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Larissa V Kirillina

Biographic Data

ID9456910
NAMELarissa V Kirillina
GIVEN NAMESLarissa V
FAMILY NAMEKirillina
SIGNATUREKIRILLINA L V
AFFILIATIONSMoscow Conservatory
ORCID0000-0002-5225-5641
VERIFIEDYes
TOTAL WORKS2
TOTAL CITATIONS0
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2023
LATEST PUBLICATION YEAR2024
H-INDEX0
  • “Spanish Trace” in the Plot, Libretto, and Stage Performances of Beethoven’s Opera Fidelio

    Open Access•Moscow State Tchaikovsky Conservatory, Larissa V Kirillina•ARTICLE•Contemporary Musicology•2024

    The article considers the various connections between Ludwig van Beethoven’s opera Fidelio and specific elements pertaining to Spanish culture. According to the libretto, the events take place in a state prison near Seville. Beethoven’s librettists (Joseph Sonnleithner, Stephan von Breuning and Georg Friedrich Treitschke) closely followed the original source, Jean-Nicolas Bouilly’s play Léonore, ou L’amour conjugal, which had originally been set …

  • The Dancing Prometheus

    Open Access•Larissa V Kirillina•ARTICLE•Contemporary Musicology•2023

    Beethoven’s music has frequently appeared in ballet productions in the 20th and early 21st centuries. However, his only full-scale ballet, Die Geschöpfe des Prometheus (1801), remains outside of the theatrical mainstream. Meanwhile, this work was important for both of its creators: the great choreographer Salvatore Viganò and Beethoven. The ‘Promethean’ line in Beethoven’s and Viganò’s legacy continued after the ballet’s premiere in 1801. A numbe…

No prominent works on this page.

  • The Dancing Prometheus

    Open Access•Larissa V Kirillina•ARTICLE•Contemporary Musicology•2023

    Beethoven’s music has frequently appeared in ballet productions in the 20th and early 21st centuries. However, his only full-scale ballet, Die Geschöpfe des Prometheus (1801), remains outside of the theatrical mainstream. Meanwhile, this work was important for both of its creators: the great choreographer Salvatore Viganò and Beethoven. The ‘Promethean’ line in Beethoven’s and Viganò’s legacy continued after the ballet’s premiere in 1801. A numbe…

  • “Spanish Trace” in the Plot, Libretto, and Stage Performances of Beethoven’s Opera Fidelio

    Open Access•Moscow State Tchaikovsky Conservatory, Larissa V Kirillina•ARTICLE•Contemporary Musicology•2024

    The article considers the various connections between Ludwig van Beethoven’s opera Fidelio and specific elements pertaining to Spanish culture. According to the libretto, the events take place in a state prison near Seville. Beethoven’s librettists (Joseph Sonnleithner, Stephan von Breuning and Georg Friedrich Treitschke) closely followed the original source, Jean-Nicolas Bouilly’s play Léonore, ou L’amour conjugal, which had originally been set …

Art (2 works) · Diverse Musicological Studies (2 works) · Literature (2 works) · Musicology and Musical Analysis (2 works) · Art history (1 work) · Ballet (1 work) · Classical ballet (1 work) · Dance (1 work) · Diversity and Impact of Dance (1 work) · Geology (1 work)

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