Andrey E Agratin
Biographic Data
| ID | 9455390 |
|---|---|
| NAME | Andrey E Agratin |
| GIVEN NAMES | Andrey E |
| FAMILY NAME | Agratin |
| SIGNATURE | AGRATIN A E |
| AFFILIATIONS | Russian State University for the Humanities; Gorky Institute of World Literature of the Russian Academy of Science |
| ORCID | 0000-0002-4993-7289 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
“Detective” mode of theoretical-literary research
Scholarly research is frequently likened to an investigation, a parallel deeply rooted in lexicography. However, this paper posits that research in the humanities is not merely a cognitive activity but a specific mode of discourse. Given that the humanities rely on natural rather than formal language, the researcher must often navigate “non-scientific” communicative parameters, such as reader engagement. Consequently, the author argues that it is…
Museum Estate in Russian Literature
In the 20th century, the estate became a phenomenon of the historical past. This process began at the turn of the 19th and 20th century: the ghostliness of the estate culture and its archaic character are commonplace in literature of that time (A.P. Chekhov’s “The Cherry Orchard,” G.I. Chulkov’s “The Sister,” S.M. Gorodetsky’s “Sutulov’s Nest,” A.M. Kuzmin’s “The Deceased in the House”). At the same time, the problem of narrative ordering of nume…
No prominent works on this page.
Museum Estate in Russian Literature
In the 20th century, the estate became a phenomenon of the historical past. This process began at the turn of the 19th and 20th century: the ghostliness of the estate culture and its archaic character are commonplace in literature of that time (A.P. Chekhov’s “The Cherry Orchard,” G.I. Chulkov’s “The Sister,” S.M. Gorodetsky’s “Sutulov’s Nest,” A.M. Kuzmin’s “The Deceased in the House”). At the same time, the problem of narrative ordering of nume…
“Detective” mode of theoretical-literary research
Scholarly research is frequently likened to an investigation, a parallel deeply rooted in lexicography. However, this paper posits that research in the humanities is not merely a cognitive activity but a specific mode of discourse. Given that the humanities rely on natural rather than formal language, the researcher must often navigate “non-scientific” communicative parameters, such as reader engagement. Consequently, the author argues that it is…
Crime and Detective Fiction Studies (1 work) · Discourse Analysis and Cultural Communication (1 work) · Estate (1 work) · Exceptionalism (1 work) · History (1 work) · Language, Communication, and Linguistic Studies (1 work) · Law (1 work) · Mode (computer interface) (1 work) · Narrative (1 work) · Narrative Theory and Analysis (1 work)