Irina K Staf
Biographic Data
| ID | 9455098 |
|---|---|
| NAME | Irina K Staf |
| GIVEN NAMES | Irina K |
| FAMILY NAME | Staf |
| SIGNATURE | STAF I K |
| AFFILIATIONS | Russian Academy of Sciences |
| ORCID | 0000-0003-3975-6617 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 10 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
“You Are My Streams”
This article examines the origins and meaning of the metaphor of the Ocean and Streams, by which Pierre de Ronsard was compared to Homer. Dating back to Quintilian, the metaphor had become a topos by the mid-16th century, thanks to the admirers of his talent and his own efforts. Throughout his poetic career, Ronsard presented himself to readers as a classical author, selecting genres and forms, as well as the book presentation of his texts. Follo…
“The third, ripe one”
A review of: Delage-Béland, I. (2023). Les Fabliaux: Fiction, vraisemblance et genre littéraire. Classiques Garnier. 460 р
The myth of Narcissus
This article traces two types of commentaries on the myth of Narcissus (Ovid, The Metamorphoses, III), which existed in the Middle Ages in French literature in the vernacular — the courtly and the moral and allegorical. The first type of commentary is represented by individual works in which this myth is mentioned (“The Lay of Narcissus”, “The Romance of the Rose”, “The Book of Love Chess” by Evrart de Conty). In these, Ovid’s personage is treate…
The Narcissus Myth in Early Renaissance French Literature
This article examines the evolution of medieval interpretations of the myth of Narcissus (Ovid, The Metamorphoses, Book III) in French literature of the first half of the 16th century. Jeanne Flore in the “Comptes amoureux” develops the courtesan interpretation of the myth, in which Narcissus, who rejects Cupid’s omnipotence, is combined with the figure of Belle dame sans mercy. In the tradition of moral and allegorical commentary, the young man …
Dialogue by short stories in the Renaissance
The representation of oral narrative in Renaissance novella books involves not only references to literary sources, but also descriptions of social and cultural practices of the era. The framing model of The Decameron, converging with the Courtois Courts of Love and the jeux-partis, was partly reflected in the arrangement of Charles VI’s Court of Love in the early fifteenth century. One form of such aristocratic pastime, collective reading accomp…
Late Renaissance Dialogue, Conversation and Novella in France
About Glory, Crying and Formulas. Review of
The reviewed collective monograph edited by S. Neklyudov and N. Petrov focuses on issues of the book epic, monuments of ancient and medieval genre in between folklore and literature; the oral tradition in them is refracted and transformed in the process of written fixation. The research of the book epic makes it possible to set and solve problems far beyond the scope of epic studies: the book raises issues related not only to the formation and fe…
From Le Moyen de parvenir by Béroalde de Verville (circa 1616)
Институт мировой литературы им.А. М. Горького РАН
Rabelais’ “culture of folk humor” as a Technique of Archaicized Narration
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Allegory, Poetrie, Rhetoric
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No prominent works on this page.
Allegory, Poetrie, Rhetoric
( ) (fabula). . , , , , - , (. 1400) (1539), - , , , , . , exemplum, . : . (poetrie) . , , loci communes , , , . . . XVI . fabula
Rabelais’ “culture of folk humor” as a Technique of Archaicized Narration
XVI . ( , .)
From Le Moyen de parvenir by Béroalde de Verville (circa 1616)
Институт мировой литературы им.А. М. Горького РАН
Late Renaissance Dialogue, Conversation and Novella in France
About Glory, Crying and Formulas. Review of
The reviewed collective monograph edited by S. Neklyudov and N. Petrov focuses on issues of the book epic, monuments of ancient and medieval genre in between folklore and literature; the oral tradition in them is refracted and transformed in the process of written fixation. The research of the book epic makes it possible to set and solve problems far beyond the scope of epic studies: the book raises issues related not only to the formation and fe…
Dialogue by short stories in the Renaissance
The representation of oral narrative in Renaissance novella books involves not only references to literary sources, but also descriptions of social and cultural practices of the era. The framing model of The Decameron, converging with the Courtois Courts of Love and the jeux-partis, was partly reflected in the arrangement of Charles VI’s Court of Love in the early fifteenth century. One form of such aristocratic pastime, collective reading accomp…
“The third, ripe one”
A review of: Delage-Béland, I. (2023). Les Fabliaux: Fiction, vraisemblance et genre littéraire. Classiques Garnier. 460 р
The myth of Narcissus
This article traces two types of commentaries on the myth of Narcissus (Ovid, The Metamorphoses, III), which existed in the Middle Ages in French literature in the vernacular — the courtly and the moral and allegorical. The first type of commentary is represented by individual works in which this myth is mentioned (“The Lay of Narcissus”, “The Romance of the Rose”, “The Book of Love Chess” by Evrart de Conty). In these, Ovid’s personage is treate…
The Narcissus Myth in Early Renaissance French Literature
This article examines the evolution of medieval interpretations of the myth of Narcissus (Ovid, The Metamorphoses, Book III) in French literature of the first half of the 16th century. Jeanne Flore in the “Comptes amoureux” develops the courtesan interpretation of the myth, in which Narcissus, who rejects Cupid’s omnipotence, is combined with the figure of Belle dame sans mercy. In the tradition of moral and allegorical commentary, the young man …
“You Are My Streams”
This article examines the origins and meaning of the metaphor of the Ocean and Streams, by which Pierre de Ronsard was compared to Homer. Dating back to Quintilian, the metaphor had become a topos by the mid-16th century, thanks to the admirers of his talent and his own efforts. Throughout his poetic career, Ronsard presented himself to readers as a classical author, selecting genres and forms, as well as the book presentation of his texts. Follo…
Art (8 works) · Literature (7 works) · Renaissance Literature and Culture (5 works) · Historical and Literary Studies (4 works) · Poetry (4 works) · History (3 works) · Philosophy (3 works) · Allegory (2 works) · Art history (2 works) · French Literature and Criticism (2 works)