Larisa A Simonova
Biographic Data
| ID | 9455314 |
|---|---|
| NAME | Larisa A Simonova |
| GIVEN NAMES | Larisa A |
| FAMILY NAME | Simonova |
| SIGNATURE | SIMONOVA L A |
| AFFILIATIONS | Moscow University of Finance and Law |
| ORCID | 0000-0001-7019-0215 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
The Crisis of Tragedy and the Ways to Overcome It in French Literature of the 1630s
The plays of Jean Mairet are a vivid illustration of the formation of a new dramatic poetics that overcome the archaic forms of humanistic drama of the 16th century. The purpose of the article is to identify the causes of the crisis of the tragedy genre in France in the first half of the 17th century and, using the example of the play The Death of Mustapha by Mairet, and taking into account the author’s experimental setting, to show one of the wa…
‘Crisante’ (1639) by J. de Rotrou, a Play Based on a Historical Plot
The article deals with the features of the tragic conflict and the nature of the construction of the discursive-rhetorical structure of Crisante, Rotrou’s first play on a historical plot, while determining the place of this play in the genesis of the French classic tragedy. The main problem is identifying the paradigm of dramatic thinking of classicism, which is understood as the principle of building a conflict picture of the historical world in…
Specificity of political issues in J. Rotrou’s tragedy "Iphigenie in Aulis" (1640)
The article examines J. Rotrou’s play “Iphigenie in Aulis” (1640), which ends the early period of the playwright’s tragic work and, along with Corneille’s “Horace” staged in the same year, marks a new stage in the development of French classic tragedy. In “Iphigenie” one can clearly see the consolidation of the poetological principles of the “correct” tragedy (organization of action in accordance with the rule of “three unities”, stylistic and li…
Formation of Literary-Critical Judgment in the 17th-century France. Prefaces by Jean Chapelain
The article examines the formation and development of French literary criticism in the first half of the 17th century by addressing the texts of Jean Chapelain as its notable representative. Our analysis of literary processes takes into account historical and social conditions (in particular, the strengthening of absolutism, the flourishing of salon culture, the appearance of a scholarly-minded public). We consider the influence of ancient litera…
Theater as a Dictate of Power. The Problem of Freedom of the Dramatic Author in the Classical Epoch
The author of the article aims at revising traditional approaches to the definition of classicism, viewing it as an intrinsically mobile and heterogeneous semantic system. On the example of the tragedy as a dominant genre, it reveals that the French theater of the 17th century may be seen from two perspectives: as a social and cultural phenomenon and as а system that functions and transforms itself through the author’s efforts. The mobility of th…
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Formation of Literary-Critical Judgment in the 17th-century France. Prefaces by Jean Chapelain
The article examines the formation and development of French literary criticism in the first half of the 17th century by addressing the texts of Jean Chapelain as its notable representative. Our analysis of literary processes takes into account historical and social conditions (in particular, the strengthening of absolutism, the flourishing of salon culture, the appearance of a scholarly-minded public). We consider the influence of ancient litera…
Theater as a Dictate of Power. The Problem of Freedom of the Dramatic Author in the Classical Epoch
The author of the article aims at revising traditional approaches to the definition of classicism, viewing it as an intrinsically mobile and heterogeneous semantic system. On the example of the tragedy as a dominant genre, it reveals that the French theater of the 17th century may be seen from two perspectives: as a social and cultural phenomenon and as а system that functions and transforms itself through the author’s efforts. The mobility of th…
‘Crisante’ (1639) by J. de Rotrou, a Play Based on a Historical Plot
The article deals with the features of the tragic conflict and the nature of the construction of the discursive-rhetorical structure of Crisante, Rotrou’s first play on a historical plot, while determining the place of this play in the genesis of the French classic tragedy. The main problem is identifying the paradigm of dramatic thinking of classicism, which is understood as the principle of building a conflict picture of the historical world in…
Specificity of political issues in J. Rotrou’s tragedy "Iphigenie in Aulis" (1640)
The article examines J. Rotrou’s play “Iphigenie in Aulis” (1640), which ends the early period of the playwright’s tragic work and, along with Corneille’s “Horace” staged in the same year, marks a new stage in the development of French classic tragedy. In “Iphigenie” one can clearly see the consolidation of the poetological principles of the “correct” tragedy (organization of action in accordance with the rule of “three unities”, stylistic and li…
The Crisis of Tragedy and the Ways to Overcome It in French Literature of the 1630s
The plays of Jean Mairet are a vivid illustration of the formation of a new dramatic poetics that overcome the archaic forms of humanistic drama of the 16th century. The purpose of the article is to identify the causes of the crisis of the tragedy genre in France in the first half of the 17th century and, using the example of the play The Death of Mustapha by Mairet, and taking into account the author’s experimental setting, to show one of the wa…
Art (5 works) · Historical and Literary Analyses (5 works) · Literature (5 works) · Historical and Literary Studies (4 works) · Philosophy (4 works) · Epistemology (2 works) · History (2 works) · Law (2 works) · Political science (2 works) · Politics (2 works)