Nizhny Novgorod Glinka State Conservatory
Biographic Data
| ID | 9456917 |
|---|---|
| NAME | Nizhny Novgorod Glinka State Conservatory |
| GIVEN NAMES | Nizhny Novgorod Glinka State |
| FAMILY NAME | Conservatory |
| SIGNATURE | CONSERVATORY N N G S |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
J.M. Hauer
Josef Matthias Hauer (1883-1959) was an Austrian composer known for the development of twelve-tone music—the study of the tropes. His work and life, however, have been underscrutinised by Russian scholars. Hauer's musical works are generally regarded as illustrations to his theory with little artistic value. Meanwhile, the significance of his legacy goes beyond the twelve-tone composition: Hauer paves the way for discoveries in music of the secon…
New music in post-1918 Austria and Germany
The year 1918 opens a new political era as well as a new period in the history of art. It is associated with the promotion and strengthening of new music, which was accepted by the public only after the First World War. After the "heroic years" of the 1910s, new music gradually formed its own secessionist culture in the post-war period. It gave the right to compose new music as well as an opportunity to perform, listen, and evaluate it. The artic…
“Chinese style” in music at the turn of the 19th-20th centuries
The study focuses on the features of perception and interpretation of China and Chinese culture in European music at the turn of the 19th/20th centuries—yet another heyday for chinoiserie (“Chinese style”) in art. The author uses an integrated approach which encompasses cultural-historical, sociological, comparative-historical and musical-analytical methods. The analysis of Russian and European music associated with the “Chinese style” proves tha…
Alban Berg. “Diary” of a trip to Leningrad (based on the composer’s notebooks)
The article is based on previously unpublished archival materials from the Alban Berg Foundation of the Austrian National Library. These are, namely, the composer’s notebooks with his account of the trip to Leningrad to the premiere of the opera Wozzeck in June 1927. The article features facsimiles, transcriptions, and translations of some materials as well as their general description. The jewel of the collection is the notebook that Berg took w…
About methodological basis of Alban Berg’s creative process
The article discusses theoretical and methodological origins of Alban Berg’s creative process. A study of how methods of analysis and theoretical concepts of the corresponding period affect the genesis of the musical work and meet the peculiarities of a composer’s musical thinking, reveals the points of contact between the theory of music and composition. Our hypothesis is that energeticism as the most influential theoretical concept determined n…
No prominent works on this page.
Alban Berg. “Diary” of a trip to Leningrad (based on the composer’s notebooks)
The article is based on previously unpublished archival materials from the Alban Berg Foundation of the Austrian National Library. These are, namely, the composer’s notebooks with his account of the trip to Leningrad to the premiere of the opera Wozzeck in June 1927. The article features facsimiles, transcriptions, and translations of some materials as well as their general description. The jewel of the collection is the notebook that Berg took w…
About methodological basis of Alban Berg’s creative process
The article discusses theoretical and methodological origins of Alban Berg’s creative process. A study of how methods of analysis and theoretical concepts of the corresponding period affect the genesis of the musical work and meet the peculiarities of a composer’s musical thinking, reveals the points of contact between the theory of music and composition. Our hypothesis is that energeticism as the most influential theoretical concept determined n…
New music in post-1918 Austria and Germany
The year 1918 opens a new political era as well as a new period in the history of art. It is associated with the promotion and strengthening of new music, which was accepted by the public only after the First World War. After the "heroic years" of the 1910s, new music gradually formed its own secessionist culture in the post-war period. It gave the right to compose new music as well as an opportunity to perform, listen, and evaluate it. The artic…
“Chinese style” in music at the turn of the 19th-20th centuries
The study focuses on the features of perception and interpretation of China and Chinese culture in European music at the turn of the 19th/20th centuries—yet another heyday for chinoiserie (“Chinese style”) in art. The author uses an integrated approach which encompasses cultural-historical, sociological, comparative-historical and musical-analytical methods. The analysis of Russian and European music associated with the “Chinese style” proves tha…
J.M. Hauer
Josef Matthias Hauer (1883-1959) was an Austrian composer known for the development of twelve-tone music—the study of the tropes. His work and life, however, have been underscrutinised by Russian scholars. Hauer's musical works are generally regarded as illustrations to his theory with little artistic value. Meanwhile, the significance of his legacy goes beyond the twelve-tone composition: Hauer paves the way for discoveries in music of the secon…
Art (5 works) · Aesthetics (4 works) · Art history (4 works) · Literature (4 works) · Musical (4 works) · Visual arts (4 works) · History (3 works) · Musicology and Musical Analysis (3 works) · Arts, Culture, and Music Studies (2 works) · Epistemology (2 works)