Larissa E Muravieva
Biographic Data
| ID | 9455396 |
|---|---|
| NAME | Larissa E Muravieva |
| GIVEN NAMES | Larissa E |
| FAMILY NAME | Muravieva |
| SIGNATURE | MURAVIEVA L E |
| AFFILIATIONS | St Petersburg University |
| ORCID | 0000-0002-0411-6655 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Russian-Language Autofiction and Cultural Trauma(s)
This paper is the first examination of its kind of the Russian-language autofiction tradition, which emerged and developed in the context of recent socio-political upheavals. There is currently no single and universal understanding of what ‘autofiction’ is, and each national literary tradition implies its own nuances. In Russian literature, autofiction also has its own specific agenda and modulations, which derive exclusively from practice rather…
The Refusal of Representation
Modern French literature is marked by the flowering of hybrid genres. The article is devoted to the study of novels belonging to exofiction, one of the leading hybrid genres in modern French literature. At the heart of exofiction is the appropriation of someone else’s experience and the entering into someone else’s personal narrative. Instead of the chain of events that organizes the traditional biographical novel, the exofictional narrative focu…
Exofiction and Enactivist Narratives in Contemporary French Literature
The proliferation of hybrid genres is a notable trend in contemporary French literature. Alongside autofiction, new hybrids are emerging in French literature, modelled on a mixture of fiction and factual genre. One of them is exofiction (“ex” + “fiction”), which implies a narrative about fictitious events from the life of a historical character or an attempt to introduce fiction into someone else’s biography. The neologism, belonging to the write…
Affective Narratology
The present article attempts to reveal forms of representation of anxiety in fictional narrative. We propose to consider two main ways of representation of the narrative anxiety: Mimetic and Diegetic, which are constructed based on three parameters: (1) orientation towards the subject vs. the event; (2) participation in construction of the narrative intrigue, and (3) explicit (“semiotic”) vs implicit (“cognitive”) form of representation of the na…
No prominent works on this page.
Affective Narratology
The present article attempts to reveal forms of representation of anxiety in fictional narrative. We propose to consider two main ways of representation of the narrative anxiety: Mimetic and Diegetic, which are constructed based on three parameters: (1) orientation towards the subject vs. the event; (2) participation in construction of the narrative intrigue, and (3) explicit (“semiotic”) vs implicit (“cognitive”) form of representation of the na…
The Refusal of Representation
Modern French literature is marked by the flowering of hybrid genres. The article is devoted to the study of novels belonging to exofiction, one of the leading hybrid genres in modern French literature. At the heart of exofiction is the appropriation of someone else’s experience and the entering into someone else’s personal narrative. Instead of the chain of events that organizes the traditional biographical novel, the exofictional narrative focu…
Exofiction and Enactivist Narratives in Contemporary French Literature
The proliferation of hybrid genres is a notable trend in contemporary French literature. Alongside autofiction, new hybrids are emerging in French literature, modelled on a mixture of fiction and factual genre. One of them is exofiction (“ex” + “fiction”), which implies a narrative about fictitious events from the life of a historical character or an attempt to introduce fiction into someone else’s biography. The neologism, belonging to the write…
Russian-Language Autofiction and Cultural Trauma(s)
This paper is the first examination of its kind of the Russian-language autofiction tradition, which emerged and developed in the context of recent socio-political upheavals. There is currently no single and universal understanding of what ‘autofiction’ is, and each national literary tradition implies its own nuances. In Russian literature, autofiction also has its own specific agenda and modulations, which derive exclusively from practice rather…
Linguistics (3 works) · Narrative (3 works) · Narrative Theory and Analysis (3 works) · Philosophy (3 works) · Art (2 works) · French Literature and Critical Theory (2 works) · Literature (2 works) · Narratology (2 works) · Politics (2 works) · Aesthetics (1 work)