-god with the head of an elephant, the “fox…
Children’s Folklore (Scary Stories) in Lena Obukhova’s Urban Fantasy
The relevance of the study is that children’s folklore (“horror stories”) is actively being introduced into literature – both in children’s, and in the more “adult” fantasy genre, and in other texts by modern writers. Lena Obukhova’s works include a variety of legends, partly borrowed from children’s folklore, partly created within the framework of a genre thematically oriented towards the atmosphere of mysticism and horror. The purpose of the st…
Art (11 works) · Literature (10 works) · History (8 works) · Poetry (8 works) · Art history (7 works) · Philosophy (5 works) · Discourse Analysis and Cultural Communication (4 works) · Ballad (3 works) · European Linguistics and Anthropology (3 works) · Linguistics and language evolution (3 works)