Yulia P Medvedeva
Biographic Data
| ID | 9456918 |
|---|---|
| NAME | Yulia P Medvedeva |
| GIVEN NAMES | Yulia P |
| FAMILY NAME | Medvedeva |
| SIGNATURE | MEDVEDEVA Y P |
| AFFILIATIONS | Nizhny Novgorod State Conservatory named after M.I. Glinka |
| ORCID | 0000-0003-0780-5584 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
China in Soviet Opera
The attitude of the general public and musical circles to the work of Sergei Nikiforovich Vasilenko (1872–1956) changed more than once. Now that it becomes possible to consider his work more objectively, it is attracting the increasing attention of performers and researchers. One of Vasilenko’s most interesting works yet to receive critical reappraisal is his opera Son of the Sun [Sïn Solntsa] (1929). A year after its premiere at the Bolshoi Thea…
“Chinese style” in music at the turn of the 19th-20th centuries
The study focuses on the features of perception and interpretation of China and Chinese culture in European music at the turn of the 19th/20th centuries—yet another heyday for chinoiserie (“Chinese style”) in art. The author uses an integrated approach which encompasses cultural-historical, sociological, comparative-historical and musical-analytical methods. The analysis of Russian and European music associated with the “Chinese style” proves tha…
No prominent works on this page.
“Chinese style” in music at the turn of the 19th-20th centuries
The study focuses on the features of perception and interpretation of China and Chinese culture in European music at the turn of the 19th/20th centuries—yet another heyday for chinoiserie (“Chinese style”) in art. The author uses an integrated approach which encompasses cultural-historical, sociological, comparative-historical and musical-analytical methods. The analysis of Russian and European music associated with the “Chinese style” proves tha…
China in Soviet Opera
The attitude of the general public and musical circles to the work of Sergei Nikiforovich Vasilenko (1872–1956) changed more than once. Now that it becomes possible to consider his work more objectively, it is attracting the increasing attention of performers and researchers. One of Vasilenko’s most interesting works yet to receive critical reappraisal is his opera Son of the Sun [Sïn Solntsa] (1929). A year after its premiere at the Bolshoi Thea…
Art (2 works) · Art history (2 works) · China (2 works) · Law (2 works) · Political science (2 works) · Aesthetics (1 work) · Ancient history (1 work) · Asian Culture and Media Studies (1 work) · Empire (1 work) · Exoticism (1 work)